The Buckleys, a three-piece band featuring siblings Sarah, Lachlan, and Molly, embody a brand of “hippie country” representing the infectious personality and spirited conscience that the band maintains. The debut album features the singles “Money,” “Leave Me Hanging On,” and the title track “Daydream” which scored a #1 single at Australian country radio, followed by “I’m Comin’ For Ya (Love),” which hit #3. Nominated for New Talent Of The Year Award at the 2020 Country Music Awards Australian.
Bright Light Bright Light is singer, songwriter, producer and DJ born in Wales, living in NYC and obsessed with pop culture, particularly from the 80s and 90s. Over the course of his 3 commercially released albums he's toured with Cher, Ellie Goulding and John Grant, and toured AND recorded with Sir Elton John, Scissor Sisters and Erasure. He's an avid record collector, DJing pop obscurities he finds on his vinyl treasure hunts at his weekly DJ sets (online on Twitch.tv/brightlightx2 at the moment) that have been praised by Time Out NY. Equally inspired by 80s/90s movies and artists like Kate Bush, Björk, Ace Of Base, Max Richter and Pointer Sisters, he's a music geek at heart, and a renowned artist on stage, currently the first and only unsigned (he runs his own label) artist to perform on Graham Norton's BBC One TV Show.
American Head is the best and most consistent studio album from The Flaming Lips since the release of their most successful brace of albums The Soft Bulletin and Yoshimi Battles The Pink Robots. Similar to those albums, the 13 songs on American Head are classically structured and features the same sonic and production qualities. Kacey Musgraves (a fan who covers “Do You Realize” in her live set) is featured on “God And The Policeman”.
ALL THEM WITCHES have built a career out of playing music that can not be pigeonholed into one specific genre. NOTHING AS THE IDEAL was recorded in Studio 2 at the world famous Abbey Road with the help of longtime mixing engineer Mikey Allred. The history and vibe of that setting laid the groundwork for what was to come. The band’s signature psychedelic blues riffs, relentless drums, melodic bass lines and non-linear lyrics are all present. The resulting album is a thought provoking head banger that is the band’s most cohesive album to date.
Vinyl: $124.98 PRE ORDER
Another prized jewel in the Rolling Stones' unmatched catalogue is restored to its full glory. This limited edition Deluxe vinyl box set features the new stereo album mix, sourced from the original session files + Rarities & Alternative mixes including three previously unreleased tracks, Scarlet, All The Rage & Criss Cross. Mastered at half speed by Miles Showell at Abbey Road Studios, London. Also included is The Brussels Affair, recorded live at the Forest National Arena in October 1973 and pressed on 180g vinyl.
Also Available: Remastered Catalogue + Living In A Ghost Town
Standard weight clear vinyl
The Waterfall II completes The Waterfall, My Morning Jacket’s acclaimed 2015 record. Originally intended to be a sprawling triple album, the band were advised to hold back and keep some of it on the shelf. Until now! Frontman Jim James says, "this is simply the second half of a long snapshot of life for me as a writer in the years leading up to 2014, and the life of us as a band as we lived and worked in the epic country in and around Stinson Beach, CA during these recording sessions."
Vinyl: $50.98 PRE ORDER
52 page hardbound foil stamped coffee table book with 2 LPs, handwritten lyrics and over 20 previously unseen photographs.
When Elliott Smith's self-titled second album came out in 1995, it was ignored by the press but championed by artists from the Beastie Boys to Fugazi. To commemorate the twenty-fifth anniversary of Elliott Smith, the Kill Rock Stars label is releasing a special deluxe package, which includes a new remastering of the original record; a coffee table book of previously unseen photographs by JJ Gonson with handwritten lyrics, reminiscences from Smith's friends and colleagues, and previously unseen photographs; and a bonus disc documenting the earliest known recording of Smith performing as a solo act. The set is a revelatory look at an under-appreciated work by an artist whose influence continues to expand seventeen years after his death.
From the prairies of Saskatchewan, Canada and recently seen on Austin City Limits, Colter Wall sings songs of the great West. Heralded by icon Steve Earle and touted as a favorite of celebrity Jason Mamoa, the music of Colter Wall has graced the silver screen many times, in films such as Peanut Butter Falcon, Hell or High Water, Three Billboards Outside Ebbing, MO and Deadwood. Characterized by his distinct, gritty baritone, Colter Wall’s career has been marked with critical praise from his breakout EP, Imaginary Appalachia to his debut and sophomore records produced by Dave Cobb. Whether headlining music festivals in Norway, or playing legendary stages like Newport Folk Festival, Colter Wall continues to garner attention from the world. On his third full-length release, fans will hear Colter Wall in the producer’s chair.
Gregory Porter, the world’s best-selling contemporary Jazz/Soul artist with over 3 million worldwide album sales returns with ALL RISE, his sixth studio album. The album marks a return to Porter’s beloved original songwriting – heart-on-sleeve lyrics imbued with everyday philosophy and real-life detail, set to a stirring mix of jazz, soul, blues and gospel. Produce by Troy Miller (Laura Mvula, Jamie Cullum, Emili Sande), the set also represents the evolution of Porter’s art to something even more emphatic, emotive, intimate, and universal too. After 2017’s Nat King Cole & Me, Porter knew two things: one, he’d bring in an orchestra for his next LP, and two, the music is medicine. In the spirit of that latter revelation, ALL RISE brims with songs about irrepressible love, plus a little protest, because the road to healing is bumpy.
Since his world-beating 2013 Blue Note debut, ‘Liquid Spirit’, which won the Grammy for Best Jazz Vocal Album, Gregory hasn't let down his legion of fans, whether collaborating with Disclosure on ‘Holding On’, releasing his dance hit ‘Liquid Spirit – Claptone Remix’ which became one of the most popular tracks in Ibiza, scoring another Grammy for ‘Take Me to the Alley’ (2016), or telling his life story through Cole's songbook. Porter is still surprised by his runaway success, but he has a theory: "I was soothed by my voice as a child and I think that's the same thing others get from it. I'm trying to heal myself with these songs."
Not only has Gregory made chart history by bringing jazz back to the masses, graced the iconic Pyramid Stage and the world’s most prestigious gig venues, performed for the Queen, appeared on the biggest TV shows as well as presented his own series (‘Gregory Porter’s Popular Voices’ on BBC Four), 2019 saw the singer launch and host his own podcast, ‘The Hang’, featuring such distinguished guests as Annie Lennox and Jeff Goldblum.
Blackbirds features songs primarily popularized by women who were the “bridge she came across on.” The album finds LaVette in top form with powerful renditions of songs that touched her personally. From Dinah Washington’s “Drinking Again,” Nina Simone’s “I Hold No Grudge” and more, they are all delivered in LaVette’s rich & raspy tone. Blackbirds honors LaVette’s heritage as an R&B singer and the women who came before her. LaVette A&R’d and sequenced the record herself – her first true curation.
Double vinyl LP pressing housed in gatefold jacket. 2020 release. Rick Wakeman, best known as keyboard player in progressive rock band Yes, releases The Red Planet - a serious return to "Wakeman Prog". Harking back to Wakeman's critically acclaimed 1973 debut The Six Wives of Henry VIII, The Red Planet features eight newly composed pieces based around a central subject matter. Rick's blown the dust off his favorite analog keyboards and along with his latest keys has used the same formula he devised when making his debut album and the equally legendary Criminal Record. Upon being asked about the expectations of his prog fans, that they are hoping he will have shoved the "Prog Fader" up to 11, he replied, "That could be a problem... as it's already at 14!!!"
The Shadow is an album of growth. In the years since our previous album SLUFF was recorded, we have toured around the world, honed our musical skills and found our own little place in the music industry - but we have also seen our share of shadows, and it is through acknowledging these shadows that we grow the most. Each song on The Shadow examines an aspect of this growth through a different musical lens, adding up to a series of rock-and-roll vignettes of light, shadow, anxiety and responsibility. Frantic punk-scenes of information overload are contrasted by patient drones of introspection; fun, ear-worm musings of life as a young rock band are juxtaposed with the heavier responsibility of having a voice and not quite knowing what to say. The amalgam of information in the songs is complemented with a blend of sonic perspectives - we threw in all our infl uences, from the usual suspects of punk rock and new wave to spacedout 80’s balladry, fuzzy garage-metal and psychedelic desert folk (with synths and tape loops added to taste). And with producer Chris Funk leading the way, our somewhat scatterbrained sprawl of musical and conceptual ideas are tied together in an artful way. Chris’ quiet but steady direction pushed us to serve the songs, reigning in the guitar pedal breaks and drum solo freakouts from our live set while leaving just enough unpredictability and experimentation to give the album a liveliness of its own.
With her heart-swelling, folk-inflected pop, music's bright-eyed anthropologist, Alex the Astronaut, uses uses sprawling narratives and rich vignettes to unravel the joys and struggles of everyday life on her debut album. Brough to life with infectious melodies, plucked guitar, and Alex's unmistakable vocals. The Theory of Absolutely Nothing is the work of a storyteller attuned to the world around her.
Born in New York City, 21 year old Maya Hawke is an actress, singer and lyricist. Hawke was most recently seen in the third season of Netflix’s “Stranger Things,” as well as in Quentin Tarantino’s “Once Upon a Time in Hollywood” and Amanda Kramer’s “Ladyworld.”
Following the release of her independently released A and B side singles in 2019, she returns with a deeply personal full-length album. Hawke, who wrote the lyrics, continued her collaboration with Grammy Award-winning songwriter Jesse Harris, who wrote the music for the album.
On creating the album, Hawke says, “This album happened accidentally… Jesse and I started working together accidentally... we kept writing, kept collecting songs because it brought joy into both of our lives. Collecting them into an album and releasing it comes from a crazy, if not pathological desire to share that joy with others. From my point of view, ‘Blush’ is a collection of secret messages, hidden communications with the people in my life. ‘By Myself’ was a secret message to myself, that I hope I’ll receive someday soon.”
Fresh off their 30th Anniversary & World Tour in 2019, the genre-bending, multi-platinum selling Mavericks are changing the game once again with the release of their first-ever Latin format album En Español. Produced by the band's longtime creative partner Niko Bolas (Neil Young, Prince, Sheryl Crow) and Mavericks lead singer & principal songwriter Raul Malo, En Español features a compelling mix of standards and Spanish-language originals in signature Mavericks style.
Josh Turner returns with his new studio album, Country State Of Mind. The 12-track record highlights some of Turner’s favorite Country Classics, and features guest appearances from John Anderson, Kris Kristofferson, Chris Janson, Runaway June, Maddie & Tae, and the legendary Randy Travis. CD packaging includes a bonus “Country State Of Mind” decal sticker.
World renowned and multi-Grammy-nominated singer/songwriter Bebel Gilberto has been enchanting fans and critics worldwide since her solo debut release in 1986. She catapulted onto the global music scene in 1996 when she featured on the celebrated compilation RED HOT + RIO. She followed up with her breakout album, Tanto Tempo, positioning herself as one of the top-selling Brazilian artists since the 1960's. She continued with a streak of critically-acclaimed albums on which she refined her sound and showcased her strengths as a composer. Her new album, Agora, which translates to now, chronicles the moment in time in Bebel's life after a period of great change. It was produced by Thomas Bartlett (Sufjan Stevans, St. Vincent, Father John Misty, David Byrne, Martha Wainwright).
In McIntosh's words, MOJO is a fully realized expression of youthful perspective that breaks the mould of modern pop: "The whole album has feminine pronouns being used in the place of a love interest. I wanted to write those songs for the younger audiences to hear, because I think it should be normalized in the pop music you hear today.”
With a colorful and impressive debut album already to her name, all eyes are on McIntosh as she hits the studio to work on her next project."
Bruce Hornsby is on a roll. After taking the music world by surprise with his wide-ranging, critically acclaimed 2019 album Absolute Zero, the singer, songwriter, composer and bandleader returns with a follow-up that picks up where its predecessor left off. Non-Secure Connection features 10 new songs exploring a broad range of themes, from civil rights to computer hackers, mall salesmen to the tribulations of youth basketball.
Hornsby plays piano, of course, but the songs on Non-Secure Connection also feature Hornsby’s electric sitar and Chamberlin, along with guitars, horns, strings and subtle samples from sources as varied as minimalist composer John Cage and Scottish rockers Franz Ferdinand. Like Absolute Zero, Non-Secure Connection also features a wealth of collaborators: singer James Mercer of The Shins and Broken Bells, singer and poet Jamila Woods, Living Colour guitarist Vernon Reid, Bon Iver leader Justin Vernon and the late Leon Russell, who appears thanks to a demo that he and Hornsby recorded together more than 25 years ago.
Non-Secure Connection LP by Bruce Hornsby
Luke Bryan will be releasing his latest album on August 7th. `Born Here Live Here Die Here' includes the #1 hit "Knockin' Boots" and his current hit single "Whatever She Wants Tonight". Bryan is known for his catchy, chart-topping tracks like ""Country Girl Shake It For Me" which was included in Billboard Magazine's "100 Songs that Defined a Decade" list out last month.
Third Man Records is excited to announce The Stooges' Live At Goose Lake: August 8, 1970. This previously-unheard, high-quality soundboard recording of the original Stooges lineup's final performance -- recorded just before the release of their earthshaking 1970 album Fun House -- will be available on vinyl, CD and digital on August 7, 2020, nearly 50 years to the day after the performance.
As the thirteenth release in the Paul McCartney Archive Collection, this numbered, limited seven-disc (5CD/2DVD) Deluxe Edition Box Set is comprised of the original album remastered at Abbey Road Studios, 32 bonus audio tracks including unheard home recordings and demos, alternative studio recordings, rough mixes and B-sides including selections from Oobu Joobu parts 1-6, Flaming Pie At The Mill CD (Paul’s hour-long tour of his studio), video content including the In The World Tonight documentary, original music videos, EPKs, interviews, performances and behind-the-scenes material, a 128-page book containing previously unpublished images by Linda McCartney, expanded album artwork from the archives and the story behind the album written by Chris Heath – including track-by-track information, recipes and new interviews with Paul, Ringo Starr, Jeff Lynne, Steve Miller and key album personnel, studio notes, handwritten lyrics, the 1997 Flaming Pie issue of Club Sandwich, the official newspaper of the Paul McCartney Fan club, downloadable 24bit 96kHz HD audio, and more.
- Numbered cloth wrapped clamshell box
- CD portfolio containing 5CDs and 2DVDs
- 128-page book containing previously unpublished images by Linda McCartney, expanded album artwork from the archives, and the story behind the album – including track-by-track information, recipes, and new interviews with Paul McCartney, Ringo Starr, Jeff Lynne, Steve Miller, and key album personnel, written by Chris Heath.
- Facsimiles of John Hammel studio notebook, Club Sandwich Magazine, Flaming Pie plectrum and envelope containing handwritten lyrics for 8 tracks and The Flame newspaper
Flaming Pie is also available on 180g black vinyl 2LP, 3LP, CD, Collector's Edition formats.
12" Vinyl Standard jacket with printed inner sleeve
Barely a year after the release of their acclaimed debut album 'Dogrel' (which charted Top 10 in the UK, earned a Mercury Prize nomination, Fallon performance, and #1 Album of the Year positions for BBC 6Music and Rough Trade), Fontaines DC have returned with an intensely confident, patient, and complex sophomore album. 'A Hero's Death' arrives battered and bruised, albeit beautiful - a heady and philosophical take on the modern world, and its great uncertainty.
INCLUDES FULL BOARD GAME WITH GAME PIECES!!!
Pop on Floor It!!!, the new and second full-length effort from the Texas Gentlemen, and prepare your eardrums to be hit with everything from woozy, brass-fueled Dixieland-style jazz (“Veal Cutlass”), to slinky, chicken-scratch country funk (“Bare Maximum”) to lushly orchestrated pop-soul balladry (“Ain’t Nothin’ New”)—and that’s all in just the first 10 minutes of play time.
While the Gentlemen’s sound is clearly steeped in the classic roots, rock and pop music of the ‘60s and ‘70s, there’s a dreamy (the lilting “Sing Me to Sleep”), spacey (“Skyway Streetcar”) and occasionally progressive (“Dark at the End of the Tunnel”) element to what they do that seems to detach the music from belonging to any particular place and time. Add in elements of funk, soul, country, r&b, southern rock, gospel and essentially any other style that catches their musically omnivorous ears; an expansive and detailed approach to arrangement that sees the songs adorned with all manner of horns, strings and heavenly background vocals (“Hard Road”) and you have a collection of tunes that is more than just a mere album. Rather, Floor It!!! is a rich and righteous ride.
S.G. Goodman was raised in Western Kentucky on the Mississippi River Delta in a strict church going family of row crop farmers. Her debut solo album, co-produced with fellow Kentuckian Jim James, showcases S.G.'s otherworldly voice, which soars above a sonic blend of gritty guitars, bottomland grooves and plaintive balladry."
"I want nothing more than to be alone," Emily Kempf sings early on Flower of Devotion, the third album by Chicago trio Dehd. It's a startling admission coming from a songwriter who, just a year ago on Dehd's critically acclaimed Water, wrote eloquently about the joys and pains - more than anything, the necessity - of love, compassion, and companionship. But then, "admission" isn't really the right word here, given the stridency of Kempf's tone. "Loner" is a declaration.
The record ups the ante on Dehd's sound & filters in just enough polish to bring out the shining and melancholy undertones in Jason Balla and Emily Kempf's songwriting, even as it captures them at their most strident. Balla's guitar lines at times flirt with ticklish cosmic country, while at others they reflect the dark marble sounds of Broadcast. Kempf, meanwhile, establishes herself as a singer of incredible expressive range, pinching into a high lonesome wail, letting loose a chirping "ooh!," pushing her voice below its breaking point and letting it swing down there. When she and Balla bounce descending counter-melodies off one another over McGrady's one-two thumps, or skitter off over a programmed drum pad, they sound like The B-52s shaking off heartache.
What makes Flower of Devotion so impressive is how its creation seems to have strengthened its creators, both as individuals and as unit, even as they've stared down their own limitations. It's also striking just how much fun they seem to be having in the process. "It's okay to be lighthearted in the face of despair," Kempf says. It's a theme that runs through the album, from the opening back-and-forth build of "Desire" to the click-clacking chorus of "Haha," which finds them deflating their own history. Flower of Devotion was recorded in April and August of 2019 in Chicago. It will be released on Fire Talk Records on July 17th 2020.
Vinyl LP pressing. 2020 release, the fifth album from the British rockers. The follow-up to Full Nelson features 12 new tracks. The members of Massive Wagons say: "Times are hard and scary right now. We want to do all we know how to do - that's bring music to people. Everyone needs to look after each other because we are all In It Together. We hope our music sends positive vibes to everyone affected by the situation, and see you on the road when normality is restored."
Chicago bred trio The Lawrence Arms will release Skeleton Coast, their first album in six years, on July 17.
Skeleton Coast was recorded 30 miles east of El Paso, TX at Sonic Ranch Studios with longtime producer Matt Allison. It was kind of like album camp in the sense that we were in this very remote setting for two weeks and really focusing on making the record. That was a very different experience for us because we’ve always made our records in Chicago which is home and all the things about home are in the way,” says vocalist and guitarist Chris McCaughan.
The album contains the elements of the band’s sound that fans have come to love for the past two decades but recontextualizes them in a way that somehow sounds perfectly aligned with this strange time in our collective history. Although it was written and recorded before the Coronavirus upended the world, the band’s seventh studio album sounds eerily prescient as it imagines an apocalyptic future where coyotes croon and wolf packs roam free. “For a band who has been around as long as us, this is about as urgent of a record as we could make,” vocalist and bassist Brendan Kelly explains. “It may be kind of dark but it’s really about searching for light in the darkness and finding it, as small as those moments may seem. That’s sort of where we’re at: Collecting the scraps of things that could make for a bearable existence in dark times.”