Released ahead of 1995's The Gold Experience, the first album credited to Prince's infamously unpronounceable symbol, The VERSACE Experience (PRELUDE 2 GOLD) was a gift to attendees of the designer's collection at Fashion Week in Paris. Produced at the time as only a very limited edition promotional cassette, it featured remixed versions of future favorites ""Pussy Control,"" ""Gold"" and ""Eye Hate U"" as well as rare and commercially unreleased selections by The New Power Generation and Prince's jazz-fusion project Madhouse. The rare promotional cassette went on to be incredibly sought after, with one copy setting a record as the highest priced cassette ever sold, fetching over $4,000.
Composed and assembled over the course of several years, Jaime is a highly personal album release combining Brittany’s unmistakable voice with peerless, visionary and fearless songwriting. Brittany has constructed an assemblage of songs which bend the framework of what we know from her previous work with Alabama Shakes and endeavors with Thunderbitch and Bermuda Triangle, music which wholly sits in a new terrain of sound bolstered by an incredible band of musicians including Zac Cockrell of the Shakes, drummer Nate Smith and the one and only Robert Glasper.
Emancipation was as expansive an album as anything Prince had ever release. A triple album constituting exactly three hours of music, Emancipation found Prince celebrating the release of music solely on his terms. ""This is my most important record,"" he proclaimed upon its release. ""I'm free, and my music is free."" Much like Paisley Park, the recording complex in which Prince created Emancipation, the album represents the incredible variety of his influences and moods. Romance and family are key themes (""Somebody's Somebody,"" ""The Holy River,"" ""The Love We Make""), reflecting his recent marriage to back-up dancer and muse Mayte Garcia that year. Elsewhere, Prince reflects on technology (""My Computer"") and sex (""In This Bed <0> Scream""), and offers new, upbeat grooves (""Face Down,"" ""Jam Of The Year"") as well as four unique covers (Bonnie Raitt's ""I Can't Make You Love Me,"" the Philly soul classics ""Betcha By Golly Wow"" and ""La, La, La Means I Love U,"" Joan Osborne's then-recent rock hit ""One Of Us"").
On his new album, ‘Ideal Man,’ Andrew Combs worked with producer/engineer Sam Cohen (Kevin Morby, Benjamin Booker)to achieve a more raw, direct sound. The collection was captured live in Cohen’s Brooklyn studio, with compact arrangements fueled by taut, elastic grooves. While Combs may be best known as a singer/songwriter in the classic 1970’s Laurel Canyon sense, he proves the true versatility of his work here, often setting his acoustic aside in favor of atmospheric synthesizers and distorted electric guitars. Combs worked with some of his favorite writers on the album, including Dylan LeBlanc, Jeff Trott, Joe Henry, and Kenny Childers, but the stories he tells here are deeply personal and remarkably vulnerable.
A sense of danger and violence underlies the entire record, much as it does the entire country, but it only serves to make the moments of beauty and connection here that much more poignant. Life is short and the clock is ticking. Andrew Combs doesn’t plan to waste a second.
Released in July 1996, Chaos and Disorder came with a rare disclaimed penned by Prince (then known as the unpronounceable love symbol): Originally intended 4 private use only, this compilation serves as the last original material recorded by [The Artist] 4 Warner Bros. Records. Princes contentious relationship with the label was at its lowest point, and this recorda taut 39 minutes of dexterous guitar and simple but addictive pop melodieswas a crucial final link in the chains that kept him from releasing the music the way he wanted. Any internal turmoil was not represented in tracks like Dinner With Delores (a minor U.K. hit) and the rollicking title track, a staple of his live shows. Someone told me that Van Halen did their first record in a week, Prince told the Los Angeles Times of the albums quick creation. Thats what we were going forspontaneity, seeing how fast and hard we could thrash it out.
Attempting to designate a musical category for Geraint Watkins is not without its challenges, but the perspicacious Nick Lowe once observed that he could be filed as "the missing link between Paulo Conte and Howlin' Wolf."
For so many years, a keystone of the bands of Nick Lowe, Van Morrison, Bill Wyman's Rhythm Kings, Dave Edmunds and countless more, Geraint Watkins is also a revered creator of his own sublime music, much of which has already been perfectly captured in a handful of solo albums.
For Rush Of Blood, Watkins found a new and unlikely collaborator in Simon Ratcliffe of The Basement Jaxx to push his boundaries even further. This unique aggregation-aided by some master musicians-has produced what will surely come to be regarded as his finest solo project yet.
‘Cause and Effect’ is Keane’s 5th studio album. Their 4 previous albums have all entered the UK charts at number 1 and accumulated sales of over 13m worldwide and 2.6 billion streams. The birth of this new album came as something of a surprise even to the band. Singer Tom Chaplin had released two successful solo albums but missed his old sparring partner Tim Rice-Oxley. Written by Keane and produced by David Kosten and the band themselves, the album features 11 new songs recorded in London.
Single LP on coke-bottle clear vinyl in same packaging as standard LP. Includes foldout poster inserts (22.75” x 33”) & a coupon for full download. Ltd Edition. Indie Only.
Describing the Durham-basedHiss Golden Messengeris like trying to grasp a forgotten word: It’s always on the tip of your tongue, but hard to speak. Songwriter and bandleader M.C. Taylor’s music is at once familiar, yet impossible to categorize: Elements from the American songbook—the steady, churning acoustic guitar and mandolin, the gospel emotion, the eerie steel guitar tracings, the bobbing and weaving organ and electric piano—provide the bedrock for Taylor’s existential ruminations about parenthood, joy, hope, and loneliness—our delicate, tightrope balance of dark and light—that offer fully engaged contemporary commentary on the present. And then there’s an indescribable spirit and movement: Hiss Golden Messenger’s music grooves. There’s nothing else quite like it.
The concept of STARSET is a multimedia experience with a cinematic rock band at the center. The narrative, branding and music driving the new campaign is fully integrated and is set in a near future and centered around showcasing the positive and negative effects of technology on society - futuristic on one side, post-apocalyptic on the other. Think Tron meets Mad Max. They’re harnessing the power of their rabid core fan base and influencer supporters to hack traditional forms of music promotion and do something truly innovative, as appealing for the Comicon crowd wanting to deep dive into the story as casual listeners.
Sinematic is an enthralling set of songs that explore the darker corridors of human nature. The 13 song collection, is his first since 2011’s How To Become Clairvoyant and themes sprang from his recent film scoring for Martin Scorsese’s organized crime pic, The Irishman and his forthcoming documentary Once Were Brothers: Robbie Robertson and The Band. The album features guest stars such as Van Morrison, Glen Hansard, and many more.
Post Malone stirs a mix of genres into his own sonic sound that’s both intoxicating and invigorating. His RIAA 3x Platinum certified debut album, Stoney, led the genre-bending Dallas, TX artist to his first Top 10 Billboard 200 and first #1 R&B/Hip-Hop Album while being the “#1 Debut Hip-Hop Artist of 2016”. 2019 has been packed with one milestone and achievement after another for Post Malone including “Congratulations” being certified Diamond by the RIAA.
The Highwomen are a cleverly named new supergroup comprising country and roots rock stars Brandi Carlile, Amanda Shires, Maren Morris, and Natalie Hemby. After a few months of teasers and a soft debut at April’s Loretta Lynn tribute, they’re making their official introduction to the world.
The group has announced its self-titled debut album, out in September and produced by Dave Cobb, the Nashville mainstay who always seems to be behind the boards for these types of projects. (He’s also produced recent albums by Jason Isbell, Sturgill Simpson, Chris Stapleton, Lori McKenna, Ashley Monroe… you get the idea.) The album features 12 songs written by various combinations of the core members plus some notable collaborators like Isbell, McKenna, Miranda Lambert, and Ray LaMontagne. It features guest appearances from Isbell, Cobb, Sheryl Crow, Yola, the Hanseroth twins, Chris Powell, and Peter Levin.
Darrin Bradbury writes about the way things really are in America – a singular perspective shaped by a natural gift for storytelling and a sly sense of humor. A self-described folk satirist who has toured the country for more than a decade, Bradbury collects his oddball observations in his newest album, Talking Dogs & Atom Bombs. Bradbury grew up in New Jersey with an early interest in performing, partly because of his mother’s career as a circus clown. At the age of 7, he felt certain that he would either become a songwriter or a cartoonist. He learned to play guitar as a vessel to tell his stories. By the age of 18, he’d discovered Bob Dylan, Jack Kerouac, and Paul Simon, and decided to hit the road. At 25, he moved to Nashville, to try making it as a songwriter. For three months, he slept in his car in a Walmart parking lot, and developed a local following by playing open mic nights. With a handful of self-funded EPs and albums, Bradbury steadily cultivated a national audience by touring constantly. Talking Dogs & Atom Bombs is Bradbury’s first release for ANTI- Records. - Album Produced by Kenneth Pattengale of The Milk Carton Kids - Featured players on this album include a “who’s who” of Nashville players including Margo Price (featured vocal on “The Trouble With Time” ) , Kenneth Pattengale (vocals, mellotron), Jeremy Ivey (bass, piano), Alex Munoz (guitar, lap steel, vocals) and Dillion Napier (drums).
2019 release. Guaxe is a musical duo that was formed spontaneously after the encounter of two Brazilian psych rockers Dino Almeida (Boogarins) and Pedro Bonifrate (Supercordas). Both members have guested on each others' recordings and had shared the stage at a few festivals together before Supercordas' dissolution in 2016. Over recent years, Dino has paid Bonifrate and his family many short visits to his home in Paraty in coastal Brazil. During these getaways, the Guaxe album was written and recorded - with 4-track machines, computers, cranky gear, 10-string guitars, children playing, and a rainforest full of lizards all around the house.
Also check out Dino Almeida's other band Boogarins who are currently on tour following the release of their recent album Sombrou Dúvida which is available now on CD & LP
Amadjar means ‘the unknown visitor’ in the language of Tamashek, the one who seeks hospitality and who’s condemned to an inner exile, within a territory or within himself. The story of Amadjar, the ninth Tinariwen album, begins at the end of 2018, at the Taragalte Festival of nomadic cultures in the Moroccan Sahara. After a concert and a sandstorm, Tinariwen hit the road and head for Mauritania, via southern Morocco, Western Sahara and the Atlantic coast. The destination is important but no more so than the journey itself. Tinariwen are joined by their French production team, who arrive in old camper van that’s been converted into a makeshift studio. The journey to Nouakchott, capital of Mauritania, takes a dozen days or so. Every evening, the caravan stops to set up camp and the members of Tinariwen get to work under the stars – to prepare for the recording, talking things through, letting their guitar motifs, thoughts and long buried songs come. Then, during a final camp in the desert around Nouakchott that lasts about fifteen days, to an audience of scorpions, the band record their songs under large tent. In a few takes, without headphones or effects. The Mauritanian griotte Noura Mint Seymali and her guitarist husband, Jeiche Ould Chigaly, come to throw their musical tradition on the embers lit by Tinariwen – the curling vocals of Noura Mint Seymali on the song ‘Amalouna’ will become a highlight. This nomadic album, recorded in a natural setting, is as close as you can get to Tinariwen. And also, therefore, to the idea that things can evolve: bassist Eyadou plays a lot of acoustic guitar; percussionist Said tries his hand at new instruments; Abdallah exhumes songs that he’s never played on stage with Tinariwen. And that violin that appears on several songs and reminds you of the traditional imzad ; It’s actually played by Warren Ellis. The violinist in Nick Cave’s band is one of several western guests on the album. We also hear the mandolin and charango of Micah Nelson (son of the country music giant Willie Nelson, and Neil Young’s guitarist), and the guitars of Stephen O’Malley (Sunn O)))), Cass McCombs and Rodolphe Burger. The album is mixed by Joshua Vance Smith.
Melanie Martinez’s sophomore album, K-12, is another ambitious triumph for the artist. As with her debut album Cry Baby, K-12's music is a vibrant and singular melting pot of low-key hip-hop, soulful pop and indie-leaning electro. K-12's universe is an expansion of the one introduced in Cry Baby. Using lyrics rich with metaphor, songs address the struggle to find a place to belong —including within friendships, the physical world and romantically — even when fitting into society feels like an uphill battle.
i,i is Bon Iver's most expansive, joyful and generous album to date. If 'For Emma, Forever Ago was the crisp, heart-strung isolation of a northern Winter; Bon Iver the rise and whirr of burgeoning Spring; and '22, A Million', a blistering, crazy energy Summer record, i,i completes the cycle: a fall record; Autumn-colored, ruminative, steeped. The autumn of Bon Iver is a celebration of self acceptance and gratitude, bolstered by community and delivering the bounty of an infinite American music. The sales and accolades are well-known multiple Gold albums, multiple Grammys, chart-topping collaborations and festival headlines. But even more significantly, with each release Bon Iver quietly shifts the state of modern music. From the boundaries of folk, to the rules of autotune, to production work for others, Bon Iver s fingerprint finds its way across the mainstream every time. Vernon has always been a master collaborator, and on i,i that desire becomes maximal, with guests ranging from Moses Sumney and Bruce Hornsby to Wye Oak's Jenn Wasner and the Brooklyn Youth Chorus. Here, the music and band, and themes, and creative space are bigger than ever.
Olivia Jean is back on the beat with her second full-length (and first self-produced) album, Night Owl, due out August 30, 2019 on Third Man Records. The album mines the shared spaces between bubblegum, beach pop undercurrents and fuzzed out garage a la B-52s and Dick Dale, lyrically diving headfirst into the frustrations of perfectionism, mental barriers, obsession and modern heartache. Unlike Bathtub Love Killings on which we found Olivia playing every instrument on the vast majority of the album, Night Owl is decidedly more collaborative, with a studio band of buddies backing up her up.
Night Owl is exactly what it sounds like: the wee-hour workings of an artist engrossed in a project, pushing against omnipresent forces of fear and judgment to do exactly what you’ve always wanted to do and be exactly what you’ve known you are. It's candy-coated and also bittersweet, fully aware and also full-hearted.
New CD: $74.98 $67.48 Add to Cart
"If you write the truth and you're writing about your life, it's going to be country. It'll be country 'cause you're writing what's happening. And that's all a good song is." Loretta Lynn COUNTRY MUSIC, the eight-part, 16-hour film by Ken Burns, chronicles the creation of a truly American genre of music through the songs and stories of its greatest trailblazers. Country Music A Film By Ken Burns (The Soundtrack) includes more than 100 timeless classics as heard in the film, including songs by The Carter Family, Jimmie Rodgers, Bill Monroe, Bob Wills, Hank Williams, Johnny Cash, Loretta Lynn, Charley Pride, Willie Nelson, Dolly Parton and many more. This deluxe 5CD set includes 68 pages of liner notes and rarely seen archival photos, documents and memorabilia.
Sombrou Dúvida is a question. A play on words in Boogarins’ native Brazilian Portuguese. It’s a contraction of “Sombra ou Dúvida”, the title track of the album, which translates as ‘Shadow or Doubt’. There might seem to be a darkness to the question, given that both choices aren’t exactly cheery. Yet, Dino, the smiling, Afro-donned singer of the group tells us that “shadow” refers to a feeling related to your comfort zone, whereas doubt is the uncertainty that hits people and leads them to follow their instincts. For fans of previous works by the band, Fernando Almeida’s songwriting and soaring vocals guide Sombrou Dúvida in a way that’s reminiscent of the Latin Grammy-nominated second album "Manual", which was a portrait of a live band exploring the professional recording studio for the first time. The new 10-song set builds on this premise while retaining many of the home-recorded electronic elements of Lá Vema Morte.
Also check out the new project Guaxe which features Dino Almeida of Boogarins and Pedro Bonifrate of Supercordas. Their debut album is available 9/6 on CD & LP
Seratones aptly named sophomore release POWER is described by poet and author Hannif Abdurraquib as a glorious, swelling album[a] sonic monument, and precise lyrical tapestry. AJ Haynes bends her gloriously malleable voice seamlessly around the temples of rock, and soul, and funk. All of them, unfurling in waves of keys, staccato percussion and wailing curves of guitar. Based in Shreveport, Louisiana, Haynes and founding members, drummer Jesse Gabriel and bassist Adam Davis, form the kind of laser-focused rhythm section that you only get from bandmates who've been playing together since they were teenagers. New members Tyran Coker (keys) and Travis Stewart (guitar) bring a fresh dynamic to the band with interstellar soundscapes and entrancing melodies, all while maintaining the emotional edge and intensity from their acclaimed proto-punk debut record Get Gone.vPOWER exemplifies a true strength in vulnerability, a kaleidoscopic view into Haynes passions, hopes, and worries: from her love of poetry to her advocacy for Reproductive Justice and racial equity. Hard-learned lessons from lovers and intimate friends. The struggles to adapt and overcome. POWER is as much a statement as it is a question, a semiotic exploration of sound and Soul.
GRAMMY Award-winning MCA Nashville country star Vince Gill announced today that his new album, Okie, will be released on August 23. Gill wrote or co-wrote all 12 songs on Okie. The album's title is taken from the once-derogatory term used to disparage migrants from Oklahoma to the nation's west coast during the Dust Bowl and Great Depression eras. A proud Oklahoman, Gill has appropriated this term on an album that embraces his roots and explores some of the most important issues of our time. I thought this was going to be a songwriter record, not a concept album, Gill says. It wound up being more information than I'd envisioned. A friend sent me an email saying, You could have only written this record after living a 60-year-plus life. He said, There's no struggle in these songs, just truth and your experience. Okie marks Gill's most recent solo album since 2016's Down To My Last Bad Habit and 2011's Guitar Slinger. In 2013, Gill partnered with famed steel guitarist Paul Franklin on Bakersfield as a tribute to the Bakersfield sound of Buck Owens and Merle Haggard. With 21 GRAMMY Awards to his credit. Gill has solidified his place as country music's most eloquent and impassioned champion. He is both a world-class musician and a wide-ranging songwriter whose compositions earned him entry into the Nashville Songwriters Hall of Fame in 2005 and the Country Music Hall of Fame in 2007. Gill has also made appearances on over 1000 artists records. In 2017, Gill was invited to join the Eagles for their worldwide tour, and later this month he will again join the band for the European leg of their upcoming tour with stops in Antwerp, Belgium, Cologne, Germany and Amsterdam.
Over 75 years after Rodgers & Hammerstein reinvented the American musical, this is OKLAHOMA! as you’ve never heard it before and reimagined for the 21st century. Stripped down to reveal the darker psychological truths at its core, Daniel Fish’s production tells a story of a community circling its wagons against an outsider, and the violence of the frontier that shaped America. Funny and sexy, dark and terrifying, “this is the OKLAHOMA! that was there all along” (New York Magazine).
“How does brokenness walk? Or move through the world?” says guitarist/vocalist Carrie Brownstein about The Center Won’t Hold, Sleater-Kinney’s tenth studio album. “We’re always mixing the personal and the political but on this record, despite obviously thinking so much about politics, we were really thinking about the person – ourselves or versions of ourselves or iterations of depression or loneliness – in the middle of the chaos.” The Center Won’t Hold is Sleater-Kinney’s midnight record on the doomsday clock. After twenty-five years of legendary collaboration, rock’n’roll giants Brownstein, Corin Tucker, and Janet Weiss rise to meet the moment by digging deeper and sounding bigger than we’ve heard them yet. Here are intimate battle cries. Here are shattered songs for the shattered survivors. The Center Won’t Hold drops you into the world of catastrophe that touches on the election,” says guitarist/vocalist Tucker of the title track. “We’re not taking it easy on the audience. That song is meant to be really heavy and dark. And almost like a mission statement, at the end of that song, it’s like we’re finding our way out of that space by becoming a rock band.
Ride return with the 6th studio album of their career and their second since reforming in 2015 and signing to Wichita. As with their previous album, the highly acclaimed Weather Diaries, Erol Alkan was in the producers chair, whilst career-long collaborator Alan Moulder (with Caesar Edmunds) mixed the album. The albums title was inspired by one of the hobo code symbols once used by those who travelled the railroads of the US, and then found in the early artwork of Jean-Michel Basquiat. The phrase clearly resonates with the current state of the world politically and environmentally. This Is Not A Safe Place is arguably the Ride album with the broadest sonic palette thus far. You can hear sounds and styles that span their entire catalogue but, both musically and lyrically, this is clearly an album made by a band who love being back together and who are at the very top of their game.
Five new songs not previously released along with five songs from the collection of singles released between November 2017 and March 2019
All songs produced by Josh Kaufman and engineered by D. James Goodwin. Formed in 2003, The Hold Steady have released six albums, numerous singles and played over 1000 shows during the past 16 years. The Brooklyn-based band, by way of the Midwest, has performed in all 50 states in the USA, and throughout Canada, the UK, Europe and Australia.
The Hold Steady began releasing two-song singles in November 2017 ahead of the sold-out weekend shows they do in select cities each year and have released five new singles (nine songs total) thru March 2019. The band will launch "Constructive Summer 2019" in August + September four weekends of US shows in Seattle, Chicago, Nashville and Boston.
Craig Finn: "I've been saying for a few years now - since Franz came back- that this six piece lineup of The Hold Steady is the best band we've ever been. The new songs recorded by this version of the band are super exciting to us. It's been a very fun and creative period for The Hold Steady.ť
Thrice celebrate the 10 year anniversary of their classic "Beggars" on striped colored vinyl and includes a bonus 7" with two rare b-side tracks, "Red Telephone" and "Answered," never before available on vinyl.
New Vinyl: $21.98 Add to Cart
Old Salt Union once again enlisted GRAMMY-winning banjoist and Compass co-founder Alison Brown to produce the follow-up to their self-titled Compass Records debut. The resulting album, WHERE THE DOGS DON't BITE, builds on this non-traditional stringband's varied musical backgrounds for a wildly entertaining, eclectic batch of songs. The quintet Ryan Murphy (banjo), Justin Wallace (mandolin), John Brighton (violin), Jesse Farrar (primary vocalist and bassist) and newest member Graham Curry (guitar) have continued to hone and develop their sound through relentless touring, cultivating a steadfast fanbase drawn to their high-energy shows. Coming from varied musical backgrounds, Old Salt Union's collective melting pot of styles and musical vocabularies informs their fresh approach to modern string band music and has helped to carve a unique niche for this Belleville, Illinois roots outfit. Farrar, nephew of Son Volt's Jay Farrar, kicks off the album with "God You Don't Need,' a hook laden ode to a relationship gone bad set against a tapestry of strings and an eerily compelling banjo melody. Label mate Bobby Osborne guests on "Tells Me So,' a nod to the bluegrass side of the band's musical sensibilities featuring a lead vocal by mandolinist Justin Wallace. Violinist Brighton delivers the gypsy-tinged instrumental "Johann's Breakdown,' which pulls from jazz and classical progressions, and Wallace delivers the haunting title track, "Where The Dogs Don't Bite.' The dark, but heartfelt song features triple-layered guitar harmonies, stacked vocals and a group sing-along that recalls last call at a corner pub in the rust belt, a fitting closing to this musically diverse and compelling release.
Over the last decade, Drew Holcomb has established himself as one of Americana s freshest upstarts, building his following and critical appeal with every release, show, and entrepreneurial undertaking (like his curated Moon River Music Festival and Magnolia Record Club). For Holcomb, music is what helps us try to understand our place in a world full of equal parts chaos, confusion, love, and community, and Dragons is his reminder to all of us to keep fighting the good fight and to never give up. Produced by Cason Cooley (Ingrid Michelson, American Authors) Dragons features collaborations with Lori McKenna, Natalie Hemby, Sean McConnell, and Zach Williams of The Lone Bellow.
On August 16th, 2019, Eilen Jewell will release Gypsy on Signature Sounds. Described as one of Americana's most intriguing and creative voices (American Songwriter), Jewell has written 11 new songs for Gypsy and is calling it her favorite album yet: new sounds, old sounds, electric guitar-driven rockers, classic country, and tender ballads. Gypsy continues to solidify Jewell's reputation as one of the most distinctive and potent voices in the Americana world today.
Tootsie's Original Broadway Cast Recording is now available from Decca Broadway. The album preserves David Yazbek's Tony-nominated score and the performances of the original Broadway cast, led by Tony nominee Santino Fontana as Michael Dorsey.
Third Man Records is excited to announce the release of ANN ARBOR BLUES FESTIVAL 1969, a 50th anniversary celebration collecting 24 previously unheard songs by such blues legends as Howlin’ Wolf, Muddy Waters, B.B. King, James Cotton, Son House, Magic Sam, T-Bone Walker, Junior Wells, Big Mama Thornton, Clifton Chenier, Son House, Mississippi Fred McDowell, Lightnin’ Hopkins, Pinetop Perkins, J. B. Hutto & His Hawks, Roosevelt Sykes, Luther Allison, Otis Rush, Big Joe Williams, Charlie Musselwhite and more. The first ever release of music recorded live at the landmark event, ANN ARBOR BLUES FESTIVAL 1969 will be available in two individual 2x LP volumes, exclusively on 180 gram vinyl.
Third Man Records is excited to announce the release of ANN ARBOR BLUES FESTIVAL 1969, a 50th anniversary celebration collecting 24 previously unheard songs by such blues legends as Howlin’ Wolf, Muddy Waters, B.B. King, James Cotton, Son House, Magic Sam, T-Bone Walker, Junior Wells, Big Mama Thornton, Clifton Chenier, Son House, Mississippi Fred McDowell, Lightnin’ Hopkins, Pinetop Perkins, J. B. Hutto & His Hawks, Roosevelt Sykes, Luther Allison, Otis Rush, Big Joe Williams, Charlie Musselwhite and more. The first ever release of music recorded live at the landmark event, ANN ARBOR BLUES FESTIVAL 1969 will be available in two individual 2x LP volumes, exclusively on 180 gram vinyl.
VOLBEAT emerged from Copenhagen in 2001. Since then, they’ve tirelessly clawed their way to hard rock’s upper echelon with endless touring and a string of six beloved full-length albums. Recently, their 2010 album Beyond Hell/Above Heaven, which features hit singles “A Warrior’s Call” and “Heaven Nor Hell,” received RIAA Gold Certification. 2013’s Outlaw Gentlemen & Shady Ladies bowed at #9 on the Billboard Top 200 upon release marking the highest U.S. chart entry for a Danish Act since 1997.
Digital: $5.99 Add to Cart
In the fall of 2018, pianist and bandleader Jon Batiste played a six-night residency at the historic Village Vanguard in downtown New York City. On August 2, Batiste will release selections from those nights entitled ‘Anatomy of Angels: Live at the Village Vanguard’ via Verve Records.
The selection for Anatomy of Angels is comprised mostly of Batiste’s own compositions, which range from bluesy (“Dusk Train To Doha”) to Coltrane-esque explorations (the titular track “Anatomy of Angels” and “Creative.”) In addition to his own works, Rachael Price from Lake Street Dive joins him for Ray Noble’s “The Very Thought Of You.” Batiste also arranged on one of the most famous works of his idol Thelonious Monk, “’Round Midnight.”
Crafting honestly poetic, passionate and powerful songs, Nashville-Indie duo, The Harmaleighs (composed of Haley Grant and Kaylee Jasperson) forthcoming project 'She Won’t Make Sense' is a concept album about mental illness (Mania, Depression and Anxiety) experienced by band member Haley Grant.
‘High Expectations’ is that rare record which feels both like a graduation and, also, just the beginning for Mabel. The twice-Brit-nominated singer and songwriter has already sold over 3 million singles in the UK (two platinum, three gold, and two silver), surpassed 1 billion streams, and sold out the likes of Brixton Academy. Across her formative singles and first long-form project, ‘Ivy To Roses’, Mabel has written with startling honesty on young love, identity, girl power, and mental health – knowing full-well that she would make her debut album only when she was ready. And on that road to her first record, Mabel’s music has become a soundtrack – for her impassioned young female fanbase, but also for herself – on how to turn those vulnerabilities into your advantages. Now poised to join the pantheon of international pop greats, her tireless energy, positivity and drive will never allow Mabel to settle for anything less than ‘High Expectations’. In 2019, watch Mabel meet them and keep reaching higher still.
Beginning with 2013's Tenboom, the staunchly DIY pair Penny & Sparrow released a series of critically lauded records that garnered comparisons to the hushed intimacy of Iron & Wine and the adventurous beauty of James Blake, building up a devoted fanbase along the way through relentless touring and word-of-mouth buzz. NPR praised the band s songwriting as a delicate dance between heartache and resolve, while The World Café raved that they ve steadily built a sound as attentive to detail as Simon & Garfunkel and as open to the present day as Bon Iver. Penny & Sparrow's magnificent sixth album Finch is titled as a nod to Charles Darwin, who developed his theory of evolution in part by studying the changes that manifested over time in groups of birds that moved to different islands across the Galapagos, and it's easy to see the connection. The album finds the band reckoning with a prolonged period of intense personal transformation, a profound awakening that altered their perceptions of masculinity, sex, religion, divorce, friendship, vanity, purpose, and, perhaps most importantly, self. Deeply vulnerable and boldly cinematic, the resulting songs blur the lines between indie-folk and alt-pop, with dense string arrangements and atmospheric production underpinning soaring melodies and airtight harmonies. It's a revelatory collection, both for the listener and the performers, one that s been a lifetime in the making.
The groundbreaking band’s 10thstudio album, HOTEL LAST RESORT resides among Violent Femmes’ finest work, simultaneously refining and redefining their one-of-a-kind take on American music, mingling front porch folk, post-punk, spiritual jazz, country blues, avant garde improvisation, and golden age rock ‘n’ roll. Founded and fronted of course by Gano and Ritchie, the group remains as warm, wise and weird as ever before, with such new favorites as “Another Chorus” and “Everlasting You” continuing to mine the vast range of ideas, melodic complexity, and organic sonic craftsmanship that has characterized the band’s body of work since their landmark 1983 debut.
Limited edition custom center-opening gatefold LP pressed on 180g virgin vinyl at Pallas, Germany. Mastered by Dave Gardner at Infrasonic Sound.
WINDOW ROCK is an album yearning to find meaning in a morally ambivalent world. Micah Nelson, who records under the name Particle Kid, seeks to achieve this goal via 9 new, kaleidoscopic tracks, exploring the mythology of the self, with verve, minimalism and simplicity.
Caamp formed when childhood friends Taylor Meier and Evan Westfall bonded over a shared love for Ohio and music. Their self-titled debut (2016) exceeded 52 million plays and climbed the Spotify charts. Thereafter, Caamp toured with Rainbow Kitten Surprise, headlined the US, released Boys EP (2K sold) and added a third member, Matt Vinson. The band has built their grassroots audience from touring all over the world and have sold 25K tickets over the past 8 months. In 2019 they will play worldwide festivals including Shaky Knees, The Great Escape, Outside Lands, Edmonton Folk Festival, Austin City Limits, and more. By & By was co-produced by Josh Block and Austin Jenkins (Leon Bridges, White Denim) at Ft. Worth’s Niles City Sound. The much-awaited album By and By includes key tracks "Penny Heads Up", "No Sleep", "By and By" and "Peach Fuzz”.
You think you know the Icelandic band Of Monsters and Men, but you have no idea. Within the first minute of their new single 'Alligator' you'll be wondering if this huge anthem is the brainchild of the Yeah Yeah Yeahs fronting Arcade Fire –all thumping drums, brimming guitars and a call-to-arms chorus about taking control. During a day of final mixing at the LA studio of their co-producer Rich Costey (MUSE, Vampire Weekend, Chvrches), the five-piece gather in stages.
The 4LP 180-gram audiophile black vinyl concert album features 17 songs that have never been released on a live album, including 'Blind Dogs' which is the first-time the band ever performed the song live. Packaging features a slipcase that holds four individual jackets which link together to form one large image and a two-panel insert.
On February 17, 2013, Soundgarden concluded a sold-out U.S. Winter tour in support of King Animal, their first studio album in over sixteen years, with a special Live from the Artists Den taping at the Wiltern in Los Angeles. Soundgarden mixed new songs with classic radio hits and rarities performed live for the first time, in front of a rapturous crowd. The concert has become the most requested Soundgarden show to be released of all-time. The 29 song, nearly two-and-a-half-hour show encompasses the band’s entire legacy of songs, from their early years with “Hunted Down” through their monumental albums Badmotorfinger and Superunknown respectively with “Outshined” and “Black Hole Sun,” and nearly every song from King Animal including “By Crooked Steps” and “Been Away Too Long.” The concert film features 21 songs never released on a concert film, 17 of which have never been released on a concert album, including “Blind Dogs” which is the first-time the band ever performed the song live.
"Twister" is the second studio LP from the acclaimed New Zealand quintet LEISURE. Produced by the band themselves, the album continues their free form exploration into catchy pop psychedelia, smooth electro-funk and big room modern soul music, all wrapped in shimmering sun-kissed soulful vocals.
Beastie Boys’ classic “SABOTAGE” has been starting parties and ending Beastie Boys shows since 1994. And now, to mark the 25th anniversary of ILL COMMUNICATION, the album that returned Beastie Boys to the #1 spot, Made to play on the RSD3 mini-turntable, the RSD3 “ SABOTAGE” single comes in an outer box that reproduces the original 7” single sleeve art, and includes a pull-out Ill Communication poster. This commemorative release is limited to 2500 copies.
Each track on Sleepwalkers' Ages feels like the title song to some lost Hollywood production of the late 70s to late 80s, those formative movies that shaped young imaginations, touchstones of humor, struggle, romance and adventure. Through fourteen electrifying tracks, Sleepwalkers absorb the symbologies of American pop production and the iconographies of American rock performance with tremendous depth and feeling. Ages is a bona fide party record that is able to convey a mood of bittersweet elation through a series of well-aimed emotional arcs. The follow-up to their ‘60s fanstasia, cult-favorite debut, Greenwood Shade (2014), it feels equally effortless, backed by the band’s facility with the structures and language of pop music.
Behind this maximalist pop masterpiece are two brothers, Michael and Austin York, and Alex DeJong. Sleepwalkers are an astonishing live band possessing a sound both stadium-filling and soul-nourishing, proven over tours supporting J. Roddy Walston & The Business, The Lumineers, and The Shins. Fantastic natural songwriting, personal experience amplified to a broad lyricism, uncompromising sincerity and uncompromising commitment to ‘having a fine evening,’ all of it steeped in the vernacular culture of Richmond, Virginia.
Hamell On Trial is set to reissue Choochtown (20th Anniversary Edition) Digitally and on CD with 11 bonus tracks from the original recording sessions with Billy Nicgorski. Choochtown will also see its first proper vinyl release worldwide. The vinyl version is a remastered version of the original album released in 1999. Ed Hamell on ChoochtownI was living in Brooklyn, constantly on the road, and been dropped from my major label deal on Mercury/Universal. I really had nothing to lose and I was very inspired, if I remember, by the movie Pulp Fiction and the Biggie Smalls record: Ready To Die. I recorded anywhere I could. My friend Billy Nicgorski had an analog one inch studio in his basement, his younger brother had a band and I would use them. I also did a bunch of it in my basement in Brooklyn which had a dirt floor and I set the recording gear up on plastic paint pails. Used them as drums sometimes too. I released it on my own label Such-A-Punch and it got licensed to Evangeline in the UK where it got rave reviews and established my career over there. After all the press I got for my first two albums on a major I couldn't get anything over here in the States, only that CMJ magazine which took their silliness pretty seriously who basically said, We don't know what it is but it's art. Duh. I'm pretty proud of all my records, I've been very lucky in that I've always been able to maintain complete creative control but this one I was particularly proud of because every inch of it, from the recording which one track as you'll see was recorded on my boom box, to the artwork, was all mine. ...amazing and entertaining and poignant... -- The Stereo Times Online Magazine, October 2000 ...high-spirited...manic energy..artful -- CMJ, April 2000 *****(5 stars--highest rating) Absolutely brilliant! -- UNCUT Magazine, April 2001
Ed Sheeran celebrates the announcement of his No.6 Collaborations Project – which arrives everywhere on July 12 – with the release of new song “Cross Me” featuring Chance the Rapper and PnB Rock. This new collaboration follows the release of “I Don’t Care” with Justin Bieber, which shot straight to #1 on the Billboard Digital Songs chart and #2 overall on the Hot 100. All 184 Top 40 radio stations added the track, making it only the fifth song in the modern era to win support from the full panel of Mediabase-monitored pop stations. Likewise, all 97 adult radio stations in the country added the song. An instant worldwide phenomenon, “I Don’t Care” hit #1 in the UK, Australia, Ireland, Italy, Netherlands, Switzerland, Finland, Sweden, and more.
Paul Is Live, recorded during the tour in support of Off The Ground, was Paul's fifth live album and is famous for its title s double meaning and the rumour-scotching cover art. Ever since the 1969 release of Abbey Road, there had been hoax-fuelled stories of Paul's untimely death. The new title was a way of saying that this was most definitely not the case. The artwork is a play on the famous Abbey Road cover, with Paul crossing that same street but wearing shoes and using his left hand this time. (Originally, his bare feet and the holding of a cigarette in his right hand had supposedly been clues that it wasn't him on the cover.) As well as a raft of solo, Wings and Beatles favourites, the album also offers an insight into the band's sound checks, the final three songs all being improvised during rehearsals in various locations on the tour. Performed by Paul McCartney: Vocals, Bass, Electric & Acoustic Guitars, Piano Linda McCartney: Vocals, Keyboards Hamish Stuart: Vocals, Electric & Acoustic Guitars, Bass Robbie McIntosh: Electric & Acoustic Guitars, Vocals Wix Wickens: Keyboards, Vocals Blair Cunningham: Drums, Percussion
Amoeba Gig is the first full length commercial release of Paul’s surprise free concert at Hollywood’s Amoeba Music on June 27, 2007. To date only four songs have seen wide release as the Amoeba’s Secret EP, two of which were nominated for Grammy Awards in 2008: "That Was Me" for Best Male Pop Vocal Performance and "I Saw Her Standing There" for Best Solo Rock Vocal Performance. A few years later in November 2012, an extended 12-song excerpt of the Amoeba show titled Live in Los Angeles – The Extended Set was made available free to PaulMcCartney.com premium members for a limited period. And come July 12, 2019, a full 21-song recording documenting possibly the most intimate L.A. show Paul has ever played will be made available to the public for the first time. The millions of people not among the luckier than lucky few hundred rubbing elbows with the likes of Ringo Starr and Woody Harrelson during that once in a lifetime in-store set will be able to experience those performances of Beatles classics “The Long And Winding Road,” “I’ll Follow The Sun” and “I’ve Got A Feeling,” Flaming Pie’s “Calico Skies,” plus Carl Perkins’ “Matchbox,” Jan Garber’s “Baby Face” and an emotional rendition of “Here Today.” Additionally, the LP will include an exclusive soundcheck recording of “Coming Up."
Amoeba Gig has been newly remixed by Paul’s engineer Steve Orchard and will be available in configurations including CD, Digital, 2 x 180g black vinyl, and limited-edition color vinyl (LP1 - clear, LP2 - hazy amber transparent).
The live-in-studio Choba B CCCP (Russian for “Back In The USSR”) was released in the Soviet Union in 1988, making Paul the first Western artist to issue an album exclusively for that market. In a conscious decision to get back to his roots, Paul spontaneously spent two days covering his favorite hits from the 1950s. The sessions produced 22 songs in total (and one of the outtakes being a version of The Beatles' "I Saw Her Standing There”). Choba B CCCP was a deeply personal album and a way to acknowledge fans who had supported him and The Beatles since the start. “When I was very young I asked my dad if people wanted peace,” Paul explained at the time. “He said to me, ‘Yes, people everywhere want peace – it’s usually politicians that cause trouble.’ It always seemed to me that the way The Beatles’ music was admired in the USSR tended to prove his point, that people the world over have a great deal in common. In releasing this record exclusively in the Soviet Union, I extend the hand of peace and friendship to the people of Russia.” Choba B CCCP was released in the rest of the world following the 1991 collapse of the Soviet Union.
Choba B CCCP has been newly remastered at Abbey Road Studios and will be reissued as the original 11-track Russian release. It will be available in configurations including CD, 180g black vinyl, and limited- edition opaque yellow vinyl.
Selected from 90 hours of recordings, Wings over America is a faithful account of the 1975-76 world tour that captures the band at its peak. It was taped at several of the US shows, but mixed as if it were a single performance. Paul combined old Beatle favourites with highlights from a solo catalogue that was now achieving real stature. Though an expensive triple disc on vinyl (it had been planned as a double, but a rival bootleg version encouraged Paul to expand it) sales were remarkable and it remains one of very few live albums to make Number 1 in America incidentally becoming the band's fifth Number 1 album in a row. Performed by Paul McCartney: Vocals, bass guitar, piano, acoustic guitar Linda McCartney: Vocals, keyboards Denny Laine: Vocals, electric guitar, acoustic guitar, piano gass, gob iron Jimmy McCulloch: Vocals, electric guitar, acoustic guitar, bass Joe English: Drums, vocals Tony Dorsey: Trombone Howie Casey: Saxophone Steve Howard: Trumpet, Flugelhorn Thadeus Richard: Saxophone, clarinet, flute Produced by Paul McCartney
With a hugely impressive over a million combined album sales and over a billion streams under their belt, Tycho are the Grammy-nominated electronic music project led by Scott Hansen as primary composer, songwriter and producer. Respected for both their musical output and Scott’s graphic design work, under the ISO50 moniker, Tycho has produced and released a hugely successful back catalogue which has drawn comparisons to the likes of Boards of Canada, Ulrich Schnauss and Jon Hopkins. The highly anticipated release of Tycho’s fifth studio album Weather is an exciting progression from his previous output, with most of the new tracks being vocal lead, while still retaining the signature Tycho sound. The sonic shift is enhanced by a collaboration with a young exciting new voice - vocalist Saint Sinner who will be joining the live band following her time in the studio. The release will see Mom + Pop partner for this exciting new chapter in the artist’s career.
Looking Through The Shades, is Glitterer’s debut full-length album, featuring Ned Russin, bassist/vocalist of Title Fight. This is Glitterer all glown up. Now there are live drums (twin brother Ben did the honours) and dopamine-releasing fuzzy guitars to go with the synths, the bass, and the voice. Now there’s a full 14-song tracklist to luxuriate in. Produced by Alex Giannascoli and Arthur Rizk (Code Orange, Power Trip, Sumerlands) the album delivers Glitterer’s best-yet sonics and songs. The lyrics are still insouciantly tortured, in a reluctant-college-boy kind of way, the choruses are still obscenely catchy, and the arrangements still carry not so much as an ounce of excess fat. From the saturated distortion of the opener, “The Race” (“I wish I could look at your life and know it’s mine”), through the road-weary “1001” (“I sang 1,000 songs / didn’t want to sing again”) and the vox-and-bass-only Side B outlier “The News” (“I used to be original”), the listener is simultaneously satiated and left wanting more.
There's a timeless groove to the R&B of Yuna on her fourth forthcoming album Rouge, one that s been two years in the making. It s the most ambitious project the songwriter has ever taken on, and the first album she's putting out as a fully realized woman. It's also an LP that she worked harder than ever on, re-visiting songs, editing them down, adding new layers, enriching every single moment to make it the most luscious musical experience for her audience. Yuna makes soulful pop that contains the sultriness of Sade, the flair of Aaliyah, and the sweetness of Brandy. Via her three pre-existing albums, Yuna has built her palette of melodic, uplifting soul. Her third album Chapters in 2016 was something of a breakthrough, featuring production from Fisticuffs and features with Usher ("Crush") and Jhene Aiko. Her new album s list of features is mouth-wateringly impressive. It includes: Little Simz, Kyle, G-Eazy, Jay Park and Masego. Together with executive producer Robin Hannibal and a team of producers (Jason "J. Lbs" Pounds, Fisticuffs, Cardiak, Jordan Reyes) she explored sampling culture for the first time. The title Rouge is for the color red, which has been calling to her at this moment. "It's a feeling I'm having right now. I just got married. I've become the woman I've always wanted to be. The whole album is about how I am with myself: I'm comfortable with my relationship, with my focus on my career. It s the color of becoming this woman that I am."
New CD: $11.96 $10.76 Add to Cart
Stranger Things: Soundtrack from the Netflix Original Series, Season 3 will feature 15 classic tracks and the debut of an original cast recording.
Indie Exclusive is a limited run of 3,500 total that will be made up of a red vinyl version, a white vinyl version and a blue vinyl version.
The Black Keys’ ninth studio album “Let’s Rock” will be released June 28, 2019 via Easy Eye Sound/Nonesuch Records. The long-awaited album, their first in five years, is a return to the straightforward rock of the singer/guitarist Dan Auerbach and drummer Patrick Carney’s early days as a band. “Let’s Rock” was written, tracked live, and produced by Auerbach and Carney at Easy Eye Sound studio in Nashville and features backing vocals from Leisa Hans and Ashley Wilcoxson.
Wilderness is a powerhouse of a record by Jade Jackson, a follow-up to her 2017 debut, Gilded. Her new work deals heavily with the in-betweens and stepping stones we dwell in and leap across while coming to terms with our sense of self, and how melancholy can be a powerful weapon to wield, especially in the form of a roots-rock or country song. Wilderness, like Gilded, was produced by Mike Ness, the SoCal punk rock legend who essentially plucked Jackson from obscurity several years ago and helped hone her craft and sound. Jackson calls Ness “a master of feel and rhythm” and credits him with showing her how to invoke more of those calling cards in her new work, in addition to those countless tools now in her arsenal that they developed together over time. As the pair’s master-pupil relationship continues to evolve, Jackson recognizes that Ness has become more open to her input while she herself has gotten more hands-on in the studio, a process that ultimately resulted in delivering the sound for which both parties were striving. “The message of ‘Wilderness’ is in how to get through tough situations—if you visualize yourself somewhere, all that good energy and intention can get you where you want to go.” – Jade Jackson
New Vinyl - Indie Exclusive: $19.98 Add to Cart
Following 2015's beautifully written introspective album 'Golden Age', singer-songwriter Chris Staples is back with his upcoming full length release, 'Holy Moly'. While maintaining the authentic reflection Staples is known for in his songwriting, he has embraced a cautiously optimistic outlook for his future. Staples finds gentle melodies with his trademark stripped-back guitar, and also introduces new sounds by integrating keyboards for sonically lush arrangements. Staples' previous releases were met with praise from NPR's All Songs Considered, American Songwriter, Paste, The AV Club, and more.
The Raconteurs – Jack White, Brendan Benson, Jack Lawrence, and Patrick Keeler – have announced the release of their long-awaited new album, HELP US STRANGER, which is the GRAMMY® Award-winning rock band’s third studio LP and first new album in more than a decade. Out on Friday, June 21, HELP US STRANGER sees the mighty combo reassembled, stronger and perhaps even more vital than ever before as they continue to push rock 'n' roll forward into its future, bonding prodigious riffs, blues power, sinewy psychedelia, Detroit funk, and Nashville soul via Benson and White’s uncompromising songcraft and the band’s steadfast musical muscle. With HELP US STRANGER, The Raconteurs have returned right when they are needed most, unified and invigorated with boundless ambition, infinite energy and a collectivist spirit operating at the peak of its considerable powers, once again creating a sound and fury only possible when all four of its members come together.
This June, The Prince Estate, in partnership with Warner Bros. Records and TIDAL, will release Originals, a 15-track album featuring 14 previously unreleased recordings that illuminate the vital, behind-the-scenes role Prince played in other artists' careers. The tracks were selected collaboratively by Troy Carter, on behalf of The Prince Estate, and JAY-Z.
By the mid-1980s, Prince was dominating the charts even as a writer/producer with songs he'd composed and recorded for others. In addition to releasing nine of his most commercially successful full-length albums, he also wrote and recorded endless reels of material for proteges The Time, Vanity 6, Sheila E., Apollonia 6, Jill Jones, the Family, and Mazarati. Occasionally, Prince's original demo recordings would be used as master takes on their albums, with only minor alterations to the instrumentation and a replacement of the vocal tracks. Other times, artists would rely on his demos to guide them through their own recording process, with Prince's initial take informing their final version of his song. The aggregate effect was a complete saturation and transformation of the pop music landscape, with Prince both leading and subverting mainstream culture.
The third full-length from Mannequin Pussy, Patience is an album fascinated with the physical experience of the body, its songs tracking the movements of mouths and hands and racing hearts, skin and spit and teeth and blood. Deeply attuned to the power of their own physicality, the Philadelphia-based band channels complex emotion in blistering riffs, thrashing rhythms, vocals that feel as immediate and untamed as a gut reaction. But throughout Patience, the Philadelphia-based band contrasts that raw vitality with intricate melodies and finely detailed arrangements, building a strange and potent tension that makes the album all the more cathartic. The follow-up to Romantic—a 2016 release praised by Pitchfork for “combin[ing] punk, shoegaze, death metal, and more, with the ferocious push-pull energy of a mosh pit”—Patience came to life at Studio 4 in Conshohocken, Pennsylvania. In creating the album, Mannequin Pussy worked with producer/engineer Will Yip (Quicksand, The Menzingers), shaping an explosive sound that never overshadows the subtlety of their songwriting. “In the past there’s been a chaotic feeling to the recording process, but working with Will put us in a different headspace,” says Dabice. “It helped us show our progression over the past few years and make a very crisp-sounding record, without losing the dirtiness of what Mannequin Pussy really is.”
For over 50 years, Earth Wind and Fire provided the soundtrack to the lives of many. With award winning albums and chart-topping hits such as “September”, “Devotion”, “Reasons” and “Keep Your Head to the Sky” EWF have stood the test of time and continue to be a force in music. Philp Bailey, one of the lead singers, also experienced solo success with “Easy Lover” and “Walking on the Chinese Wall.” This new album, Love Will Find A Way, has Philip teamed up with some of today’s hottest, progressive Jazz artists such as Robert Glasper, Christian McBride, Kamasi Washington, Casey Benjamin, Chick Corea, Steve Gadd and more. The single, “Billy Jack”, was written by the legendary Curtis Mayfield and produced by both Robert Glasper and Philip Bailey.
Their first album together in nearly 10 years, Breakdown On 20th Ave. South is an album of Julie Miller songs produced by Buddy Miller. As a couple and individually, Buddy and Julie have been nominated and received multiple awards including Grammys, Americana Awards, Dove Awards among others. Julie Millers songs have been recorded by a diverse range of artists including Emmylou Harris, Lee Ann Womack, Levon Helm, Solomon Burke, and Miranda Lambert. Buddy Miller is known for his work as a guitarist, performing live and in the studio with artists such as Robert Plant, Alison Krauss, Steve Earle and Emmylou Harris. Buddys production credits include albums with Plant, Harris, Earle, Patty Griffin, Shawn Colvin and many more.Breakdown On 20th Ave. South is a first rate showcase for Julies finely crafted lyrics. There is a line from the track Spittin' on Fire that best illustrates Julies sharp edged word play: You're a dangerous little storm, one part cold and one part warm. The song War Child is a cry for help that usually goes unheard. A cry for for help from thousands and thousands of children stolen from their families, forced to carry a gun at ages as young as 7 or 8. Never to see home again. Tracks like, Im Gonna Make You Love Me and Everything Is Your Fault hint at the ups and downs of love. The entire album is tied together by Buddys unfussy production style. Breakdown On 20th Ave. South is a treat for long time fans of Buddy & Julie and a delightful discovery for new listeners.
New Vinyl - Indie Exclusive: $19.98 Add to Cart
Single LP on half opaque gray / half black vinyl in same packaging as standard LP. Includes coupon for full download
An Obelisk is the sixth album from Titus Andronicus, which finds the noted rock band under the stewardship of producer and legendary rocker Bob Mould (Hüsker Dü, Sugar, et al.). This trans-generational meeting of the minds has yielded the most immediate, intense, and unadorned Titus Andronicus record to date. Clocking in it a brisk 38 minutes and change, it is also the shortest. Recorded over six breathless days at Steve Albini's world-renowned Electrical Audio studio in Chicago, An Obelisk presents the sound of Titus Andronicus, rock band, at it's most irreducible, as monolithic as the album's titular monument.
The idea for Layers began to percolate a couple years ago, as Marshall was finding success with his joyous pop-band Walk off the Earth, the YouTube overachievers–turned–Juno winners. Still, he’d always envisioned himself falling somewhere between the musically transcendent Bob Dylan and Bon Iver. An emotionally tumultuous album, Layers is the sound of Marshall evincing everything from toxic relationships past to present insecurities and is the next-level output of an artist without boundaries.
Atlantic Oscillations marks the return of world-renowned British producer Quantic with his most cohesive and intricate album to date. Bringing together new players and concepts with a dance orientated sound that has enchanted fans and tastemakers across the world for nearly two decades, it showcases Will Quantic Hollands artistry and rare ability to intertwine the electronic with the orchestral. Embracing his own love of albums that travel, taking the listener on twists and turns, with the loss of the album narrative that has occurred in this day of streaming, Holland utilises the space created to explore more creativity as a producer. As he admits, on the whole, the common theme on this record is that it is probably more intricate and arranged than previous records. I spent three times as long as any other Quantic record and spent a lot of time in the detail. This meticulous attitude is apparent throughout; each track has been crafted to draw the listeners attention, with elements of both musical originality and a sense of modernity.
Honouring the 35th Anniversary of the extraordinary LEGEND: a 2-LP, 180-gram release of the original ‘BMW1’ version, adding the two original U.K.-only cassette bonus tracks to the vinyl.
New Vinyl - Indie Exclusive: $29.98 Add to Cart
The fifth studio album from Baroness, Gold & Grey, is out on June 14th via the band's own label, Abraxan Hymns.
Full Length Vinyl 2
On June 14, Bastille will release their new album Doom Days on Virgin Records. Made by Dan Smith with bandmates Kyle Simmons, Will Farquarson and Chris ‘Woody’ Wood, and producer Mark Crew, it sees the GRAMMY®-nominated, Brit-winning band stretch out and open up like never before. The new album consists of 11 tracks and features previously released Quarter Past Midnight with the euphoric new single Joy out May 2. Doom Days marks something of a shift in perception from its widely acclaimed predecessor, the new album captures the need to temporarily switch off and escape. It celebrates real human connections and urges us to keep searching for those moments of elation. Hailed by Rolling Stone as “Britpop’s new crown princes,” Bastille has sold over eight million adjusted albums and amassed more than 6.5 billion cumulative streams globally.
Calexico and Iron & Wine first made an artistic connection with In the Reins, the 2005 EP that brought Sam Beam, Joey Burns and John Convertino together. The acclaimed collaboration introduced both acts to wider audiences and broadened Beam’s artistic horizons, but it was the shared experience of touring together in the tradition of Bob Dylan’s “Rolling Thunder Revue” that cemented their bond. Their roads diverged in the years that followed, but they kept in touch and cross-pollinated where they could. Although they often talked about rekindling their collaboration in the studio and on the stage, it wasn’t until last year that their schedules aligned. Years to Burn can’t help but be different from In the Reins. Back then, Calexico entered the studio with a long list of previous collaborations (first in Giant Sand, then backing the likes of Victoria Williams and Richard Buckner), but wondering if Beam’s material was so complete and self-contained that it lacked a way in. Beam had been intimidated by Calexico’s virtuosic playing and their deep comfort in an encyclopedic array of styles. Those fears were dispelled quickly. Calexico was bowled over by Beam’s many talents: “The arranging, the writing, his sense of rhythm, the quality of his vocals—and then there’s the experimental side of Sam,” Joey says. “They were the perfect band at the perfect time for me,” Sam adds. “I loved all their different sounds. They’re musical anthropologists, not regurgitating but absorbing what they discover.” Beam, Burns and Convertino reconvened in Nashville for four days of recording in December 2018. Nobody was keen to retread old ground. The change of venue—In the Reins was tracked in Tucson—was one part of the effort. Together with steel guitarist Paul Niehaus, Calexico trumpet player Jacob Valenzuela and frequent Beam cohorts Rob Burger (Tin Hat Trio) on piano and Sebastian Steinberg (Soul Coughing, Fiona Apple) on bass, they settled in at the Sound Emporium, a fabled studio founded in the sixties by Cowboy Jack Clement. An added ingredient was Grammy-winning engineer/co-producer Matt Ross-Spang (Margo Price’s Midwest Farmer’s Daughter, Al Green, Jason Isbell’s Something More Than Free). As on In the Reins, Beam took the lead on songwriting for Years to Burn, but Burns added one of his own in the end. They took differing approaches: Sam shared meticulous demos ahead of time and was ready with arrangement ideas and instrumental parts, while Joey came in with concepts and an eagerness to improvise. “Life is hard. Awesome. And scary as shit. But it can lift you up if you let it,” Sam offers. “These are the things Joey and I write about now. And the title can encapsulate a lot of things. ‘Years to Burn’ could mean you’re cocky, you’ve got it made. Or, our life is ours to burn, to be inspired. Or you’re burned by life, brutalized. It’s an ambiguous title, because life is complicated.”
Servants of the Sun bursts into the clear blue air with the funky upper atmosphere bubbling of vintage keyboards and driving rhythm. A gateway swings wide open to a universe that the Chris Robinson Brotherhood has been tirelessly constructing for eight years through extraordinary musicianship, endless touring and a roving, seemingly bottomless wizard’s chest of sonic delights. The band’s 8th studio effort since forming in 2011—spread out over six full length albums and two EPs—sets aside the studio explorations of their more recent work and turns inward to the heart of the Brotherhood’s universe. Of the origin concept for Servants, bandleader Chris Robinson explains: “I let my head go to a Saturday night at the Fillmore, and said, what’s the best set we could play?” And in following that guiding principle the CRB bottled their pure essence into 10 new songs, a distillation of their journey so far. In many ways they have come full circle in delivering their most direct, bare bones, rock n’ roll record since debut companion albums ‘Big Moon Ritual’ and ‘The Magic Door.’
Celebrating 50 Years Of The Who’s Tommy.
The Who’s Tommy Orchestral. Performed by Roger Daltrey, with members of The Who band and the orchestra conducted by Keith Levenson with orchestration from David Campbell.
Double Gatefold Heavyweight Black Vinyl recorded in Budapest and Bethel in upstate New York, the scene of the first Woodstock festival 50 years ago, was produced by Roger and Keith Levenson and features the core band of Simon Townshend – Vocals / Guitar, Frank Simes – Guitar, Scott Devours – Drums, Jon Button – Bass, and Loren Gold – keyboards, all of whom have played with The Who live. Keith Levenson conducted The Budapest Scoring Orchestra from new orchestrations by David Campbell.
Western Stars is the new album from Bruce Springsteen, and his first new studio album in five years. This collection of songs takes his music to a new place, drawing inspiration in part from the Southern California pop records of the late '60s and early '70s. The album was recorded primarily at Springsteen's home studio in New Jersey, with additional recording in California and New York. "This record is a return to my solo recordings featuring character driven songs and sweeping, cinematic orchestral arrangements," says Springsteen. "It's a jewel box of a record." The 13 tracks on Western Stars encompass a sweeping range of American themes, of highways and desert spaces, of isolation and community and the permanence of home and hope. Ron Aniello produced the album with Springsteen and plays bass, keyboard, and other instruments. Patti Scialfa provides vocals and contributes vocal arrangements on four tracks. The musical arrangements include strings, horns, pedal steel and contributions from more than 20 other players including Jon Brion (who plays celeste, Moog, and farfisa), as well as guest appearances by David Sancious, Charlie Giordano, and Soozie Tyrell. Bruce Springsteen's recording career spans over 40 years, beginning with 1973's Greetings from Asbury Park, NJ.' He has garnered 20 Grammys, won an Oscar and a Tony, been inducted into the Rock and Roll Hall of Fame, received a Kennedy Center Honor, and was MusiCares' 2013 Person of the Year. Springsteen's memoir 'Born to Run' (Simon & Schuster) and its companion album 'Chapter and Verse' were released in September 2016, and he was awarded the Presidential Medal of Freedom in November 2016. His historic 236-show run of 'Springsteen on Broadway' at Jujamcyn's Walter Kerr Theatre in NYC ran from October 2017 to December 2018, and also yielded an accompanying soundtrack album and Netflix special.
In two short years, music quite literally carried 22-year-old singer, songwriter and artist Noah Kahan around the world—a long way from his native Strafford, VT (pop. 1,045) and the 133-acre tree farm where he resides. On the trip, the alternative troubadour notched an international hit in the form of “Hurt Somebody,” which charted at #1 on Australian national radio for three weeks, while also charting in the Top 40 at Hot AC stateside.
Black 180g heavyweight vinyl LP
New Zealand-born, Brisbane-raised, and now London-based Jordan Rakei has stepped up to the plate since releasing Wallflower in 2017, stamping his authority as a talented songwriter, producer and live performer. Now, having undergone a process of evolution and re- evaluation, grappling with big picture questions – namely, technological growth, and how it affects our sense of humanity – and responding to the changes in his personal life, he is back with a new album: Origin.
On their eagerly awaited debut album Samsara, the visionary Austin, TX combo Los Coast delivers a fresh blast of punchy psychedelic-pop-soul that effortlessly incorporates a wide range of genres. The band's seamlessly soulful songcraft incorporates the band's distinctive grooves along with the inventive compositions and commanding vocals of principal members Trey Privott (lead vocals, guitar) and John Courtney (guitar, keyboards, vocals). Even before Samsara had been recorded, Los Coast had already earned a reputation as one of America's most exciting and inventive young bands. With its lineup rounded out by Megan Hartman on bass, Damien Llanes on drums and Natalie Wright on keys, plus a varied assortment of guest players, Los Coast was already renowned for its rousing, expansive live sets. That same mix of energy and expertise is reflected on Samsara, which features such memorable, no-nonsense tunes as 'Simplify,' 'Monsters,' 'Graves' and the frantic, tongue-twisting '(Everything But) The Kitchen Sink.' The album delivers infectious hooks, ironic lyrical twists and explosive funk grooves in equal measure, providing an irresistible frame for Privott's soulful vocals and the band's explosive grooves. Pressed on clear vinyl.
After meeting as teenagers in the small town of Magnolia, TX, Clay and Chance went on to self-release their debut album, Utah, in 2014 followed by their acclaimed 2016 album, The Education of a Wandering Man. Of the Austin-based pair, Consequence of Sound declares, "...one of the country's preeminent Americana duos," while CMT praises, "...an eclectic style of alt country for hearts who live to ramble." Building a fan base through grassroots support, Jamestown Revival has toured relentlessly over the past four years, performing at iconic venues from the Ryman Auditorium to Red Rocks Amphitheater as well as countless festivals such as Coachella, Austin City Limits, Stagecoach, and more.
“Getz At The Gate” is a previously unreleased 1961 live recording from the historic Village Gate in New York City. This release features an all-star, rarely heard quartet with pianist Steve Kuhn, bassist John Neves and drummer Roy Haynes (aka ‘The Boston Band’). Includes extensive liner notes by Boston jazz historian Bob Blumenthal.
Remo Drive, the indie rock band conceived in suburban Minnesota by brothers Erik and Stephen Paulson, are back with their 2nd studio album Natural, Everyday Degradation. On this follow-up to their highly acclaimed 2017 release Greatest Hits, the band continue to evolve their sound, drawing on influences from such artists as Pedro The Lion, Arctic Monkeys, and Queens of the Stone Age. The band’s signature sound which features high energy guitars and Erik’s unique vocal style, along with thoughtful and clever lyrics have helped Remo Drive grow an avid following. The band will be touring extensively in support of Natural, Everyday Degradation.
All Blues, the forthcoming covers album from the Peter Frampton Band, is set for release on June 7 via UMe. The album is a collection of Frampton’s favorite blues classics and was recorded with his longtime touring band, made up of Adam Lester (guitar/vocals), Rob Arthur (keyboards/guitar/vocals) and Dan Wojciechowski (drums). All Blues was recorded at Frampton’s home studio in Nashville, Studio Phenix, and was co-produced by Chuck Ainlay and Peter Frampton.
Also Available: Frampton Comes Alive
The preeminent male group of this century, Jonas Brothers opened the floodgates for a new era of titans in pop music. They earned three consecutive number one albums and sold out shows throughout three continents. Selling over 17 million-plus albums with over 1 billion streams worldwide, they've achieved dozens of platinum and gold certifications. The tremendous success of the band provided a launch pad for their storied solo careers who have kept loyal fans yearning for a reunion, until now.
Eagles Of Death Metal’s Jesse “Boots Electric” Hughes is tipping his hat to 13 of his favorite songs with his first covers album, titled Eagles Of Death Metal Presents Boots Electric Performing The Best Songs We Never Wrote. Hughes recorded and produced electrifying renditions of 13 songs he loves, including covers of KISS, Guns N’ Roses, AC/DC, Love & Rockets, Ramones, Steve Miller Band, George Michael/Wham, Mary J. Blige, Queens of the Stone Age, The Distillers, David Bowie & more!
From the filmmaking team behind the highly-acclaimed documentary The Beatles: Eight Days A Week - The Touring Years, PAVAROTTI is a riveting film that lifts the curtain on the icon who brought opera to the people. Academy Award winner Ron Howard puts audiences front row center for an exploration of The Voice...The Man...The Legend. Luciano Pavarotti gave his life to the music and a voice to the world. This cinematic event features history-making performances and intimate interviews, including never-before-seen footage and cutting-edge Dolby Atmos technology.
Also Available: Pavarotti - The Greatest Hits [3CD]
This release coincides with release of Pavarotti:Genius is Forever, documentary directed by Ron Howard (also directed Beatles Eight Days A Week.) Documentary soundtrack also released via Decca/Verve. 3CD Greatest Hits for fans who want a deeper dive at a great price. 3 CD Greatest Hits features 6 never before released duets. James Brown ( It s A Man s, Man s, Man s World.) Lou Reed ( Perfect Day ) Barry White ( You re My First, My Last, My Everything ) Sting ( A New Dance Queen (Brian May & Roger Taylor) ( Too Much Love Will Kill You ) Zucherro, Andrea Bocelli ( Miserere )
Also Available: Pavarotti (Music From The Motion Picture)
Ida Mae's magic lies in the sensuous dovetailing of two voices and the intimacy of their songs. Their chemistry on stage isn t just a dramatic pose and is a truly captivating sight to behold. Hailing from Norwich and born out of Kill It Kid who established their credentials in the British Music indie Rock world, Chris and Stephanie present themselves as a sensual version of White Stripes meets Civil Wars meets XX. Singing together, the couple have an unusual which-is- which dynamic.
Tuscaloosa is an 11-track live album from Neil Young and The Stray Gators, recorded at the University of Alabama, Tuscaloosa on February 5th 1973. The Stray Gators backed Neil occasionally in the ‘70’s and are Tim Drummond, Kenny Buttrey, Jack Nitzsche and Ben Keith. The album was produced by Neil Young and Elliot Mazer and mixed by John Hanlon. It is mastered by Chris Bellman at Bernie Grundman from the original analogue tapes
Tuscaloosa features live versions of songs from Neil’s debut albums (track 1), plus classic songs from two of his biggest selling albums: After The Goldrush and Harvest. The album also features the title track from the live album Time Fades Away that would be released later in 1973, and songs from Neil’s classic album Tonight’s The Night that would not be released until 1975.