Named for the city that launched the original Alice Cooper group on the road to success, �Detroit Stories� follows last year�s �Breadcrumbs� EP as a modern-day homage to the toughest and craziest Rock n Roll scene there ever was.

In 1970, fledgling producer Bob Ezrin walked into a farmhouse on the outskirts of Detroit to work with the Alice Cooper band. Abandoning flower power Los Angeles, because they were the opposite of the hippie peace and love ideal, Alice had brought his decidedly darker gang back to his birthplace to the legendary rock scene that gave birth to hard rock, garage rock, soul, funk, punk...and more.

Ezrin drilled the band for 10 hours a day to define their signature sound. �Whenever they nailed a song, the inmates at the hospital for the criminally insane across the road cheered and thus the classic Alice Cooper sound was born.

�Los Angeles had its sound with The Doors, Love and Buffalo Springfield,� says Alice Cooper, �San Francisco had the Grateful Dead and Jefferson Airplane. New York had The Rascals and The Velvet Underground. But Detroit was the birthplace of angry hard rock. After not fitting in anywhere in the US (musically or image wise) Detroit was the only place that recognized the Alice Cooper guitar driven, hard rock sound and our crazy stage show. Detroit was a haven for the outcasts. And when they found out I was born in East Detroit... we were home.�

50 years later Alice and Ezrin gathered some legendary Detroit musicians in a Detroit studio to record Detroit Stories, Alice Cooper�s new album that celebrates that spirit for a new era.� If 2019�s �Breadcrumbs� EP laid down the trail to the city, Detroit Stories drives like a muscle car right down Woodward Ave.

Discover Detroit Stories as they were meant to be told.

Life is Not a Lesson is Glitterer�s second�full-length album, featuring Ned Russin,�bassist/vocalist of seminal hardcore-punk�band Title Fight. This time Ned has produced the record himself, notwithstanding some recording and performance help�from his twin brother, Ben, and some other�friends, as well as mixing and mastering by�Arthur Rizk (Code Orange, Power Trip). It�may surprise you to hear that, irrespective�of worldly doom and gloom, the new songs�are even catchier and bigger-sounding�than those from his 2019 release, Looking�Through the Shades. With roomier drums�and more electric-guitars-per-square-inch�than ever, Life is Not a Lesson has a way�of evoking an alternate-universe version�of Guided By Voices, one with a hardcore-punk background. Life is Not a Lesson proves to be a rigorous reckoning with�the life of the mind at a time when there�s�not much life outside the mind.

In the spring of 1990, Neil Young and Crazy Horse recorded at Young's Broken Arrow Ranch in NorthernDescription: California. The resulting album, "Ragged Glory", would be released later in the year on September 9th. On November 13th1990, Neil and the Horse performed at The Catalyst - the small bar in Santa Cruz, CA, that Neil Young occasionally played in the 1970's, '80's and '90's. The marathon show lasted over 3 hours and featured the band in tremendous form, playing three blistering sets. It would be the first time many of the Ragged Glory songs were played live, and notably featured the first time "Dangerbird" would be performed live - 15 years after it was released on Zuma. The entire show was filmed and recorded by Shakey Picture's LA Johnson and is now being released as a CD, vinyl and DVD as "Way Down in The Rust Bucket" - #11.5 in Neil Young's Performance Series. "Way Down In The Rust Bucket" is being released on February 26th 2021 as a 4 LP vinyl box set, a 2 CD set and a deluxe edition box set containing a DVD of the concert, plus 4 LPs and 2 CDs.

The self-titled, full-length debut from Bones Owens is a selection of songs both gloriously gritty and undeniably euphoric. In a bold departure from the moody Americana of his acclaimed EPs Hurt No One and Make Me No King, the Missouri-bred musician�s first release with Thirty Tigers delivers a powerful sound deeply inspired by �60s garage-rock, Hill Country blues, and the swampy roots-rock of bands like Creedence Clearwater Revival (�the first record I remember stealing from my dad when I was ten and just starting to play guitar,� according to Owens). A potent showcase for his formidable guitar work�a talent he�s displayed in performing with artists as eclectic as Yelawolf and Mikky Ekko�Bones Owens arrives as a full-tilt expression of Owens� wildest impulses, all swinging rhythms, and swaggering riffs.

Amsterdam's Altin G�n have built a strong reputation for fusing past and present to make brilliantly catchy, upbeat pop music, as seen with their Grammy-nominated second album, Gece. Yol, their third album in as many years, continues that trend; while unveiling a number of sonic surprises in their continued exploration of Anatolian rock and Turkish psych-folk.

The Black Crowes Present: Shake Your Money Maker, the multi-platinum debut by the seminal rock n' roll band celebrates its 30th Anniversary with a suite of reissues. The 1LP Black vinyl version features the original album, remastered.

Reissue on vinyl of the fifth PJ Harvey studio album Stories From The City, Stories From The Sea. Produced by PJ Harvey with Rob Ellis and Mick Harvey, and originally released in October 2000, Stories From The City, Stories From The Sea features the singles �Good Fortune�, 'A Place Called Home' and �This Is Love� and includes a duet with Radiohead's Thom Yorke on 'This Mess We're In'. The album won the Mercury Music Prize in 2001. Reissue is faithful to the original recording and package, cutting by Jason Mitchell at Loud Mastering under the guidance of longtime PJ Harvey producer Head.

Collection of unreleased demos of every track written for the fifth PJ Harvey studio album Stories From The City, Stories From The Sea, including demos of �Good Fortune�, 'A Place Called Home' and �This Is Love�. Audio has been mastered by Jason Mitchell at Loud Mastering under the guidance of longtime PJ Harvey collaborator Head. Features brand new artwork with previously unseen photos by Maria Mochnacz.

Triple vinyl LP pressing. The fourth in the Switched On series that compiles non-album tracks and sought after deep cuts by the groop. Following on from the first volume released in 1992, 1995's Refried Ectoplasm, and 1998's Aluminum Tunes, the long-awaited fourth installment spans 1999 - 2008 in the Stereolab story and collates 3 LPs worth of material, all remastered from the original tapes and overseen by the band. It features all the tracks from out-of-print and sought after mini-album The First Of The Microbe Hunters, one-off and impossible to find tour 7"s, compilation tracks, art installation work and a couple of unreleased outtakes from the Mars Audiac Quintet and Dots and Loops recording sessions.

Little Oblivions is the third studio album by Julien Baker. Recorded in Memphis, TN, the record weaves together unflinching autobiography with assimilated experience and hard-won observations from the past few years, taking Baker's capacity for storytelling to new heights. It also marks a sonic shift, with the songwriter's intimate piano and guitar arrangements newly enriched by bass, drums, keyboards, banjo, and mandolin with nearly all of the instruments performed by Baker.

Double vinyl LP pressing in gatefold jacket. Founded by childhood friends Evan Stephens Hall and Zack Levine, Pinegrove have already crafted three fantastic albums - Everything So Far (2015), Cardinal (2016), and Skylight (2018) - and have achieved massive critical acclaim, and a widespread and devoted listenership. Amperland, NY is yet another full album, this time accompanying a feature film of the same name. The collection features 21 brand new studio recordings spanning Pinegrove's career & catalog, captured up-state in the house where the band lived and recorded for 4 years - a place they lovingly referred to as "Amperland". But all good things (and leases) come to an end, and before they bid adieu to the space permanently, they gathered together for one last performance with friends and family.

Honoring the enduring inspiration of Frank Sinatra, That�s Life is Willie Nelson�s second album of classics made famous by The Chairman Of The Board. Willie�s first ode to Frank, 2018's My Way, earned Willie the Grammy for Best Traditional Pop Solo Album, and That's Life finds Nelson (who has penned a few standards himself) inhabiting 11 more of the most treasured songs in the Great American Songbook including the title track, "Luck Be A Lady,� "Nice Work If You Can Get It," "I've Got You Under My Skin," "You Make Me Feel So Young," and "I Won't Dance" (a duet featuring Diana Krall). Produced by Buddy Cannon and Matt Rollings, That's Life was recorded at Capitol Studios in Hollywood--where Frank Sinatra, created a string of album masterpieces--with additional recording at Pedernales Studios in Austin, Texas. Willie delivers 11 new studio performances, coming alive in a musical landscape animated by lush string and vibrant horn arrangements on an album mixed by recording industry legend Al Schmitt (who's recorded and mixed more than 150 gold and platinum albums and won more Grammy Awards than any other engineer or mixer). The album cover features a brand new painting of Willie and his iconic guitar, Trigger, standing in the glow of a twilight streetlamp, evoking classic Sinatra album covers of yore.

VIGNETTES�sees Wesley Schultz, the 2x GRAMMY Award-nominated singer-songwriter-guitarist and co-founder of The Lumineers exploring his myriad influences and early inspirations with a series of starkly beautiful cover versions spanning such legendary artists as Bruce Springsteen, Tom Waits, Sheryl Crow, Jim Croce, Derek and the Dominos, and Warren Zevon.

Smerz are the Nowegian duo of Henriette Motzfeldt and Catharina Stoltenberg. Known for the 'carefully shaped, deconstructed pop' (Boomkat) of their debut EP's Okey (2017) and Have Fun (2018), Smerz seamlessly weave together techniques and sounds pulled from chamber and classical music, hip hop, R&B, and hard electronics, with the end product always resulting in something altogether uncanny. The duo, who produce, write, direct and conceptualize all their own work, carve out a space where it's not so impossible for dreams, both big and small, to grow in the midst of the systemic societal weeds that tangle up people's self-worth and confidence. With Believer, their 2021 debut full-length album on XL Recordings, they formalize the boundless sonic world that started to emerge within each of their debut EP's and in their running NTS monthly residency. Are you a Believer?

Anywhere But Here encompasses many different themes - the exploration of my queerness, lost love, abuse, abandonment - and all the things I wanted to get away from. I titled the album Anywhere But Here because I wrote each song when I was living in a home that I didn't want to be. In hindsight, 'here' was exactly where I needed to be. I was certain that the problem was where I was living. Sometimes, in the most frugal spaces, I would dream about what it would be like to not be without. It helped me realize that the problem wasn't the spaces but rather the discomfort that I had within myself. It took years to awaken to this reality. We're all good and we're all bad. How we see the world influences how we function together as one humanity. I pray we all push through together.

Working With God is the new studio album from the legendary Melvins featuring their 1983 line-up of Buzz Osborne, Dale Crover and original drummer Mike Dillard. Released along with new reissues of 2002's Hostile Ambient Takeover and 1987's Gluey Porch Treatments, Working With God follows this incarnation of Melvins 2013 album Tres Cabrones. One of the band's most playful and melodic efforts, the 13-track collection is introduced by "I Fuck Around," a juvenile re-imagining of The Beach Boys' classic "I Get Around" and "Bouncing Rick," about Osborne and Dillard's junior-high biology teacher. "It's reflective of our 8th grade sense of humor, which we've never grown out of," Osborne said of "I Fuck Around." "We hope Brian Wilson doesn't get mad."

For a band that resists repeating itself, picking up lessons from a decade prior is the strange route Cloud Nothings took to create their most fully-realized album. Their new record, The Shadow I Remember, marks eleven years of touring, a return to early songwriting practices, and revisiting the studio where they first recorded together. In a way not previously captured, this album expertly combines the group's pummeling, aggressive approach with singer-songwriter Dylan Baldi's extraordinary talent for perfect pop. To document this newly realized maturity, the group returned to producer Steve Albini and his Electrical Audio studios in Chicago, where the band famously destroyed its initial reputation as a bedroom solo project with the release of 2012 album Attack on Memory. The Shadow I Remember announces Cloud Nothings' second decade and it sounds like a new beginning.

Clear Red Vinyl. Swedish dark melodic metal masters Evergrey return with their 12th Album - dark and heavy, the Phoenix is rising! Gearing up for the release of their highly anticipated 12th album, Swedish progressive metal band Evergrey is at a point in their career that many of their peers can only dream about. Since the release of "Hymns For The Broken" in 2014, Evergrey has enjoyed increased notoriety and success with "The Storm Within" (2016) and "The Atlantic" (2019) - ironically, a conceptual trilogy - which is highly unusual for a veteran act. They mean to continue this tradition on February 26th, 2021 with "Escape Of The Phoenix", another heavy, melancholic and thought-provoking journey as only Evergrey can create. The result is 11 songs that embody everything Evergrey fans have to expect, albeit "a more metal version of "The Atlantic", with songs that are more direct" according to Englund and producer Jacob Hansen.

Double vinyl LP pressing. Includes poster. 2021 release. An album of our times, Newcastle band Maximo Park return with their seventh record Nature Always Wins. The album arrives as something of an examination, zeroing in on the notion of the self, identity as a band, and that of humanity as a whole. The album's title nods to the famous Nature vs Nurture debate. Discussing whether change is capable under the influence of time, perspective, environment or if we are destined to be bound by our own genetics, it asks, "who are we, and who do we want to be, and do we have any control over it?". Produced by Atlanta-based Grammy-winning producer Ben Allen (Animal Collective, Deerhunter), who afforded the band freedom to play and create. What wasn't anticipated was how that freedom would be soon be stripped, as lockdown restrictions left the band recording remotely across Newcastle, Liverpool and Atlanta with audio files bounced back and forth, 4000 miles across the world!

Mouse on Mars, duo Jan St. Werner and Andi Toma, approach electronic music with an inexhaustible curiosity and unparalleled ingenuity. AAI (Anarchic Artificial Intelligence) takes their fascination with technology and exploration a quantum leap further. Working with AI tech collective Birds on Mars and former Soundcloud programmers Ranny Keddo and Derrek Kindle, the duo collaborated on the creation of software capable of modeling speech. Text and voice from writer/scholar Louis Chude-Sokei, and DJ/producer Ya'mur U�kunkaya were fed into the software as a model, allowing Toma and Werner to control parameters like speed or mood, thereby creating a kind of speech instrument they could control and play like a synthesizer. The album's narrative is mirrored in the sound of artificial intelligence growing, learning and speaking. This exploration of artificial intelligence as both a narrative framework and compositional tool, allowing them to summon their most explicitly science-fiction work to date.

With unfettered access to the Zappa Vault and all it's archival footage, ZAPPA explores the private life behind the mammoth musical career that never shied away from the political turbulence of it's time. Alex Winter's assembly features appearances by Frank's widow Gail Zappa and several of Frank's musical collaborators including Mike Keneally, Ian Underwood, Steve Vai, Pamela Des Barres, Bunk Gardner, David Harrington, Scott Thunes, Ruth Underwood, Ray White and others.

Multiplatinum LA rock band The Go-Go�s candid, universally acclaimed documentary directed by Allison Ellwood. The archive-rich project assesses their place in music history and offers full access to The Go-Go�s, including past members & longtime members of their inner circle. With their roots in the L.A. punk scene, they were bad girls & genuine punk rockers, and this serious appraisal of their story is the first to set the record straight about their historical ascent to global stardom.

Behind our world, there is another: a world of dangerous and powerful monsters that rule their domain with deadly ferocity. When an unexpected sandstorm transports Captain Artemis (Milla Jovovich) and her unit (TI Harris, Meagan Good, Diego Boneta) to a new world, the soldiers are shocked to discover that this hostile and unknown environment is home to enormous and terrifying monsters immune to their firepower. In their desperate battle for survival, the unit encounters the mysterious Hunter (Tony Jaa), whose unique skills allow him to stay one step ahead of the powerful creatures. As Artemis and Hunter slowly build trust, she discovers that he is part of a team led by the Admiral (Ron Perlman). Facing a danger so great it could threaten to destroy their world, the brave warriors combine their unique abilities to band together for the ultimate showdown.