L’Rain’s I Killed Your Dog takes the universal pop theme of love as its starting point and inspects it through the form of a conversation — bold, bratty and even a touch diabolical – with her younger self. In the process of over-writing themes of grief and identity that informed her previous work, I Killed Your Dog considers what it means to hurt the people you love the most, and untangles her relationship with femininity and the formal musical conventions that others have placed on her.

A first time to vinyl reissue treatment of HAIM’s chart-topping debut album Days Are Gone, in celebration of the 10th anniversary. Featuring the six singles, ‘Forever’, ‘Don’t Save Me’, ‘Falling’, ‘The Wire’, ‘If I Could Change Your Mind’ & ‘My Song 5’, the record hasn’t been reissued since its release in 2013. Housed in an entirely new package, the album features a track list compiled by the band of their favorite demos and remixes on transparent green vinyl. Also features an exclusive fold out poster.

Reigning from Atlanta, GA, vocal powerhouse Teddy Swims masterfully blends genres from pop, soul, hip-hop, to R&B. Throughout the last four years, Teddy has spent countless hours honing his craft by writing original music and solidifying who he is as an artist. His remarkable debut album I've Tried Everything But Therapy (Part 1) is a transformative record that pushes boundaries, inviting listeners to come along on his personal journey of self-discovery and growth. With his soul-stirring voice and heartfelt lyrics, Teddy delivers an intimate and cathartic experience, delving into themes of love, loss, and the complexities of life. With nearly 1 billion global streams across his catalog, Teddy Swims has become a force to be reckoned with, amassing a social following of over 10 million devoted fans and selling out tours across the globe. His undeniable talent has also attracted collaborations with renowned artists like Meghan Trainor, Thomas Rhett, and ILLENIUM, showcasing his versatility and musical prowess.

Guitarist Eric Krasno (Lettuce, Soulive) and drummer Stanton Moore (Galactic, Garage-a-Trois) are GRAMMY award-winning artists who have shared the stage countless times over years. Their album Krasno/Moore Project: House of Queens (Concord Jazz) showcases a collection of songs from some of their favorite female artists including Amy Winehouse, Billie Eilish, H.E.R., Nina Simone and more. Featuring organist Eric Finland with special guests Cory Henry, Branford Marsalis and Robert Randolph.

On June 15, we will release the new song "Can I Talk My Shit?," by Vagabon, the moniker of Lætitia Tamko. We will also announces her new album, Sorry I Haven’t Called, which is out September 15th via Nonesuch Records, and a fall tour that includes a headline run in the US, and EU dates with Arlo Parks and Weyes Blood. The album, co-produced by Tamko and Rostam (Vampire Weekend, Haim, Clairo), finds Tamko reinventing herself once again and features the most playful and adventurous music of her career.

“I didn't feel like being introspective,” says Laetitia Tamko of her new album Sorry I Haven’t Called. “I just wanted to have fun.” Following her intimate 2017 debut Infinite Worlds, the New York artist favored expansive and evocative electronic textures in her breakthrough 2019 self-titled follow-up. But her latest LP feels like a wholly new era for Tamko, one that’s transformational and uncompromising. Across 12 vibrant tracks she wrote and produced primarily in Germany, she channels dance music and effervescent pop through her own confident sensibilities. These conservational songs are alive and unselfconscious, a document of an artist fully embracing her vision and reclaiming her joy. 

Tamko’s lyrics on Sorry I Haven’t Called are uniformly playful and inviting. The first words she sings on the album are, “Can I talk my shit? / I got way too high for this.” It’s a statement of purpose for the rest of the album that this is an unapologetic artist. “This whole record is how I talk to my friends and how to talk to my lovers,” says Tamko. “I think honesty and conversational songwriting can become poetry. There’s beauty in plainly speaking without metaphors and without flowery imagery.”

BRIAN SETZER, the iconic guitarist, songwriter, vocalist and 3-time Grammy award-winner, returns with his 10th studio album is a red-hot album from start to finish, featuring 11 all-original songs that are full of dynamism and bravado. The album is classic rockabilly at its absolute finest and showcases SETZER at the top of his career. Produced by Julian Raymond, THE DEVIL ALWAYS COLLECTS contains songs all written or co-written by SETZER, and was recorded in Minneapolis (his adopted hometown) and Nashville. 

‘Metallic Spheres’ by The Orb and David Gilmour, the guitar and voice of Pink Floyd, has been reimagined and remixed as ‘Metallic Spheres In Colour.’ Of this rework, producer Youth says ‘The idea for Metallic Spheres In Colour, was that Alex Paterson (founder of The Orb) could have done more on the first version, and he didn't really have the opportunity because we had a philosophy of making the music like the Blade Runner soundtrack meets Wish You Were Here. So, I asked him why don't we remix it and make it like an Orb classic? And in doing that, it's almost like a completely different album.’

The group’s second LP for Epitaph finds HUNNY playing in a brand-new musical sandbox, balancing the haze of hindsight with a sun-soaked SoCal summer.

From the meditative track “my own age” and breakbeat-backed, late ’90s-leaning “all my luck” to the lo-fi punk standout “ring in your ear” (featuring Motion City Soundtrack’s Justin Courtney Pierre) and made-for-dashboard-drumming “89cc” (complete with a searing sax solo) the album is a testament to the band’s musical fluency and dedication to their craft.

HUNNY was born out of the tight-knit North LA indie-rock scene of the mid-2010s, sharing stages and even band members with acts like The Neighbourhood and Bad Suns from an early age. The band is well established in the digital space, having racked up over 300+ Million streams to date on their catalog.

By the time the band had secured a record deal with legendary Epitaph Records and released their 2019 debut full-length, Yes. Yes. Yes. Yes. Yes., outlets like Alternative Press were hailing HUNNY – vocalist/guitarist Jason Yarger, guitarist Jake Goldstein, bassist Kevin Grimmett and drummer Joey Anderson – for their spin on “perfunctory electronic and new-wave pop, teeming with love, heartbreak, neuroses and impeccably sweet dancing shoes.”

Now, on the verge of entering their second decade together, it’s clear HUNNY’s greatest asset is their disinterest in doing anything besides what moves them. It’s afforded them great range as a band, the ability to naturally shapeshift on their own albums as well as win over audiences across the entire rock spectrum. Most importantly, it’s propelled them to be unapologetically themselves and trust what’s gotten them this far.

Black Classical Music, the first official solo release of the acclaimed UK drummer, Yussef Dayes. Across 19 tracks, it melds the spirit of everything from 70s funk, reggae and Senegalese percussion while simultaneously nodding to furious dancefloor pacings of the soundsystem continuum. At every turn, Yussef’s distinctive drum licks and Rocco Palladino’s bass are the sturdy anchors; aided by Charlie Stacey/Elijah Fox (keys/synths), Venna (saxophone) and a whole host of honorable features including: Chronixx, Jamilah Barry, Tom Misch, Shabaka Hutchings, Miles James, Sheila Maurice Grey, Nathaniel Cross, Theon Cross and the Chineke! Orchestra, the first professional orchestra in Europe to be made up of majority Black and ethnically diverse musicians.

Yussef Dayes’ rise can be first linked to the short lived duo Yussef Kamaal, with keyboardist Kamaal Williams who released one album Black Focus, in 2016.  2019/2020 birthed two EPs and one album within close proximity: Blackfriars, and Duality, and sandwiched in between, What Kinda Music, a collaboration with Tom Misch. Since then, his list of collaborators has blossomed to include an official remix of Pa Salieu’s “Frontline”, drums on “Motor City Madness (People Mover Remix)” for Waajeed, and on Wizkid’s “Made In Lagos” album, plus production for Kali Uchis (“Blue”) and Kehlani (“Hate The Club”) and 2022’s joint release with Soulection entitled Live At Joshua Tree.