King Hannah weaves between meditative pop and expansive, sonorous landscapes brimming with darkness, wit, and wry humor. Merrick’s smoky vocals are perfectly complemented by the bluesy canvases Whittle masterfully paints beneath them as they effortlessly transition from post-rock expansiveness to evoking the sensation of Springsteen straying onto a gritty side-street off his highway to freedom.

Ship to Shore is classic Thompson, the songster of misery and despair who doesn’t often change that tune while always delivering something tasty, fresh and new. It’s a deep and diverse collection that pulls from various styles: rumbling, Motown-style rhythm, straightforward riff-rock, 1600s-era European music, and glammy, cabaret-like melodies.

Dreamachine rises beyond the critically acclaimed five-piece’s garage rock roots, drawing on a mix of post-punk, experimental pop, and vintage disco, all filtered through the band’s love of Middle Eastern psych music. Each song is its own distinct world, hypnotic and driven by lush synthesizers, sinewy guitars, and a muscular rhythm section– equal parts fearless and enthralling.

Named for the “honeylike” state of being in love (“like all the jagged thoughts and fears and anxieties in my brain are slowly smoothed out, until my mind is coated with warmth and sweetness,”) the album was Executive Produced by Dave Cobb, written with notable songwriters Hillary Lindsey, Natalie Hemby, and Alex Hope, and sees Ben exploring a more understated, folk-leaning sound.

Almost 40 years in, New Zealand rockers Crowded House are still adding rooms to their musical mansion. Gravity Stairs continues the sophisticated Beatlesque pop the band’s lead songwriter, Neil Finn, has always been known for. It’s the kind of album that rewards repeated listening with Finn’s songwriting opening like flower, and the band’s musical choices complementing his genius at every turn.

Believe Me Now? sees Hill digging deeper into her life-long passion for underground dance music and club culture. Whether she’s drawing from the worlds of drum ‘n’ bass, anthemic house, techno or atmospheric trance, Hill’s flair for blending the heart of such genres with her powerhouse vocal has produced an album that’s rich with credibility and personal integrity, yet with immense global appeal.

After more than two decades as a band, The Avett Brothers have stamped their own name on their 11th album. It's a return in some ways to their original form, too — raucous vocals, with harmonies in just the right places, over simple instrumentation. Here the guitars are electric, and the production is modern, but it’s a classic Avett Brothers theme: the agony and ecstasy of being in love.

Orton’s (Portishead) most personal work to date, the result of a period of sustained reflection and change — “lots of goodbyes,” in Beth’s words. Farewells to family, to friends, even to her former self. These are songs from the mid-course of life, when looking ahead no longer yields what it used to, and looking back has a sudden, sharper focus.

The songs here are as sincere as they are surreal, rooted in rich character studies and deep reflection. It’s a gorgeous collection of stripped-down bedroom folk wrapped in lush layers of synthesizers and washed out electric guitars, a poignant, expansive exploration of perception and purpose that manages to look both forwards and backwards all at once.

Following a five year hiatus and navigating through some notably peculiar circumstances, the Kentucky rockers are prepared to pick up where they left off (Social Cues— 2019’s Grammy winner for Best Rock Album) with the highly anticipated sounds of Neon Pill. It’s the perfect return for a band that has been greatly missed.

30 years later, Collective Soul is still going strong and continues to create infectious Alt-Rock music that is loved around the world. Here To Eternity contains 20 tracks of the catchy melodies, driving guitars, and soaring choruses that have defined the band's sound since their early days. This is a love letter to the fans.

Eilish’s third studio album, her most daring body of work to date, does exactly as the title suggests; hits you hard and soft both lyrically and sonically, while bending genres and defying trends along the way. “This whole process has felt like I’m coming back to the girl that I was,” Eilish says. “I’ve been grieving her. I’ve been looking for her in everything.”

Known for their eclectic Americana/roots fusion of alternative & outlaw country, rock, blues, R&B and Tejano/Tex-Mex influences, The Mavericks appropriately recorded these tracks in Nashville, New Mexico and Louisiana. The result invokes both a timeless feel of a classic Mavericks while again challenging conventions and pushing boundaries.

Known for their eclectic Americana/roots fusion of alternative & outlaw country, rock, blues, R&B and Tejano/Tex-Mex influences, The Mavericks appropriately recorded these tracks in Nashville, New Mexico and Louisiana. The result invokes both a timeless feel of a classic Mavericks while again challenging conventions and pushing boundaries.

30 years later, Collective Soul is still going strong and continues to create infectious Alt-Rock music that is loved around the world. Here To Eternity contains 20 tracks of the catchy melodies, driving guitars, and soaring choruses that have defined the band's sound since their early days. This is a love letter to the fans.

Eilish’s third studio album, her most daring body of work to date, does exactly as the title suggests; hits you hard and soft both lyrically and sonically, while bending genres and defying trends along the way. “This whole process has felt like I’m coming back to the girl that I was,” Eilish says. “I’ve been grieving her. I’ve been looking for her in everything.”

After more than two decades as a band, The Avett Brothers have stamped their own name on their 11th album. It's a return in some ways to their original form, too — raucous vocals, with harmonies in just the right places, over simple instrumentation. Here the guitars are electric, and the production is modern, but it’s a classic Avett Brothers theme: the agony and ecstasy of being in love.

Orton’s (Portishead) most personal work to date, the result of a period of sustained reflection and change — “lots of goodbyes,” in Beth’s words. Farewells to family, to friends, even to her former self. These are songs from the mid-course of life, when looking ahead no longer yields what it used to, and looking back has a sudden, sharper focus.

The songs here are as sincere as they are surreal, rooted in rich character studies and deep reflection. It’s a gorgeous collection of stripped-down bedroom folk wrapped in lush layers of synthesizers and washed out electric guitars, a poignant, expansive exploration of perception and purpose that manages to look both forwards and backwards all at once.

Following a five year hiatus and navigating through some notably peculiar circumstances, the Kentucky rockers are prepared to pick up where they left off (Social Cues— 2019’s Grammy winner for Best Rock Album) with the highly anticipated sounds of Neon Pill. It’s the perfect return for a band that has been greatly missed.

30 years later, Collective Soul is still going strong and continues to create infectious Alt-Rock music that is loved around the world. Here To Eternity contains 20 tracks of the catchy melodies, driving guitars, and soaring choruses that have defined the band's sound since their early days. This is a love letter to the fans.

Eilish’s third studio album, her most daring body of work to date, does exactly as the title suggests; hits you hard and soft both lyrically and sonically, while bending genres and defying trends along the way. “This whole process has felt like I’m coming back to the girl that I was,” Eilish says. “I’ve been grieving her. I’ve been looking for her in everything.”

Known for their eclectic Americana/roots fusion of alternative & outlaw country, rock, blues, R&B and Tejano/Tex-Mex influences, The Mavericks appropriately recorded these tracks in Nashville, New Mexico and Louisiana. The result invokes both a timeless feel of a classic Mavericks while again challenging conventions and pushing boundaries.