Kurt Vile's 'Philadelphia's been good to me' illustrates his love for his home city, where he still resides and records most of his music. This album includes his distinct jangly guitars, soaring instrumental passages, and lyrics that are both cheeky and sentimental at the same time. 2-LP pressed on Schuylkill River blue vinyl.
‘The Boys of Dungeon Lane’ is a collection of rare and revealing glimpses into memories never-before shared, along with some newly inspired love songs, from one of the most culturally significant figures of our time. These extraordinary new songs find Paul writing with rare openness about his childhood in post-war Liverpool, the resilience of his parents, and early adventures shared with George Harrison and John Lennon long before the world had ever heard of Beatlemania.
Experience one of rock’s most iconic bands in a breathtaking setting. In July 2023, The Who delivered a landmark performance at Cornwall’s world-renowned Eden Project, joined by the Heart of England Philharmonic Orchestra for a set list of their greatest and most loved songs.
Nestled in the Cornish countryside, the Eden Project’s striking biomes provided a stunning backdrop as Pete Townshend and Roger Daltrey blended classic rock power with orchestral grandeur. Live at Eden Project 25/07/2023 captures The Who at their most powerful and innovative—an extraordinary fusion of rock and orchestra.
Available formats:
2CD Digipak, Limited 3LP Gatefold Edition (pressed on recycled vinyl, eco-friendly packaging), Standard 3LP Gatefold.
A must-have for fans and collectors, this release is a testament to The Who’s enduring relevance and evolution. Add it to your collection today.
Triple-Gatefold trans. Milky clear 2LP & LP-Booklet (US version) The Moth is Devin Townsend's most ambitious work to date, a project that has existed in his mind as his life's work - an immersive orchestral, choral, and theatrical project over a decade in the making. What began as a distant vision became reality when Townsend was invited to collaborate with the North Netherlands' Orchestra and Choir. Unlike his previous genre-hopping worlds, The Moth was conceived from the ground up as a fully orchestrated narrative. Townsend spent years relearning musical fundamentals to write the score himself: harmony, counterpoint, and orchestration rebuilt from scratch, expertly assisted by Joseph Stevenson. The result is a meticulously crafted, emotionally driven piece where every instrument and voice has space to speak. Recorded across more than ten countries, the album brings together an extraordinary global cast: the aforementioned North Netherlands Orchestra and Choir, long-time collaborators Darby Todd, Mike Keneally, James Leach, and guests including Steve Vai, Anneke Van Giersbergen & Lynn Wu (Ou). Hundreds of musicians, engineers, mixers and artists contributed to the project's massive creative ecosystem. At it's core, The Moth is about transformation. Through it's soaring arrangements and intimate moments, the work explores self-acceptance, surrender, and the courage to face discomfort without turning away. The Moth is about the journey-but it is also about arrival. The Moth will be available on several formats including Ltd Deluxe 3CD+Blu-ray Artbook that includes the album on CD1, 'The Moth - The Afterlife' on CD2 & 'The Moth - The War (Live)' on CD3. The Blu-ray includes the full 'The Moth - The War' live film, as well as Dolby Atmos & High Resolution Stereo Mixes of the 'The Moth' and 'The Moth - The Afterlife'. It will also be available as Limited 2CD Edition (including 'The Moth-The Afterlife' on CD2), Standard CD Jewelcase and as Gatefold Triple-Gatefold 180g 2LP & Fold-Out LP-booklet, as well as digitally.
Colored Vinyl, Half Yellow / Half Purple indie record store exclusive limited to 300 copies. Album features guest vocals by I Promised The World, Holder and Upon Stone. Scratching on "Ammonite" by DJ Punchdrunk from Empty Shell Casing
Equal Vision Records will release Sparta's upcoming full length album 'Cut A Silhouette' on Friday May 29th 2026. Produced by J. Robbins, the album channels the spirit of their early catalog.
Recorded in an intimate hometown setting in doylestown pa, 'Reconcile at the tile works, recorded live' captures Anthony Green in a rare, up-close performance that leans into the emotional core of his songwriting. With minimal, stripped-back arrangements, the focus stays on the songs themselves-highlighting the immediacy of Green's voice and the connection he's built with listeners over the years.The setlist draws from across his catalog, blending fan-favorite material from Circa Survive with selections from his solo work, alongside previously unreleased songs. These versions feel raw and present, giving familiar tracks a different kind of weight while introducing new material in it's earliest form.
RuPaul’s Foxy Lady is a high-gloss, funk-infused pop statement that captures the superstar at the height of her ’90s cultural takeover. Released in 1996 as the follow-up to her breakthrough Supermodel of the World, the album delivered club-ready hits like “Snapshot,” which became a Top 5 smash on the Billboard Dance chart and solidified RuPaul’s status as a dance-floor powerhouse.
Foxy Lady blends house, R&B, and glitter-coated pop with Ru’s signature charisma, weaving empowerment, camp, and diva bravado into every hook. The album’s vibrant production - courtesy of Eric Kupper, Richard “Humpty” Vission, and other dance heavyweights - makes it feel like a runway playlist built for strutting and celebrating.
Though overlooked by mainstream radio at the time, it became a fan-favorite era, widely embraced in clubs and by LGBTQ+ audiences who saw RuPaul pushing drag into the pop mainstream long before it was common. Today, Foxy Lady stands as a bold, joyfully unapologetic snapshot of RuPaul’s expanding empire - an album that still sparkles with confidence, glamour, and attitude.
Multi-platinum singer/songwriter Kip Moore reveals his brand new album Reason To Believe will release this spring. His second full-length in two years, Reason To Believe makes good on Moore’s promise to release more music than ever before after signing a new global partnership with Virgin Music Group. With anthemic, arena-worthy bangers and achingly heartfelt ballads, the 13-song collection finds the Nashville-based artist embarking on a new chapter that continues to expand upon his sonic landscape that blurs the lines between country, southern rock, and Americana. Co-produced by Moore alongside Andrew DeRoberts, Reason To Believe will be led by the first single “Levee.”
Israel Vibration are a reggae harmony group, originating from Kingston, Jamaica. Lascelle "Wiss" Bulgin, Albert "Apple Gabriel" Craig, and Cecil "Skelly" Spence all contracted childhood polio, and went on to be a Jamaican roots reggae group in the 1970s. The trio initially met as children at a rehabilitation center.
Dennis Brown was a Jamaican reggae singer. During his prolific career, which began in the late 1960s when he was aged eleven, he recorded more than 75 albums and was one of the major stars of lovers rock, a subgenre of reggae. Bob Marley cited Brown as his favorite singer dubbing him "The Crown Prince of Reggae", and Brown would prove influential on future generations of reggae singers
Five years ago, Curren$y proved once again that while the rest of the world might hit the brakes, the Jet Life never stalls. Released in the early months of 2021, Collection Agency arrived as a masterclass in "work-from-home" luxury-a smooth, ten-track victory lap that solidified Curren$y's status as the most consistent architect in underground hip-hop. Clocking in at just under 24 minutes, Collection Agency is the sonic equivalent of a pristine, low-mileage 911 Turbo. It's lean, expensive-sounding, and devoid of filler. While the world was still grappling with a sense of stagnation, Spitta was in the garage, documenting the rewards of a decade-plus grind. The 10-track release marks his 11th solo studio album, and 90th overall project. Even more impressively, the quality has remained consistent throughout his prolific career. The Louisiana rapper links up with several notable producers on the project including DJ. Fresh, Harry Fraud, Rsonist of The Heatmakerz, Trauma Tone, Purps, & Black Metaphor. We also see an appearance by longtime friend and collaborator, Larry June. Once again, Curren$y delivers another unforgettable round of smooth joints and cruising music. 1xLP, Single Pocket Jacket, Orange & Blue A Side B Side Vinyl
Dennis Brown was a Jamaican reggae singer. During his prolific career, which began in the late 1960s when he was aged eleven, he recorded more than 75 albums and was one of the major stars of lovers rock, a subgenre of reggae. Bob Marley cited Brown as his favorite singer dubbing him "The Crown Prince of Reggae", and Brown would prove influential on future generations of reggae singers
2001's 'The Smell Of Rain' heralded seismic changes for Emperor alumnus Mortiis. Mortiis stepped up to the microphone as a lead vocalist for the first time, and the album expanded to encompass more live musicians, ushering in a metamorphosis in his sound. Closer to synthpop in parts, the album clutched more tightly onto its industrial rock sensibilities and became significantly more refined and propulsive as a result. It had a lithe groove, subtle catchiness, and a thrumming, murky energy. Looking back now, it was a truly unique release for Mortiis amidst the rest of his discography.
25 years on, the record's forward-thinking, open-minded quality means it hardly feels out of place in 2026, where melding genres feels more natural than staying in just one lane. To celebrate, it is receiving its first pressing to vinyl since its original year of release.
Marvin Gaye always dreamed of being a smooth crooner, "sitting on a stool, possibly behind a piano," delivering velvety songs like Nat King Cole. But Motown had other plans. Pushed between raw R&B and polished pop, Gaye fought to find his own voice, eventually rising to become one of the greatest soul singers in history. Motown Records released the first Marvin Gaye record in 1961 "(I'm Afraid) The Masquerade Is Over", a single intended for (radio) promotion from the singer's debut album. This was followed up by the officially released "Let Your Conscience Be Your Guide" a week later. Gaye scored his first real hit with "Stubborn Kind of Fellow" in 1962, which he had co-written himself, joking about his alleged stubbornness. He found his own unique style with the single released at the end of the year: "Hitch Hike". The foundations were now laid for an enormous series of chart successes: "Pride And Joy", "Can I Get A Witness", "How Sweet It Is (To Be Loved By You)" and "Ain't That Peculiar" are all Motown classics from 1963-1965 which are still being regularly played today after all these years. The duets he recorded with Kim Weston ("It Takes Two"), especially Tammi Terrell and Diana Ross were certainly at least as good. He scored his biggest ever hit with "I Heard It Through The Grapevine" in 1968. "What's Going On" from the same titled album became a number 1 hit in the USA and the album was received as a masterpiece and is regarded as one of the most important records in pop history. In 1973, the artistically and commercially very successful, "Let's Get It On" album was mainly a musical ode to Marvin's love for his new muse Janis Hunter. His journey continued after a turbulent relationship, addiction and a dramatic creative rebirth in Belgium, where he crafte the global hit "Sexual Healing" in 1982. Marvin Gaye left behind timeless hits, groundbreaking albums, and a legacy that shaped the sound of modern soul. His story, from ambition to artistry, from struggle to brilliance, remains as powerful as the music he created. Music On Vinyl proudly presents a special coloured edition of the Marvin Gaye Collected album which is available as a limited edition of 10,000 individually numbered copies on white (LP1) and silver coloured vinyl (LP2) and includes a booklet with liner notes.
Hot Mulligan's second full length album, 'you'll be fine', featuring their most streamed song "EQUIP SUNGLASSES*, now with over 30M streams, and another favourite BCKYRD, with over 17M. 'You'll be fine' thrust Hot Mulligan into the pop punk limelight, showcasing their musicality and song writing prowess, and earning them a Pitchfork review. Since forming in Lansing, Michigan in 2014, Hot Mulligan have ascended from basements to the buzziest pop-punk band in the scene on the back of three beloved albums; 2018's 'Pilot' and 2020's 'you'll be fine', and 2023's 'Why Would I Watch'. The band has since played many sold out tours in the US, Europe, and Australia and New Zealand, opened arenas for Fall Out Boy, and are set to continue their ascent into the future
The Mo'Wax Singles 1993-1997 is an eight piece vinyl set collecting all of DJ Shadow's original single releases for Mo'Wax. The first legitimate re-issue of the Mo'Wax singles in decades, it incudes: "In/Flux," "Lost & Found (S.F.L.)," "What Does Your Soul Look Like," "Midnight In A Perfect World," "Stem," "High Noon" and "Camel Bobsled Race." It features never-before-heard alternative mixes and edits, plus a bonus disc containing original demos of 4 songs. All audio has been half-speed remastered at Abbey Road by Miles Showell and the box also features all-new photography by long-time Shadow collaborator Brian Cross (B+). "This box wasn't made for the casual listener, it was made with the hardcore fan in mind. I've always felt, if something is worth doing, it's worth doing right, and every step of the process was made with this philosophy firmly in mind. I had fun locating and resurrecting these songs, some of which still feel close to my consciousness as though they were made yesterday."
It's the 10th anniversary of the record that paved the way for PROMISES. When we first released ELAENIA, Sam Shepherd had already made a name for himself through traveling the world as a DJ, and developing the now legendary club Plastic People in London, together with his friends. He had been working on this album for more than five years, and even built (invented?) an instrument that would draw the album cover, based on the music of the album. This was his first ever full-length release, and he rose to the occasion: Broken beat, spiritual jazz and krautrock, revered by the critics - earning one of the highest scores that year from Pitchfork, back when that meant something. Even before it was released, it was the music that Pharoah Sanders first heard by him, which set the foundation for their later collaboration. A lot has happened in the last 10 years, but this record still kills - and more than anything shows his origins. This limited, color anniversary edition includes a new bonus track on the LP ("Precursor"), and also comes with the KUIPER EP, all in a hand-numbered gatefold jacket.
1xLP, Pressed on Royalty Blue & Gold A Side B Side Vinyl. Includes insert & housed in a gatefold jacket. Ten years ago, Adolph Robert Thornton Jr. Planted his flag. Released on February 19, 2016, King of Memphis wasn't just a debut studio album; it was a bold declaration of independence and a flawless blueprint for self-made success. To celebrate a decade of this foundational Southern rap masterpiece, Paper Route Empire is honoring Young Dolph's legacy with a series of exclusive, limited-edition 10th Anniversary vinyl variants. Before King of Memphis, Dolph had already built a massive underground following through a relentless run of mixtapes. But this official debut elevated him from a local hero to a national powerhouse. By bypassing the major label system and releasing the project entirely through his own Paper Route Empire (PRE), Dolph proved that undeniable talent, relentless hustle, and business savvy were all you needed to take the crown. The album peaked in the Top 50 of the Billboard 200, an incredible feat for a fiercely independent artist at the time, and cemented his status as a CEO who called his own shots. King of Memphis is all killer, no filler. Over 11 tracks, Dolph's signature slow-flow delivery and larger-than-life charisma glide over heavy-hitting, trap-defining production from a legendary lineup of producers, including Mike WiLL Made-It, Zaytoven, TM88, and Cassius Jay. With zero guest features, the project relies entirely on Dolph's magnetic presence. From the motivational hustler's anthem "Get Paid" to the menacing confidence of "Let Me See It" and "Royalty, " the album plays like a victory lap for a self-made king.
Guided by Voices' last album Thick Rich And Delicious (October 2025) was lauded by NPR's All Things Considered and picked #1 on Magnet Magazine's Best Albums Of 2025. The single "We Outlast Them All" from this latest, Crawlspace Of The Pantheon, is an anthemic victory lap on album #44 from the indie rock stalwarts. Robert Pollard told Rolling Stone: " 'We Outlast Them All' could be our 'We Are The Champions' but it's not necessarily about us. It's about anyone who perseveres over a long period of time." On Crawlspace Of The Pantheon: "I worked much more diligently on this set of lyrics. I chiseled away at lines and sections and phrasings... I wanted them to have an overall emotionally conceptual feel. At times it feels somewhat autobiographical."Guided by Voices will not be on tour in 2026. Pollard recently told Magnet: "Why would we stop playing live and make these kinds of records? I don't know. We do what we wanna do.""Pollard is the greatest rock lyricist of all time." -Dennis Cooper
With Lucifuge, Danzig expanded their sound, balancing thunderous heaviness with moody, soulful undertones. Songs like “Her Black Wings” and “Long Way Back From Hell” showcase the band’s evolving songwriting. LP package includes standard LP jacket, printed sleeves, and pressed on translucent ruby vinyl.
SURFILMUSIC is an intimate look into Jack’s evolution from surfer to filmmaker to world-renowned musician. The documentary traces how his early years making surf films with close friends became a foundation for a much broader creative life, capturing moments in and out of the water that later surfaced in his songwriting. Blending rare footage from those formative surf films and Jack's personal and family archives with present-day reflections, the film weaves together how lived experience, friendship, and exploration shaped the sound and stories behind the music. Featuring Jack, Kelly Slater, Rob Machado, Gerry Lopez, Chris Malloy, G. Love, Ben Harper, John Florence, Tamayo Perry, Emmett Malloy, and Kim Johnson. Directed by Emmett Malloy. Score by Jack and Hermanos Gutiérrez. The film will premiere at SXSW and be released wide on May 15th with an accompanying digital + physical release of the soundtrack on the same day.
Celebrating the 60th anniversary of the Beach Boys' legendary masterpiece, The Pet Sounds Sessions Highlights 2LP (180g) features selections from the 1997 Grammy-nominated 4CD box set The Pet Sounds Sessions. The Pet Sounds Sessions Highlights 2CD features selections from the 1997 Grammy-nominated 4CD box set The Pet Sounds Sessions. 25 Pet Sounds a cappellas, alternate versions and tracking sessions, along with new liner notes. Audio is a mix of both mono and stereo sources. Released on May 16, 1966, Pet Sounds was produced and primarily composed by Brian Wilson and is considered a masterpiece of pop music and one of the most influential albums in history. It features the classic singles “God Only Knows,” “Sloop John B,” and “Wouldn't It Be Nice.” Note: “I'm Waiting For The Day (Vocals Only)” is included on both Disc 1 and Disc 2
Peter Frampton is a Rock & Roll Hall of Fame inductee, a guitar god, a hit songwriter, and a kind human being.
In 2014, Frampton was diagnosed with Inclusion Body Myositis (IBM), a rare, degenerative muscle disease.
He was ready to retire after a farewell tour in 2019. Then he realized he wants to keep going until he can’t.
At 75, 50 years removed from his #1 album Frampton Comes Alive, he delivers his first new album of original rock songs in 16 years.
Carry The Light is co-written with his son Julian.
The album is produced by Frampton, Julian Frampton, and Chuck Ainlay.
It is a 10-track journey through the magic of rock n’ roll featuring guests H.E.R., Benmont Tench, Sheryl Crow, Bill Evans, Tom Morello, and Graham Nash.
They Call Us The Lucky Ones is a road-worn portrait of modern Americana — songs about movement, memory, love, and survival, exploring the space between freedom and consequence where highways replace homes and connection becomes the true measure of success. The album tells stories of outsiders and drifters, chosen family and lost friends, broken systems and restless ambition — and the ghosts we carry no matter how far we run.
Yet for all its hard-earned perspective, the record carries an undeniable sense of hope: a clarity that comes from a life lived in motion, the humor found along the way, and the simple joy of playing music with people you trust. It’s a record that knows how to have a good time without losing its soul.
This collection of ten songs finds Ryan Bingham at his best — where life isn’t always about perfection or redemption, but about connection. Because no matter how far you go, how fast you run, or how loud the music gets, all that matters is the people and stories you carry with you along the way.
The 3rd collaborative album between Les Claypool & Sean Ono Lennon (the previous sold over 150,000 combined) is an elaborate concept record reflecting on morality, the warnings of A.I., and the slippery slope of optimization without empathy. Told across 14 songs - which ooze with classic psychedelic / progressive rock stylings - and the accompanying comic book by Rich Ragsdale, The Great Parrot-Ox and The Golden Egg of Empathy is a peak for both The Claypool-Lennon Delirium and rock music at large.
A Beautiful Lie, the multiplatinum, era-defining album from Thirty Seconds to Mars, marks its 20th anniversary with a refreshed, upgraded LP pressing on 180g red vinyl with striking new cover design and CD edition featuring 4 previously unreleased tracks from the original sessions. Packaged in
a sleek red cover featuring the iconic red rose along the binding with exclusive 12-panel poster showcasing the new anniversary artwork.
Long celebrated as one of America's most inventive DIY singer-songwriters, Shakey Graves (born Alejandro Rose-Garcia) has built a singular career on experimentation and emotional honesty. Fondness, etc. Feels like a window into his most personal world yet - and a full creative reset - placing emphasis on lo-fi sound and analog warmth, packed with soft vocals, haunted guitars, experimental textures, and tender imperfections. His songs explore trying to do better and holding onto fleeting beauty in a chaotic world. The title is a twist on "absence makes the heart grow fonder," delivered with classic Shakey self-effacing charm - capturing moments of life, love, and fatherhood with striking vulnerability and sonic exploration. An album built purely for joy, reminding us that the quietest moments often hold the most profound beauty.
Tennis is an indie pop duo comprising husband and wife Patrick Riley (guitar, keyboards, production) and Alaina Moore (vocals, keyboards). Face Down In the Garden is the seventh LP from the critically acclaimed duo Tennis. Offsetting intuitive melodies with unusual arrangements, Tennis returns with music that feels familiar but resists convention. Lead singles Weight of Desire, At The Wedding and Sister highlight Tennis' range as writers and producers, evolving beyond their girl-group roots into what is their most fully-realized effort to date.
The long-awaited second installment to YUNGBLUD’s GRAMMY-nominated album ‘Idols,’ ‘Idols II’ features 6 brand-new songs and a reimagined version of the GRAMMY-nominated single “Zombie” with The Smashing Pumpkins. With over 450 million streams to date, ‘Idols’ has been praised as YUNGBLUD’s “boldest statement yet... a genre-blurring, emotionally expansive project.” Pressed on clear vinyl.
Kraftwerk founder Ralf Hütter and engineer Fritz Hilpert have created the Dolby Atmos mix from the original 16-track master tapes at their Kling Klang Studio.
The new Atmos mix will be available as a Blu-ray disc (standard and D2C editions) and digital release, with the stereo album (2009 remaster) pressed as a highly collectible vinyl picture disc.
Hailing from the small Appalachian town of Castlewood, Virginia, 49 Winchester is a six-piece band whose rugged roots and unfiltered energy have earned them acclaim as one of country music’s most exciting rising acts. Known for their fiery blend of Southern rock and country soul, the band has released five studio albums, toured internationally, and built a loyal following through their electrifying live performances.
Led by singer-songwriter Isaac Gibson alongside Bus Shelton (lead guitar), Chase Chafin (bass), Noah Patrick (pedal steel), Tim Hall (keys), and Justin Louthian (drums), 49 Winchester channels the grit, heart, and humor of Appalachia in every song.
49 Winchester’s latest release, Change of Plans, is produced by Grammy-winning producer Dave Cobb. The album finds the band crafting new music that expands their sound while staying true to their working-class roots.
Orange & Cream Smash Vinyl. Boldy James and producer Your Boy Posca join forces to create a new sound within Boldy's world of countless, yet quality, projects. With a classy, laid back approach of grimey soul samples and spooky 1980's aesthetic, the tape flows flawlessly top to bottom as Boldy paints a unique portrait of a Midwest drug dealer.
Blizzard is the striking debut album by Dove Ellis. Featuring the singles 'To The Sandals,' 'Love Is,' 'Pale Song,’ and ‘Heaven Has No Wings.’ Dove Ellis opened for Geese on their US tour last year.
The album received press pick up from Americana Highways, Pitchfork, The Guardian, The Line Of Best Fit, DIY Magazine, Paste Magazine, The Wall Street Journal, Stereogum, NPR and more.
The album was recorded in London and Liverpool with mixing by Sophie Ellis and Andrew Sarlo.
Green Vinyl. Nathaniel "Nate" Rathbun-better known by his stage name Audien-is an American DJ, producer, and melodic powerhouse in the world of electronic music. First Love is his sophmore album, released October 3rd 2025.
“It’s the record where Slayer became Slayer.” That’s what Kerry King says about Hell Awaits. And he knows of what he speaks. As the band’s guitarist, co-songwriter and co-lyricist, he was in the trenches with vocalist/bassist Tom Araya, guitarist Jeff Hanneman (R.I.P.) and drummer Dave Lombardo, creating what has become one of heavy metal’s greatest albums. A significant departure from Slayer’s 1983 debut, Show No Mercy—and every Slayer album that came after it—Hell Awaits is both an outlier and a solidification of form. Show No Mercy was the mission statement, but Hell Awaits is a more developed and intricate execution of Slayer’s speed, chops, and aggression. Now celebrating its 40th anniversary, Hell Awaits is the second studio album by American thrash metal masters, Slayer. The crucial album was initially released on April 8th 1985, by Metal Blade Records, who, in honor of Hell Awaits's 40th anniversary, will be unleashing unique physical releases, along with a digital release for fans.
Sex Pistols / Never Mind the Bollocks Here's the Sex Pistols - Never Mind The Bollocks, Here's The Sex Pistols, an album that rewired 20 years of rock in under 40 minutes, is available today from Rhino High Fidelity (Rhino Hi-Fi), the premium vinyl reissue series. Released in 1977, it debuted at #1 on the U. K. charts despite being banned by major retailers and causing widespread controversy. Bristling with broadsides like "Anarchy In The U. K. ," "God Save The Queen," "Pretty Vacant," and "Holidays In The Sun," the album distilled rage and disillusionment into a single, unrelenting statement. In the album's new liner notes, producer Chris Thomas recalls how the band found their recording approach almost by accident during an early session. "We put down a track, just rhythm guitar and drums, pretty much first-take, no mistakes. It was impossible to know if it was any good, so, being a bit stumped, I asked Steve if he would like to have a go at putting the bass part on. Instead of playing a traditional bass line, he simply mirrored his guitar an octave lower-an unexpected move that snapped everything into focus. "It was an absolute 'Eureka!' moment," Thomas recalls. "The combination was so powerful, so simple. We bashed three more songs down, adding the bass and double-tracking the guitar in just a couple of hours. We were seriously in first-take territory. "
Evolution can be ugly and beautiful, painful and euphoric. An Undying Love For A Burning World is the first new release from Neurosis in a decade, and a potent statement of intent and rebirth-one that marks the first new steps of resolve and resilience. An Undying Love For A Burning World is an epic album of colossal hypnotism-beautiful, fearsome and utterly compelling in a way that only Neurosis can be. Aaron Turner (Sumac, Isis) joins the band on vocals and guitar, a name whose legacy is intertwined with the band's own and a true kindred spirit. Neurosis have never been afraid of change, and here they embrace endless regeneration, surrendering to the emotional exorcism through heaviness and distortion that their music incites. Just as the universe tends towards balance, Neurosis' cacophony of noise, rhythm and dissonance always resolves towards moments of beauty. The addition of Turner's powerful vocals and wildly creative and unhinged approach to guitar proves to be a vital force as Neurosis find themselves again at the mercy of evolution and expression. The album was recorded by Scott Evans (Kowloon Walled City, Sumac, and Great Falls) at Studio Litho in Seattle during three weekends this winter, and mixed in three days just six weeks before release at Evan's Antisleep Audio in Oakland. Neurosis will play their first show in seven years on the traditional lands of the Blackfeet Nation in Montana as part of the Fire In The Mountains festival by special invitation of Firekeeper Alliance, a non-profit dedicated to reducing youth suicide in Indian Country.
Since his earliest recordings began circulating online in 2009, Toro y Moi has stood out not only for his prolific output but for his fearless evolution. Across each release, Chaz Bear has expanded his sonic universe, blurring genre lines and redefining modern pop in the process. His third full-length album, Anything in Return, marked a defining moment - a breakthrough that solidified his place at the forefront of alternative and chillwave music in the 2010s.Originally released to widespread acclaim and selling nearly 150, 000 copies, Anything in Return captures Bear at the height of his powers. Blending funk, psych-pop, and vibrant, glitch-laced electronics, the album balances sleek, intuitive pop songwriting with adventurous, producer-driven textures. Hip-hop-indebted vocal samples, steady 4/4 grooves, and house-inspired flourishes underscore tracks like "High Living" and "Day One, " while the brooding lead single "So Many Details" reveals a darker, more introspective edge. The result is a record that feels both meticulously crafted and effortlessly immediate - a statement of artistic identity unbound by genre.Created following Bear's move from South Carolina to Berkeley, California, Anything in Return reflects a period of transition and distance, channeling personal change into lush, forward-thinking sound. There's a palpable sense of confidence throughout - a songwriter fully embracing his instincts as a producer, merging emotional candor with rhythmic sophistication.To celebrate it's 10-year anniversary, Anything in Return is available for the first time on picture disc, arriving in record stores and via Carpark Records on April 14, 2023.Since it's release, Toro y Moi has continued to shape the musical landscape - headlining international tours, producing for major artists including SZA, performing on national television, and appearing at global festivals such as Coachella and Fuji Rock - cementing his legacy as one of his generation's most inventive voices.
Game over have signed a deal with Scarlet Records for the release of their new album 'Burst Into The Quiet', following the critically acclaimed debut 'For Humanity'. Inspired by the classic Bay Area thrash metal scene, Game Over mix those influences with modern sounds and a very distinctive personality, which the new album displays in full force. These 9 brand-new tracks are made of sharp riffs, groovy rhythms and super-fast guitar solos, with lyrics ranging from the horror imaginary of the Eighties b-movies to social commentary and introspective thoughts. 'Burst Into The Quiet' has been produced, mixed and mastered by Simone Mularoni (DGM) at Domination Studios and features a beautiful cover by Mario Lopez.
In Dying Light: The Beast, you step back into Kyle Crane's skin, but he's no longer the man he once was. Years of experiments have left him torn between fragile humanity and a monstrous power that he can barely control. Every light, every shadow, every choice feels dangerous. The forests and ruins of Castor Woods don't just set the stage, they breathe, they watch, and they punish the reckless. This is survival stripped to the bone, where horror is not just outside, but inside you.Olivier Deriviere's powerful and capturing score for Dying Light: The Beast doesn't just accompany Crane's journey, it is his voice. Sometimes it whispers in empty rooms, fragile and broken, sometimes it roars with distorted rhythms and pounding drums when the Beast takes over. Between silence and sound, the music pulls you deeper into Kyle's fractured soul, making every step and every heartbeat part of the story. It's not just a soundtrack, it's the echo of a man losing, and maybe finding, himself.
The Twilight Saga: Breaking Dawn - Part 1 (Original Motion Picture Soundtrack) First time vinyl release for the iconic soundtrack to The Twilight Saga: Breaking Dawn Part 1. Includes tracks from Bruno Mars, Christina Perri, Sleeping At Last and many more. Pressed on red vinyl.
Celebrating the landmark debut album from Ireland's favorite alternative band, The Cranberries
CD Deluxe features newly remastered audio from the album's original producer Stepher Street, all done at Abbey Road Studios in London
2 CD Deluxe features newly remastered audio from the album's original producer Stepher Street,as well as a complete new mix of the album, all done at Abbey Road Studios in London
This edition includes tracks recorded during the original sessions, unreleased live tracks from their Lodon Astoria II show in 1994, and the acclaimed Iain Cook remix of "Linger"
Noah Gundersen has been writing and recording music since he was 13, working his way from teenage hardcore to indie rock to the creation of his own distinctive strain of bold, genre-busting songcraft. Noah takes vulnerability to a new level on his album 'Rites of Spring,' produced by Andy D. Park (Medium Build, Joseph, Pedro the Lion, Death Cab For Cutie.)
Ben Chapman is a road warrior who has spent the previous three years in a whirlwind of activity — writing songs for friends like Hayes Carll, Brent Cobb, and Marcus King; making his Grand Ole Opry debut; and releasing three acclaimed albums of country-fried funky-tonk, but nothing could have prepared him for what 2025 would bring him. His new record 'Feet on Fire' captures that period of wild transition, with songs inspired by Chapman's marriage to fellow songwriter Meg McRee and the arrival of the couple's first child. On songs like the guitar-driven title track, Chapman mixes Pink Floyd atmosphere with Crazy Horse crunch, showcasing the full spread of his musical influences. Elsewhere, he tips his hat to his southern roots with the laidback, loping "Out in the Country" and the Stax-sized soul ballad "Missing You." Produced by Grammy-nominated songwriter and producer Anderson East, Feet on Fire captures Ben Chapman as we've never heard him before: his back against the wall and his heart full, determined not only to meet the challenges up ahead, but to write about the process, too.
Future Islands are an emotionally charged synth pop group, known for their dexterous melodic touch, stately momentum and impassioned delivery. Over the past twenty years they have travelled a rare arc, from promising newcomers to best-kept secret, from cult favourites to heroes of the genre. As they reach this remarkable milestone, they resist the obvious move. Instead of a 'best-of' compilation victory lap, Future Islands present From a Hole in the Floor to a Fountain of Youth - an immediate and accessible collection - half of which have never appeared on streaming services - comprising alternate hits, rarities, and fan favourites that showcases the band's palette and bringing further colour to their uniquely universal appeal. Twenty songs for twenty years, four members of the band, four sides of vinyl."The best synth-pop band of the 21st century [...] a band of renaissance men who can make a sublime and meticulous genre like synth-pop feel grandiose and loose" - Paste
Angry Apple joins the Cold Busted family with the release of Crispin. This debut marks a bold new chapter-raw beats, refined moods, and Cold Busted's signature aesthetic wrapped in premium physical formats.
Supergrass - I SHOULD COCO / Their classic 1995 #1 debut album. Features the singles 'Alright', 'Caught By The Fuzz' & 'Strange Ones'. REMASTERED AUDIO.
Ten years ago, in a sharehouse on Chapel Street, four 20-year-olds with zero expectations wrote and recorded an EP in a single afternoon. Those six blistering minutes of music became Giddy Up. An hour later, Amyl and The Sniffers had a name, a Bandcamp upload, and the beginnings of a legacy. Following a year of backyard gigs, playing for friends and partying across Melbourne's sticky carpet music scene, the band released their iconic second EP Big Attraction in 2017. Now, to celebrate a decade of raw power and reckless spirit, Giddy Up/Big Attraction returns in a definitive 10th anniversary 12-inch vinyl edition - fully remastered for maximum punch. Featuring early classics like "I'm Not A Loser" and "Stole My Pushbike," plus enduring live favourites "Balaclava Lover Boogie" and "Westgate," this is the sound of Amyl and The Sniffers before the world caught up - feral, funny, and unstoppable. The LP is housed in a gatefold sleeve showcasing Chris Sutherland's iconic 2017 band photo, alongside an exclusive new essay from Amy Taylor and a heap of never-before-seen behind-the-scenes shots from the band's earliest days by Jamie Wdziekonski. As Amy recalls: "We recorded and wrote over the afternoon... we'd never played together before that day... it's spontaneous, and fun and achievable in that time because to us it sounded more than good and we weren't perfectionists and it didn't matter." From DIY house shows in Melbourne to international stages, it all started here.
All Our Gods Have Abandoned Us celebrates 10 years since the release in 2016 with a newly remixed and remastered presentation, along with reimagined artwork. Recorded in Gothenburg, Sweden All Our Gods... is the heaviest and darkest work to which - frontman Sam Carter, bassist Ali Dean, guitarists Adam Christianson and Tom Searle, and the latter's twin brother drummer, Dan Searle have ever put their name to, both on and below it's surface. It is an album that challenges and progresses a genre long thought to have stagnated, and embraces it's inspirations at a time when many rock and metal bands seek to hide them in search of mainstream acceptance. It is also born from considered minds filled not by thoughts of being the biggest band in the world, but of making a difference. Architects are, for that reason, a band like few others; they are five young men who stand for something, and who possess an intelligence, awareness and spirit that inform the very fiber of their band. The quintet all practice a vegan lifestyle, tour with a consciousness about their footprint on the world, and who devote time and energies to environmental causes. The worldwide anger and disillusion encapsulated in All Our Gods... wrestles with contemplations of death, god and faith in search of some semblance of hope for a world increasingly consumed by fear, anger and confusion. This album is Architects statement of intent to the world, it is time to stand up, take notice and be counted.
Bleachers' new album “everyone for ten minutes” will be released on 22 May 2026. Described by The New York Times as “anthemic, life affirming pop rock,” Bleachers are fronted by eleven-time Grammy Award-winning singer, songwriter, musician, and producer Jack Antonoff. Over the past decade, Bleachers have built a massive, devoted following, renowned for their impressive live show and infectious camaraderie. Bleachers’ self-titled fourth studio took the band to new heights including a sold-out Madison Square Garden & the cover of Rolling Stone magazine.
Early live recordings hold a significant place in the discography of thrash metal giants Metallica. This edition presents the 1987 BCM-FM radio broadcast on high-quality 10-inch vinyl. Featuring milestones such as Master Of Puppets and Seek And Destroy, this record offers an authentic look into the era that cemented the global success of thrash metal.
Images of Life is the career-spanning, 3xLP retrospective boxset illuminating the staggering breadth and depth of Detroit's unheralded songwriting genius, Ted Lucas. Disc one "Strange Mysterious Sounds (1965-1970)" highlights Ted's flirtation with psychedelic major label clout via his bands the Spike Drivers, the Misty Wizards and the Horny Toads. "Rainy Days (1970-1974)" will be the solo acoustic warmth and charm most familiar to folks already aware of Ted's selftitled "OM" album from 1975. "Impossible Love (1979)" the lost second Album finds Ted smooth and nearly "yacht rock" while never betraying the true artistry and craft of the once-in-a-generation talent of Ted Lucas
Entre dos aguas, first issued in France in 1975, was a compilation LP that presented Paco de LucÃa's greatest hits up to that point, obviously including the title tune, an iconic rumba that brought the flamenco guitarist's name to a wider audience. The album includes a variety of musical compositions, some of which are rooted in the flamenco tradition, while others are in line with the style popularly known as "Nuevo Flamenco," which was emerging at the end of the 1960s.
Released by Philips in 1973, Fuente y caudal (Source and Flow) was Spanish guitarist Paco de LucÃa's fifth solo LP and marked the beginning of a new chapter in his career. On this album, he reached a level of technical mastery unparalleled in the history of flamenco guitar. Only 25 years old at the time of recording, Paco de LucÃa saw his fame expand far beyond Spain after the release of Fuente y caudal.
DIIV's seminal debut record Oshin returns to shelves with newly reimagined album art! The first offering from DIIV chemically fuses the reminiscent with the half-remembered, building a musical world out of old-air and new breeze. These are songs that remind us of love in all it's earthly perfections and perversions. A lot of DIIV's magnetism was birthed in the process Zachary Cole Smith went through to discover these initial compositions in the thick of summer, holed up in an AC-less, window-facing corner of a painter's studio in Bushwick. He surrounded himself with cassettes and LP's, the likes of Lucinda Williams, Arthur Russell, Faust, Nirvana, and Jandek; writings of N. Scott Momaday, James Welsh, Hart Crane, Marianne Moore, and James Baldwin; and dreams of aliens, affection, spirits, and the distant natural world (as he imagined it from his window facing the Morgan L train). The resulting music is as cavernous as it is enveloping, asking you to get lost in it's tangles in an era of short form con- tent and endless scrolling.
Blunted on Reality is the debut studio album by American hip-hop group Fugees. Originally released in January 1994 through the Ruffhouse Records label, the album had three singles including ”Boof Baf”, ”Nappy Heads” and ”Vocab.” This black vinyl edition is the first time the album has been repressed in the US since it was originally released.
The Fall-Off is J Cole's 7th studio album, presented as a 24-track, 4-LP set on red vinyl or 2 CD. The album debuted at #1 on the Billboard 200, his 7th chart-topping release. Featuring appearances from Burna Boy, Erykah Badu, Future, Morray, Petey Pablo, PJ, and Tems.
Recorded on January 10 and 11, 1962 at Rudy Van Gelder's studio, Inception marked McCoy Tyner's debut as a leader for Impulse! Records, introducing a cohesive new trio with bassist Art Davis and drummer Elvin Jones, both colleagues from the Coltrane ensemble, whose familiarity lends the session it's focused clarity. Across a 6-track program, featuring four Tyner originals ("Inception, " "Sunset, " "Effendi, " and "Blues for Gwen") alongside "There Is No Greater Love" and "Speak Low, " the trio setting foregrounds Tyner's distinctive voicings, pedal-point harmonies, and rhythmic drive, supported by Davis and Jones's firm, responsive interplay. Released in 1962 as Impulse! Was rapidly expanding, the album established Tyner's identity as a bandleader and stands as an essential early statement in his solo discography. Verve's Acoustic Sounds Series features transfers from analog tapes remastered on 180g vinyl in deluxe gatefold packaging.
Chart topping British singer-songwriter Maisie Peters returns with her much anticipated third studio album, Florescence, co-produced with two time Grammy winner Ian Fitchuck.
Florescence reflects on how the right love can help heal the wrong ones. It’s an album about perspective, self-realisation, healing, and ultimately, learning how to flourish.
The Band CAMINO return with the second volume of the Never Always album. Never Always Vol. 2 completes the full album experience with standout fan favorites like “Holly!”, “Afterthought” and “12:34”.
The original 10" Chet Baker Sings is pure West Coast cool, intimate and effortlessly lyrical. Chet's fragile, melancholic voice blends beautifully with his trumpet, creating a deeply personal mood. A jazz vocal classic that defined a generation of cool jazz romance. THE COMPLETE CONTENTS OF THE ORIGINAL 10" ALBUM + 2 BONUS TRACKS - SPECIAL 10" LP LIMITED EDITION - 180 GRAM BLUE COLORED VIRGIN VINYL
Limited clear vinyl LP pressing. It's Not Me, It's You - Lily Allen / It's Not Me, It's You is Lily Allen'S second studio album on Regal Recordings and Parlophone. It was produced and co-written by Greg Kurstin, with whom Allen had previously worked on her debut studio album, Alright, Still (2006). The album represents a departure from the ska and reggae influences of it's predecessor, incorporating electropop with elements of jazz.
Laufey’s deluxe album, A Matter of Time: The Final Hour, is the closing chapter of her beautiful, critically acclaimed, and GRAMMY® Award-winning third album, A Matter of Time. With four new songs, this 19-track deluxe album is an introspection about learning to live with one’s anxieties - embracing uncertainty, accepting the passage of time, and finding calm after the storm.
Hope and Fury is the new studio album by Grammy-winning artist Joe Jackson, written and recorded between Berlin and New York City.
The album features nine new songs performed with Jackson’s longtime band – Graham Maby (bass), Teddy Kumpel (guitar), Doug Yowell (drums) – and Peruvian percussionist Paulo Stagnaro.
Produced by Joe Jackson with Patrick Dillett, Hope and Fury marks a return to what Jackson calls his “own mainstream”: sophisticated pop songs drawing from rock, jazz, funk, and Latin influences – or, in his words, “Bicoastal LatinJazzFunkRock.”
Opening track “Welcome to Burning-By-Sea” describes a fictional seaside town inspired Jackson’s hometown Portsmouth – a sharp portrait that becomes a microcosm of an entire country. “End of the Pier” contrasts British life in 1922 with its post-pandemic reflection a century later, while “I’m Not Sorry,” “Fabulous People,” and “Do Do Do” showcase Jackson’s trademark humour, from biting sarcasm to playful mockery. Other highlights include the bittersweet “Made God Laugh” and the tender closing ballad “See You In September.”
Musically, Hope and Fury recalls the spirit of 1982’s Night and Day, 1991’s Laughter and Lust, and 2019’s Fool. Like those albums, it overflows with great tunes, clever lyrics, and groove – with Jackson’s vocals and keyboard playing as strong as ever.
One of the defining voices of her generation, Holly Humberstone delivers a record that lives in the tension between pain and pleasure, where chaos and acceptance sit side by side. Renowned for her forensic songwriting, Holly has evolved into a global force whose lucid, emotionally piercing storytelling resonates far beyond her own walls. On Cruel World, she escapes into a dark fairytale of her own making, resulting in her most immersive, introspective, and compelling body of work to date.
Celebrating 20 years of Frank Turner’s solo debut EP ‘Campfire Punkrock’, Xtra Mile Recordings are excited to release a special anniversary extended edition of the seminal release. Featuring the original EP with two added songs (The Real Damage and The Ballad Of Me & My Friends, both of which were included on the US version in 2007), plus 7 further live tracks recorded from Frank’s 50th solo gig in London 2006 - taking listeners right back to where it all began at the very early days of Frank’s incredible solo career. The 12” LP features new reworked artwork with shiny gold campfire on matt black cover plus coloured vinyl. The original EP was recorded by Frank's guitarist Ben Lloyd at the Oxford home of Turner's bass player Tarrant Anderson and mixed by Tristan Ivemy. If features fan favourites ‘Nashville Tennessee’, ‘The Real Damage’ and ‘Ballad Of Me And My Friends’. Throughout April, Frank will tour UK performing tracks from Campfire Punkrock and the early years of his solo career. All dates are sold out including two nights at London’s Scala.
The Maine - John O'Callaghan, Kennedy Brock, Jared Monaco, Garrett Nickelsen, and Pat Kirch - have announced their anticipated 10th studio album, Joy Next Door, set for an April 10th release via 8123/Photo Finish Records.Green and White Split Vinyl with 12-Page Booklet
AJR’s explosive performance at the legendary Hollywood Bowl in Los Angeles on October 4, 2025 has been immortalized in the form of the band’s first-ever live album! The tracklist features all the band’s biggest hits, from “Bang!” to “Burn The House Down” to “Weak” to “Way Less Sad” to “World’s Smallest Violin” and so much more.
Ella Langley, who has redefined the next wave of country music with her magnetic, unmistakable voice, and fearless songwriting, has announced her highly anticipated sophomore album Dandelion, out April 10 on SAWGOD/Columbia Records. Co-produced by Ella, Miranda Lambert and Ben West, this 18-track album, which features her #5 Billboard Hot 100 hit “Choosin’ Texas,” is one about growth, and carries a deeper symbolism of hope, healing, and resilience. In Ella’s own words: "I've thought about this record every single day for the last year and a half, and I'm so excited to finally say: 'Welcome to Dandelion.’"
In 2005, Andrew Bird was a previously unimaginable combination of virtuoso violinist, singer-songwriter, guitarist, and whistler. With that year's album The Mysterious Production of Eggs, his second on Righteous Babe Records, Bird minted a new sound that continues to be imitated and set down classic songs that still anchor many a live performance. The recording sessions lived up to the name when he recorded and scrapped the album three times, traveling between studios in Chicago, Los Angeles and his own home studio on a farm in Northern Illinois. The mystery was solved with the aid of David Boucher, whose studio credits at the time included Paul Westerberg, Lisa Loeb, and Randy Newman. Bird played most of the instruments on Mysterious Production of Eggs, joined by a handful of special guests complimenting his already lush sonic palette. The result was a powerhouse of a record dealing with nothing less than the mysteries of childhood, creativity and modern science-epic in scope and minute in detail.
"Tongue Tied" marks the first single from Wong's eagerly awaited new studio album, Lost In The Wonder, arriving everywhere on Tuesday, February 3, 2026. The collection spotlights Wong's remarkable gifts as a producer, writer, arranger, band leader, and master of modern pop craftsmanship, while of course never losing sight of his trademark guitar virtuosity. Lost In The Wonder further affirms Wong's enduring love of musical collaboration, boasting a truly eclectic range of guest artists that includes Taylor Hanson, Devon Gilfillian, Stephen Day, Cody Fry, Yam Haus, Louis Cato, Ellis, Elysia Biro, Benny Sings, Theo Katzman, and Magic City Hippies.
Black Sabbath and Ozzy Osbourne are recognized as one of the most influential figures in rock music, known for the unique style and stage presence. This special collector's edition of a 7inch picture vinyl features 2 legendary songs.
Three Days Grace Alienation [Indie Exclusive] Rock Giants' 8th Studio Album on Vinyl LP! For the first time in over a decade, original frontman Adam Gontier is back joining Matt Walst on vocals along with Neil Sanderson (drums), Brad Walst (bass) and Barry Stock (guitars). The 12 tracks on Alienation all play a pivotal role in defining this significantly new, but nostalgic, chapter of the band.
David Bowie Narrates Prokofiev's Peter And The Wolf (1978) is a classical music album containing David Bowie's narration of Sergei Prokofiev's 1936 composition Peter And The Wolf. The music is performed by the Philadelphia Orchestra conducted by Eugene Ormandy. The album reached number 136 on the US Pop Albums chart.Side One contains the narration by David Bowie of public domain material originally written by Prokofiev. The second side of this LP features Eugene Ormandy conducting Benjamin Britten's Young Person's Guide To The Orchestra with the Philadelphia Orchestra. Ormandy and the aforementioned musicians from Philly also back up Bowie on side one.Critics lauded the album, saying Bowie 'found his most charming guise since Hunky Dory.' He tells the well-known fable with his usual eloquence and style, and gives instructions at the beginning for kids to understand how the music corresponds to characters in the story. The accompaniment from the Philadelphia Orchestra is first rate.The Music On Vinyl re-release includes detailed liner notes on the project by Mary Campbell, specifically geared to 'introduce children to the sounds of the individual instruments in the symphony orchestra.' Both Prokofiev and Britten wrote their respective pieces with this aim in mind.David Bowie Narrates Prokofiev's Peter And The Wolf is available as a limited edition of 2000 individually numbered copies on yellow colored vinyl. The record comes in a deluxe sleeve finished with linen laminate and includes an insert with liner notes.LISTEN: *180 GRAM AUDIOPHILE VINYL*DELUXE SLEEVE FINISHED WITH LINEN LAMINATE*INCLUDES INSERT WITH LINER NOTES*SERGEI PROKOFIEV'S CLASSIC PETER AND THE WOLF NARRATED BY DAVID BOWIE*PERFORMED BY THE PHILADELPHIA ORCHESTRA UNDER EUGENE ORMANDY*GRAMMY-NOMINATED ALBUM*LIMITED EDITION OF 2000 INDIVIDUALLY NUMBERED COPIES ON YELLOW COLORED VINYLTrack listing: Side A1. Peter and the Wolf, Op. 65 (A Musical Tale for Children) Side B1. Young Person's Guide to the Orchestra, Op. 3
Promised Heights solidified Cymande's place in music history, and contains some of their most-beloved and often-sampled tracks such as "Brothers On The Slide" & "Promised Heights." They were part of the first wave of innovators and originators of the fledgling Black British music scene. Promised Heights was recorded following the band's legendary US tour with Al Green. 2026 repress on black vinyl.
Vinyl LP pressing. Doo-Bop was a 1992 studio album by American jazz trumpeter Miles Davis. It was recorded with hip hop producer Easy Mo Bee and released posthumously. The album won a Grammy Award for Best R&B Instrumental Performance the following year.
Double vinyl LP pressing. Following in 1995, "Thank You" was an album of covers featuring songs written by Led Zeppelin, Bob Dylan, The Doors, Lou Reed and Elvis Costello. The album charted in the top20 of both UK and US charts. Originally squeezed onto 1LP, "Thank You" is highly sought after as neither have been re-pressed on vinyl since it's original release. It is now spread across 140g 2LPs for the best sound.
Polylined inner sleeve in gatefold outer sleeve. Tom Jenkinson, aka Squarepusher, presents Kammerkonzert, a riot of onyx-hard, hyperfast riffs, fiendish orchestral themes, and handbrake turns through varieties of progressive, ambient, electronic andexperimental music. The singular producer, experimental musician and creator of futuristic forms of fusion, has a three-decade-long back catalogue studded with a variety of jewel-like records. From the furious breakbeat acid and pulverising live bass guitar attack of Feed Me Weird Things (1996) to the literal and self-explanatory Music For Robots (2014) via the virtuosic live showcase of Solo Electric Bass 1 (2009) and the otherworldly concrète jazz of Ultravisitor (2004) few contemporary musicians have covered as much ground in as sure-footed a manner. But despite this reach, his three decade output is only typified by two things: unpredictability and rule breaking. Given that his new album on Warp, Kammerkonzert, is essentially a chamber concerto with Jenkinson himself playing all of the parts it's safe to say he has come a long way since his crystalline drum & bass debut for the label in 1996, Port Rhombus EP. Twenty-one albums in, Kammerkonzert is the start of a new era for Squarepusher as a composer.
Celebrating the 10th anniversary of the breakout EP originally released on her own label, Mom + Pop are pleased to offer this collectible metallic silver vinyl version. Tash Sultana exploded on the scene, a young dynamic Melbourne artist. At just 21 years of age, her unique sound created waves with her magical vocals, natural gift for melody and virtuosic guitar playing. Tashas carefully crafted, edgy, multi-instrumental pieces feature beatboxing, unique guitar work and percussion-styled finger tapping that continue to leave fans and critics in awe. The release features the breakout singles aoJunglea? and aoNotiona? and comes in the original packaging including fold out poster. Now, the one-woman powerhouseas Notion EP is again available.
Vinyl LP pressing. As a musician, Ice-Tplayed a major role in the creation of the gangsta incarnation of hip-hop music and was a colossus of the West Coast hip-hop scene, despite his East Coast, greater New York, origins. Though his music displays a political consciousness, like the indictments of racism that were a hallmark of seminal hip-hop groupPublic Enemy, it also is nihilistic as befits a chronicler of street life. The charismatic Ice-T has also achieved success as an actor in movies and on TV. He plays Detective Odafin Tutuola on the TV seriesLaw & Order: Special Victims Unit.
Custard 2xLP Vinyl. Shadow of Intent is an American metal band based in New England originally formed by Ben Duerr and Chris Wiseman in 2014. Their fourth album Elegy, charted on Billboard at #4 Top New Artist Albums, #6 Current Hard Music Albums, and #16 on Current Rock Albums and Current Digital Albums.
Vinyl LP pressing. Songs the Lord Taught Us is the 1980 debut album by The Cramps with the bewildering tunes, "TV Set," "The Mad Daddy," and "I Was A Teenage Werewolf" amongst other utterly unique rock classics.
Silver Grape Vinyl. Hot Mulligan's 2021 EP, I Won't Reach Out to You - a 5-song follow up to 2020's critically-acclaimed album you'll be fine. The EP includes fan-favorite track, "Featuring Mark Hoppus".
Vinyl LP pressing. Psychedelic Jungle is the classic 1981 album by The Cramps containing gritty auditory adventures such as "Goo Goo Muck," a modern hit more than 40 years after it's original release, and "Don't Eat Stuff Off The Sidewalk."
Vinyl LP pressing. Bad Music for Bad People is a 1984 compilation of The Cramps' stand-out psychobilly rock. Featuring 11 tracks, including "Goo Goo Muck" and "Human Fly."
JEFF IS BACK!! And as ever, he's bringing even more friends along for the ride! Night Blooms follows the 2025 album, Still Blooming, and contains 6 new tracks with features from Charlie Puth, Melody Gardot, Cynthia Erivo and Dodie. The album also contains new ‘Late Night Sessions’ of tracks from Still Blooming alongside “Tattoo” and “Lover” previously released with Haley Reinhart.
King Gizzard & The Lizard Wizard’s 2014 fifth studio album ‘I'm In Your Mind Fuzz' – arguably Gizz at their garage-psych best – gets the Fuzz Club Bootleg treatment with this new live version pieced together from over a decade of live shows recordings. From their first time playing the classic Mind Fuzz suite on US soil in Austin, Texas in 2014, through to later 2023-2025 evolutions of the songs performed n New York, Los Angeles, Chicago, Atlanta and the band's own Field Of Vision festival this year. All recorded the straight the sound-desk, the Austin '14 portion was mixed by King Gizz's own Stu Mackenzie and the later 2023-2025 cuts are exclusively mixed from the soundboard stems by James Plotkin, who also helms mastering duties. The resulting double LP bootleg is pressed up on limited edition 180g coloured 'splattered brain' vinyl in a heavy gatefold jacket with artwork by Olya Dyer.
Dirty Heads have built a career out of soundtracking the best moments of people's lives, and with 7 Seas, they're not slowing down. The RIAA Platinum Certified Southern California outfit returns with their much-anticipated ninth full-length album, building on their signature balance of carefree energy and reflective songwriting while inviting fans into their next chapter of freedom, positivity, and forward motion. From sun-soaked, laid-back anthems made for a day at the beach to hard-hitting late-night bangers, the album moves fluidly across moods without ever losing the infectious Dirty Heads energy fans have come to love. With over 3 billion career streams worldwide and multiple #1 singles on alternative and rock radio, Dirty Heads have built a dedicated global following by seamlessly fusing reggae, hip-hop, alternative rock, and pop. 7 Seas Indie exclusive vinyl has 10 tracks, sleeve packaging with a lyric insert, and algae splatter vinyl.
Olivia Rodrigo’s highly anticipated third studio album, you seem pretty sad for a girl so in love, follows her critically acclaimed LPs GUTS and SOUR. The three-time Grammy Award winner releases the album on June 12, 2026.
'Mission Of Mercy,' produced by George Drakoulias, Martin Pradler and Mike Campbell, is the band's fourth studio record. The album features 12 new songs penned by Campbell, showcasing his unique perspective through his song-writing, while also tapping into his signature, iconic guitar playing that changed rock music forever. The album features collaborations from Morgane Stapleton and Kate Pierson (B-52s) and was recorded at Hocus Pocus Studios in California.
Grand Ole Opry members, Grammy nominees, and multi-award awards, Dailey & Vincent will be releasing their brand new album- A Beautiful Life on Pillar Stone Records. This new album will feature twelve new tracks including the #1 Bluegrass Radio song- “Ruby” as well as “Longer Than That” which was written by Tenille Townes & Park Chisolm. Dailey & Vincent are among the most acclaimed duos in modern American roots music. With unmatched harmonies and musicianship, Jamie Dailey and Darrin Vincent have built a career that bridges bluegrass, country, and gospel with heart, humor, and faith. The album will be available on CD and available on limited edition vinyl.
With their fourth full-length album Signal Fire, GENGHIS TRON awaken us from the post-apocalyptic daydreams of their previous work with a violent—and most welcome—shove. This time, the distant-future reveries we first heard on Board Up The House give way to an unsettling awareness of the present we’re actually living, as our circumstances grow too pressing to try and escape.
“Signal Fire envisions a Kojima-esque dystopia of endless proxy warfare,” says vocalist and lyricist Tony Wolski (The Armed), “where the deluge of available information has outmoded the human ability to parse it. A world where those amoral, shameless and cunning enough can literally reshape reality at their whim through sheer insistence."
Having roared onto the scene in 2004 with a uniquely demented blend of extreme metal, synthesizer textures, and drum-machine madness, GENGHIS TRON are no strangers to making a forceful impression. But Signal Fire marks the first time bandleaders Michael Sochynsky and Hamilton Jordan –joined again by Wolski and Nick Yacyshyn (SUMAC) on drums, plus newcomer Kenny Szymanski (The Armed) on bass–has captured this level of urgency with such visceral precision. “This album is very much rooted in the now,” confirms Jordan.
Album opener “I Am All” sets the table with a chest-throbbing synth pulse as Wolski declares “I’m on a tear, I’m on a tear,” over swirling industrial rhythms and creeping synthlines. “Nothing Blooms in the Hollow” grafts desert-rock swagger onto interlocking layers of dizzying riffs and chants before Wolski steers the band into full-on sonic burnout, like a spaceship careening into the sun. “Born Prey” navigates deftly through Genghis Tron’s classic sonic touchpoints: furious blastbeats, electronic breaks, haunting vocal earworms, and a towering synth-pop crescendo. Meditative interludes like “Like Fotocrom” and “Without Form” deliver shimmering, ominous beauty. And “New Gods” invokes Rabies-era Skinny Puppy to bring the album to a bludgeoning, anthemic finale, as Wolski screams on repeat: “New gods to bleed me out / No new peace / Bleed me out / I love it.”
Twenty years into their career, having proven their ability to forge common ground between Ministry and Aphex Twin, between Brutal Truth and Boards Of Canada, between Cluster and Converge, ugly-beautiful new genre hybrids from GENGHIS TRON no longer come as a surprise. What’s remarkable, however, is how Sochynsky and Jordan have taken a project that started in 2004 as a dorm-room genre-pastiche experiment —”a chaotic, wild amalgamation of all our favorite stuff, literally slammed together,” says Jordan—and refined their songwriting craft to deliver a sound that is unmistakably their own.
After making their mark as a hugely successful band with a #1-charting album - 2023's Blackout, From Ashes to New are set to release their highly anticipated follow-up, Reflections. The band returns with their high-energy fusion of rap, nu metal, electronic, and alternative rock.Reflections Indie Exclusive vinyl has 12 tracks, Urchin color vinyl, a sleeve jacket, and a printed inner sleeve with lyrics and credits, and an exclusive poster insert.
Newport’s reggae-metal soundsystem Skindred were already renowned as an exhilarating live band, but 2023’s ‘Smile’ album changed the game. It shot to #2 in the UK charts, followed by a packed headline show at Wembley Arena, and led them to become proud winners of Best Alternative Act at the MOBO Awards.
But how can you possibly top that? For Skindred and the upcoming ‘You Got This’ album, the answer was simple. You come out fighting with a lean, all-killer-no-filler set that distils everything that people love about them - hard-hitting slammers, mega addictive hooks, earwormy soundclash elements, and dancehall vibes destined to ignite festivals and live shows across the globe.
And in Benji Webbe, they have the ultimate frontman — a man whose wild enthusiasm is instantly contagious, delivering the album’s other great strength: an adrenaline shot of pure motivation. His phenomenally powerful vocals are balanced with lighter, melodic moments of emotion that champion self-belief, resilience, and finding joy in the small things that make life worth living – he’s the loudest life coach you’ll ever meet.
So, for Skindred, the ‘Smile’ wave of discovery was just the start of more adventures to follow. Where it takes them is yet to be written, but one thing is certain: they got this.
Limited Honey Mustard vinyl LP pressing. They Might Be Giants treat the entire history of popular music as a trampoline rather than a rulebook. Like two pinballs pinging off of each other through musical murals stretching into a giddy ether, TMBG moves by ricochet. On their album The World Is to Dig, the multi- Grammy- winning duo continue bouncing through the pop multiverse, digging into whatever they find with playful zeal. John Linnell and John Flansburgh continue to fire ideas off one another like particles in a perpetual motion experiment, each collision producing a new angle, a new melodic left turn, resulting in tracks packed with esoteric references, mischievous details, and left- field detours. Untethered from trends, immune to nostalgia, and equally ready to draw from Tin Pan Alley theatrics and contemporary pop culture references, The World Is to Dig is the sound of a band very much in motion; not chasing relevance, but generating it on their own terms.
Allison and Katie Crutchfield (aka Waxahatchee) have formed a new band called Snocaps. Their 13-track debut album, released digitally as a surprise, will be made available on April 17, 2026 in vinyl & CD formats. An indie-rock record that recalls Allison’s band Swearin’ and Katie’s early records as Waxahatchee, Snocaps was born out of the twin sisters’ desire to work on music together as they had in their teens and twenties. Allison and Katie are backed by friends and close collaborators Brad Cook and MJ Lenderman. The album was produced and almost entirely engineered by Cook, and all four musicians play multiple instruments across the record.
Achieving musical transcendence is a tricky feat. If it happens - a big if - it does so naturally, and perhaps nobody knows that better than Band of Horses, whose landmark debut Everything All The Time still, after twenty years, feels as vital and, dare we say, transcendent as when it came out in 2006. Guitarist/vocalist Ben Bridwell formed Band of Horses in Seattle in 2004, after the end of his nearly ten-year run in northwest melancholic darlings Carissa's Wierd. Carissa's Wierd trafficked in beautiful orchestral pop, whose songs told unflinching stories of heartbreak and loss, leavened with defeatist humor. Band of Horses rose from the ashes of that well-loved band, buoyed by Bridwell's warm, reverb-heavy vocals, and woodsy, dreamy songs oozing with tension, longing and hope. Armed with a fresh Sub Pop deal and a smashing batch of songs, the band recorded their debut full-length, Everything All the Time, with producer Phil Ek at Seattle's Avast studios.At times raggedly epic ("The Great Salt Lake") and delicately pensive ("St. Augustine," "Monsters"), Everything All The Time is an album painted gorgeously in fragile highs and lows. That's part of the genius in Band of Horses: they craft intelligent, classic movements within their songs, perfectly balancing desperation and hope, calmness and mania, love and fear. And of course there's the massive single, "The Funeral," which became a defining song of the era, and continues to inspire new generations of fans and artists alike. On top of tons of film and TV placements, the song was sampled by Kid Cudi, and transformed into a 2025 dance edit by acclaimed producer/multi-instrumentalist Gryffin. Now, on the occasion of the 20th birthday of the album, Sub Pop and Band of Horses present the definitive snapshot of the band circa Everything All The Time. For this anniversary release, the album has been fully remastered, with the artwork refreshed and expanded into a gatefold jacket with liner notes by Phil Ek. And the album is accompanied by an additional LP of bonus tracks, including the 2005 tour EP, a trove of previously unreleased studio and live tracks, and rarities like "The End's Not Near" (as featured on The O.C.) and a demo version of "The Funeral."
Begin Here features fan favorites “She’s Not There, “Summertime,” and “The Way I Feel Inside,” plus three US bonus tracks including “Tell Her No.”
This definitive new edition combines all 17 tracks from the UK and US versions of The Zombies’ 1965 debut album, remastered in its original mono mix. Begin Here (Mono Remastered) is the next chapter in the series of Zombies reissues via the band’s own label Beechwood Park Records, with the same team as Odessey and Oracle - again being overseen by Matthew and Jamie White, mastering by Reuben Cohen at Lurssen Mastering, and brand-new liner notes by the legendary David Fricke.
'S Make It, recorded in 1964 and released the following year on Limelight, captures drummer Art Blakey leading a transitional edition of his Jazz Messengers. At the time, Blakey was navigating the departure of several key members and searching for a new configuration, resulting in a distinctive short-lived lineup within the band's long history. The sextet featured Lee Morgan (trumpet,) Curtis Fuller (trombone,) John Gilmore (tenor saxophone,) John Hicks (piano,) and Victor Sproles (bass.) Together, they delivered a hard-driving program that reflects both Blakey's established hard-bop intensity and the shifting personnel landscape of the mid-1960s Messengers. Blakey's drumming anchors the session throughout with the galvanic rhythmic command that defined his leadership across decades. The Verve Vault Series is always mastered from analog tapes and pressed on 180g vinyl at Optimal.
Vinyl LP pressing. When Oscar Peterson arrived for a two-week engagement at Baker's Keyboard Lounge in Detroit in early August 1960, the pianist's year-old trio, featuring bassist Ray Brown and drummer Ed Thigpen, was ascending to new artistic peaks. Intended at the time as a live album for Verve but never released, the music on 'At Baker's Keyboard Lounge' features remarkable, previously unissued performances, all taped on a single Friday night. No matter the tempo, rhythm, or complexity of the arrangement, the three players breathe as one on these recordings, phrasing as if controlled by a single heartbeat. These new-to-the-world recordings, made in Peterson's prime at the longest continuously operating jazz club in the US, remind you that there will never be anyone else like Oscar Peterson.
Originally released in the U.S. on December 10, 2002, t.A.T.u.’s ‘200 km/h in the Wrong Lane’ features an array of catchy pop and dance songs produced by the legendary Trevor Horn and the Cherrytree Music Company’s founder Martin Kierszenbaum with 4-time GRAMMY-winner Robert Orton. The single, “All the Things She Said,” catapulted t.A.T.u. to breakthrough success stateside and across the globe, spending 4 consecutive weeks at #1 on the U.K. singles chart. Pressed on green and gold nugget split color vinyl with splatter, this new edition features the album’s original artwork and includes a bonus poster of Lena and Julia, the duo known as t.A.T.u.
Bolt Thrower’s fifth album For Victory both imagines scenes of terror and creates its soundtrack. With track titles like ‘Remembrance’, ‘Lest We Forget’ and ‘Forever Fallen’, its central theme screams out from the back of the vinyl case – this album is a plunge into the horrors of a warzone. Alongside that, it’s also a ravaging exercise in sonic brutality, viciously heavy yet with an artfulness to their riffs, thanks to their adeptness in fret-searing soloing. A must have record for any Death Metal collection.
Originally released in 1978, ‘In Cold Blood’ showcases the Keyboard King with a killer selection of riddims provided by the Aggrovators. ‘In Cold Blood’ captures the Bunny Lee supreme team at the height of their revolutionary powers, all tracks feature Sly & Robbie, Tommy McCook, and Bobby Ellis superbly blending with Jackie Mittoo and Winston Wright’s mighty organ workouts. Mittoo’s contribution to reggae music is inestimable, both as a musician and arranger; he created innumerable bass lines, melodies and arrangements that have driven the music for decades. The album features the hits 'Sky Jack King’ and ‘Earthquake', a long-unavailable classic set produced by Bunny Lee and mixed by King Tubby. Newly remastered with liner notes and rare images.
Emerging onto the worldstage via Lee Scratch Perry's 1977 masterpiece Heart Of The Congos, the group established a unique cache in the international reggae market. Cedric Myton, Watty Burnett, and Roy Johnson struck out on their own to produce Image of Africa and Congo Ashanti, both released in 1979. Each album is remembered for a distinct studio sound, more mainstream than Scratch's hazy experiments and in line with the late 70s golden era. Standout tracks include "Youth Man," "Days Chasing Days," "Hail The World Of Jah," and "Thief Is In The Vineyard." Featured players include Ernest Ranglin, Sly & Robbie, Tommy McCook. The reissue features the images by acclaimed photographer Antoine Giacomoni. Newly remastered with liner notes and rare images.
2xLP Black Vinyl. Jane Remover is something of an internet legend. They are credited with playing a key role in the creation of the digicore music microgenre, an overstimulated relative of hyperpop. In fact, everything Jane Remover does has an overdose of stimuli: their songs are like the Tasmanian devil from Looney Tunes. A whirlwind of warped and excessive digital pop.
The song featured on the B-side, "Anna Karenina," is a quintessential Cigs track, sensual, slow-burning, and emotionally oversized, with lyrics so confessional they verge on too much. But it's inclusion of spoken word verses adds a striking new dimension to Greg Gonzalez's world, expanding the band's intimate palette. The A-side fan favorite finally seeing release: a gorgeous cover of The Doors' "The Crystal Ship," recast in the band's signature haze.
This will be a single vinyl set. We have two different surprise colors...........
Todo Suena Mejor En Cumbia marks Thalia’s return to the rhythms that shaped her musical roots. Drawing inspiration from classic Mexican cumbia, the album is a celebration of movement, memory, and cultural heritage — blending traditional sounds with Thalia’s unmistakable pop sensibility.
This release is available as a single LP vinyl edition, featuring two surprise color variants, both offered across retail and D2C. Designed as a collectible format for longtime fans and vinyl enthusiasts alike, the project highlights Thalia’s deep personal connection to the genre and its enduring influence on her artistry
Vinyl LP color variants in the package will be randomly shipped. Customers may receive either "Transparent" OR "Sweetart" color variation in their purchase.
St. Louis To Liverpool Chess Acoustic Sounds Series / Chuck Berry was an international star long before 1964. Unlike other artists who struggled to compete with the British Invasion, Berry was propelled to new levels of stardom at this time. 'St. Louis To Liverpool' was a direct response to this growing popularity, resulting in new top-charting hits like "No Particular Place to Go," "You Never Can Tell," "Promised Land," and "Little Marie" (the sequel to "Memphis, Tennessee.") Bring home the sound of America's greatest blues label in high fidelity with the Chess Records Acoustic Sounds Series. These audiophile reissues of classic albums and compilations from the Chess discography are remastered from the original analog tapes and pressed on 180-gram vinyl at Quality Record Pressings (QRP). Each disc is packaged in tip-on gatefold sleeves printed on high-grade board.
Grounded in a season of life that has been earned rather than borrowed, Benjamin Tod speaks with the ease of someone no longer running from himself. There is joy now - a steadiness that comes from commitment. With the recent arrival of his son and a deep well of new music on the horizon, Tod is firmly rooted in both purpose and possibility.
That clarity is evident in Vengeance and Grace, the Lost Dog Street Band frontman's forthcoming and most expansive solo album to date. Conceived as a "dual-version" release, the project presents two parallel worlds: (Alone) is a stripped solo-acoustic version, along with its full band counterpart. Together, the two versions form the full range of what Tod is capable of: restraint on one side, force on the other.
At the core of Tod's writing is a simple conviction: music should serve something larger than the moment. His writing speaks to mind, body, and soul, shaped by faith, discipline, and a hard-earned understanding of consequence. The darkness that once defined him is neither denied nor indulged. It is understood and no longer in control. Today, Tod moves with a sense of calm that wasn't always there. He is grateful, settled, and intentional, continuing to follow the compass that's guided him from the beginning. Rooted in traditional country and folk, his work stands firmly in the modern music landscape, shaped by experience, restraint, and the life he's built around it.
Emerson, Lake & Palmer Expand Their Fusion of Rock, Classical, and Jazz Themes on Trilogy: Includes the Hit Ballad 'From the Beginning' and Interpretation of Copland's 'Hoedown'Mastered at Mobile Fidelity Sound Lab's Studio and Housed in a Stoughton Gatefold Jacket: Numbered-Edition 180g 33RPM LP of 1972 Album Plays with Spectacular Dynamics and ClarityThere's a reason Greg Lake deemed Trilogy 'such an accurate record' when looking back at it decades later. Emerson, Lake & Palmer's third studio album teems with exacting arrangements, copious overdubs, and multi-hued colors that showcase the band's willingness to experiment and desire to put everything in it's proper place without becoming too self-serious. Expanding by distilling the ferocious power of it's debut and epic leanings of the preceding Tarkus into a more accessible whole, Trilogy stands as the most representative example of the ensemble's trademark styles.Mastered at MoFi's California studio, housed in a Stoughton gatefold jacket, and pressed at Fidelity Record Pressing, Mobile Fidelity's numbered-edition 180g 33RPM LP of Trilogy presents the gold-certified effort in audiophile quality marked by clear, direct, and dynamic sound. With black backgrounds, quiet surfaces, and exceptional definition, the reissue brings to fore the visionary depth and virtuosic musicianship. Newly unveiled degrees of separation, imaging, and timing help make the compositions come across with involving presence. In sum, it's a remarkable representation of what Keith Emerson summarized in a period interview as 'progressive rock with a lot of regard for the past.'1/4' / 15 IPS / Dolby A analog copy to DSD 256 to analog console to latheNumbered 180g 33RPM Vinyl LPNUMBERED SPECIAL EDITIONTrack ListSide OneThe Endless Enigma (Part 1)FugueThe Endless Enigma (Part 2)From the BeginningThe SheriffHoedownSide TwoTrilogyLiving SinAbaddon's Bolero
The first LP released on Ray Charles' Tangerine Records imprint in 1963, Jimmy Scott's Falling in Love is Wonderful exists as one of the most mythic albums in vocal jazz. Due to contract disputes with his former label, Scott's Tangerine debut was shelved shortly after it was released - much like it's Atlantic Records follow-up, The Source - and went un-reissued for decades. Ultimately, Scott, a favorite of his contemporaries like Ella Fitzgerald, never became the star he should have been, but this album remains his masterpiece: A loving, tender collection filled with Scott's masterful work around a ballad.
When you name your band Prince Daddy & The Hyena, you sort of accept that chaos isn’t a chapter in your story – it’s the entire ethos.
Since forming out of Albany, NY’s DIY scene, Prince Daddy & The Hyena have built a career out of reaching their breaking point and continuing forward anyway. Their first LP, produced by Joe Reinhart, captured a very young band figuring things out in real time; their massive conceptual undertaking Cosmic Thrill Seekers followed and pushed their ambition (and patience) to new extremes. Not long after, a serious van accident nearly took their lives, directly informing the intensity of their self-titled record. Over the last decade, the band has lost close friends and collaborators, endured relationship struggles, and faced countless moments that would have ended most bands without question.
But those experiences never slowed Prince Daddy & The Hyena down. On their upcoming fourth album, Hotwire Trip Switch, they recalibrate and reconnect with their roots while sounding more focused and self-aware than ever. Reuniting with Joe Reinhart for the first time in nearly a decade, the album pulls from the punchy lineage of Green Day, the hook-driven quirk of Weezer, the snarky urgency of Joyce Manor and Jeff Rosenstock – all through the distinctly bratty lens of songwriter and vocalist Kory Gregory. He’s backed by an airtight band including guitarist Cameron Handford, drummer and vocalist Daniel Gorham, and bassist Jordan Chmielowski. The album’s title comes from a lyric on the track “Crash Taylor,” and captures the chaotic, unstable, and sometimes unsafe energy that Prince Daddy & The Hyena thrive in. Ultimately, Hotwire Trip Switch is an album about surviving on borrowed time and borrowed electricity, pretending like somehow, that’s a sustainable approach to life.
Despite being known for crafting full-length experiences and hiding easter eggs between tracks, Hotwire Trip Switch was written as Prince Daddy’s first-ever “singles” record. Kory purposefully went into the writing process with a mission to actualize entire visions between the beginning and ending of individual songs, rather than relying on the context to click only during a full album listen. Without the added pressure to connect the dots, the result is some of the band’s catchiest and most instant material to
date.
Across the album’s 12 tracks, Hotwire Trip Switch shows off drastically different sides of Prince Daddy & The Hyena where exaggerating and experimenting are simply tools for sharpening and zeroing in on each song’s vision. “Big Box Store Heart” is his warped attempt at writing a love song, inspired by the loneliness of going grocery shopping without his partner. “24-03-04_Birthday_B4” was written and finished in a single, mushroom-fueled day that Kory calls his “best birthday ever.”
In the end, Hotwire Trip Switch doesn’t attempt to escape the chaos that seems to follow Prince Daddy & The Hyena like a shadow. Instead, it embraces it – wires running hot, pushed past their limits, and somehow still charging forward into whatever comes next. The vinyl is a 12" LP in a standard jacket with a double-sided insert including album lyrics and credits. -----
The indie record store exclusive color variant is Half Orange & Half Lemon Yellow vinyl, in a limited edition of 500 copies.
The general retail variant is on Neon Magenta colored vinyl, in a limited edition of 550 copies.
The CD is in a jewel case and includes a 16-page booklet of album lyrics and credits.
KONNAKOL, ZAYN’s fifth studio album, is his most culturally inspired project to date. The pop-forward album expands on the sound fans first heard on his record-breaking debut studio album, Mind of Mine. KONNAKOL in its definition is the act of creating percussive sounds with one’s voice but what it means to ZAYN lies somewhere much deeper. It is a sound that holds the reverberation of a time before words existed. Drawing on his own heritage for inspiration, this album is a development of that understanding, knowing more now than ever, who he is, where he comes from and where he intends to go.
Castle Rat is a Medieval Fantasy Heavy Metal band led by the Rat Queen on a mission to expand and defend ‘The Realm’ from those who seek to destroy it. She is joined by The Count, The Plague Doctor, and The Druid. Together they face the relentless wrath of their arch nemesis: Death Herself — ‘The Rat Reaperess.”
The Great Divide, the highly anticipated new album from 2x Grammy Nominee Noah Kahan.
A reflection on Noah’s past, his now-complicated relationship to family, friends, his native Vermont, as well as the disconnect and distance that silence and unspoken truths create between people.
Produced by Stick Season collaborator Gabe Simon as well as new collaborator Aaron Dessner.
The follow-up to his album Look Up, Ringo Starr returns to the country genre with Long Long Road. Co-written and produced by T Bone Burnett, the 10-song album features additional collaborators Molly Tuttle, Sheryl Crow, St. Vincent, Billy Strings, and Sarah Jarosz.
- Long Long Road, the brand-new album from Ringo Starr, was co-written and produced by T Bone Burnett with Daniel Tashian and Bruce Sugar.
- The 10-song album includes collaborations with Billy Strings, Sheryl Crow, and St Vincent and is the highly anticipated follow-up to last year’s chart-
topping Look Up.
- With solid roots in Country, Long Long Road layers an easy Americana vibe alongside Ringo’s classic rock roots with songs about life's many journeys
and finding love along the way.
- Releases will be available on CD and LP.
Metric’s relentless pursuit of timeless songwriting and fiercely independent ethos have cemented their place as one of the most essential and ahead-of-the-curve bands of the last two decades. The trailblazing Toronto outfit was founded by songwriting and production partners Emily Haines and Jimmy Shaw, along with bandmates Joshua Winstead and Joules Scott Key. Though both were also founding members of the influential and sprawling Canadian indie rock outfit Broken Social Scene, Metric was always the top priority, and shortly after they met and cemented their mission, they left Toronto for New York in search of like-minded artists. There, they found themselves at the center of the city’s burgeoning indie sleaze scene alongside bands like LCD Soundsystem, The Strokes, TV On the Radio, Yeah Yeah Yeahs, Interpol.
Their 10th studio album Romanticize The Dive harkens back to the free spirit of that era, kicking off with Haines nostalgically imploring the listener to “let me take you back, it was the start of something...” before pulling back the curtain on a band that has consistently stayed true to each other and their ethics for decades. In a tribute to lifelong friendship, the album also reunites the dream team behind their 2009 breakout album Fantasies at Electric Lady Studios in New York. All at once a heartfelt reflection on their history, a celebratory gift to those who have been along for the ride, and an outstretched hand to new fans, Romanticize The Dive is another testament to the band’s unwavering love for each other and their insatiable desire to push themselves as artists.
Preceded by its addictive new title track and last year’s incendiary “Asking For A Friend,” Your Favorite Toy is Foo Fighters’ 12th album — and quite possibly their hardest rocking to date. Burning through 10 absolute bangers in under 40 minutes, Your Favorite Toy demands and rewards repeat listens in equal measure. It’s Foo Fighters pushing boundaries as they pin the volume meters, adding new dimensions to their timeless signature sound.
"Tongue Tied" marks the first single from Wong's eagerly awaited new studio album, Lost In The Wonder, arriving everywhere on Tuesday, February 3, 2026. The collection spotlights Wong's remarkable gifts as a producer, writer, arranger, band leader, and master of modern pop craftsmanship, while of course never losing sight of his trademark guitar virtuosity. Lost In The Wonder further affirms Wong's enduring love of musical collaboration, boasting a truly eclectic range of guest artists that includes Taylor Hanson, Devon Gilfillian, Stephen Day, Cody Fry, Yam Haus, Louis Cato, Ellis, Elysia Biro, Benny Sings, Theo Katzman, and Magic City Hippies.
Young the Giant is an American rock band from Irvine, California, known for their dynamic live performances and a sound that blends soaring vocals, intricate instrumentation, and introspective lyricism. The band is composed of Sameer Gadhia (lead vocals, Jacob Tilley (guitar), Eric Cannata (guitar), Payam Doostzadeh (bass), and François Comtois (drums). Since their breakout in 2010 with the platinum-certified singles ""My Body"" and ""Cough Syrup,"" Young the Giant have become one of alternative rock's defining voices, blending anthemic energy with deeply personal storytelling. Across five studio albums — Young the Giant (2010), Mind Over Matter (2014), Home of the Strange (2016), Mirror Master (2018), and American Bollywood (2022) - the band has amassed over 2.5 billion global streams and built a reputation for ambitious, human-centered artistry.
On their seventh studio album, Lost Cause Lover Fool (due April 24th on Far Cry/Thirty Tigers), The Milk Carton Kids deliver 9 songs that, more than ever, invite listeners to lean in close and hover in the small moments the album magnifies.
Much has changed since The Milk Carton Kids — Los Angeles-based singer-songwriters Kenneth Pattengale and Joey Ryan — burst on the Folk scene in 2011. And The Milk Carton Kids have changed too. But at least one constant remains. Pattengale and Ryan continue to make music that entices us to turn down the volume on a chaotic world and dwell as long as possible on what matters most.
With rootsy arrangements, Lost Cause Lover Fool expands on the duo’s signature minimalist sound their fans love while also, somehow, making it even smaller. Lost Cause Lover Fool begins with the lonesome pluck and strum of the banjo on “Blue Water.†Often employed either for lightning-speed or rhythm, here the banjo is handled carefully, with reticence, so that it feels more like light cast across a stretch of grass than a whole bluegrass instrument. Lyrically, this album-opener zooms in on a snapshot of a man walking along a riverside, remembering the child that used to lay on his chest who has now grown to share his worried mind. It’s a moment so small it might easily have been dismissed, except that it holds an emotion as universal as it is fleeting.
Lost Cause Lover Fool magnifies many such small moments, turns them into mesmerizing worlds, and reminds us — pleads with us — to pay attention to them as they go by.
Chet Faker's third album, A Love For Strangers, out February 13, 2026. Featuring the singles "Far Side of the Moon", "Inefficient Love" and "This Time For Real". Standard all-retail version.
Fever Ray (Limited Edition Numbered White LP) Mute is excited to announce a limited edition white vinyl repress of Fever Ray, the acclaimed self-titled debut album from Fever Ray aka Karin Dreijer of Swedish electronic duo The Knife. Originally released in 2009, this marks the first-ever color vinyl edition of Fever Ray, presented as a limited run of 2,000 individually numbered copies. The album features the iconic single "If I Had a Heart" - later immortalized as the theme to the TV show Vikings - alongside the fan-favorite live staple "I'm Not Done," and "Keep the Streets Empty for Me," which was memorably featured in the Netflix series Dark. The Observer praised it "an astonishingly stark record" that is "built on the barest of electronic bones and brought to life through [Dreijer]'s almost primal vocals... songs search for a spiritual pulse amid soulless modernity." A defining album of it's era, Fever Ray remains a touchstone in electronic music with lasting influence.
With SOLAIRE, her new studio album, Yael Naim unveils a deeply personal work at the crossroads of the intimate and the universal.Entirely self-produced and recorded in her own studio, the album reflects her pursuit of independence and authenticity."I wanted complete freedom to explore and take my time, " she explains.SOLAIRE bridges the many musical worlds that have shaped her, blending classical and jazz harmonies with contemporary sounds.The music is sensitive, modern, and open, where orchestral arrangements intertwine with organic electronic textures.Naim first rose to international fame in 2008 with her global hit New Soul, featured in Apple's MacBook Air campaign and streamed millions of times worldwide.She has since received numerous honors, including Officer of the Order of Arts and Letters (2021) and several Victoire de la Musique Awards, notably Best Female Artist of the Year (2011, 2016) and Best World Music Album (2009).Ultimately, SOLAIRE is an album of light - a celebration of freedom, connection, and the human spirit.It moves between introspection and openness, fragility and strength, shadow and radiance.A luminous journey inviting us to reconnect with what within us longs to shine.
Andrew Stockdale, founder of Grammy-winning act Wolfmother and creator of hits like "Woman" and "Joker & the Thief," has built a career on towering riffs and vintage hard-rock swagger. His 2021 album Rock Out channels that same electric energy, delivering straightforward, riff-heavy rock with a raw, jam-like feel and unmistakable '70s-inspired attitude.
Acclaimed harpist and songwriter Mikaela Davis' new album, Graceland Way (due TK via Kill Rock Stars), builds an expansive, kaleidoscopic neo-western dystopia from the cozy origin point-that duality compounded by a subtle exploration of light and dark, grace and struggle, rose and thorn, as well as the mystical power found at their meeting points. The "canyon country" epic born of that work is indebted to the titular street in Chevy Chase Canyon where she recorded the album, the lineage of Laurel Canyon, the mythos of Elvis's Graceland, and Paul Simon's restless reinvention. "At the end of the journey, the place you were destined for all along isn't even a place, it's a state of mind: Graceland Way," Davis says. Featuring an unreleased Cass McCombs track (Mizmoon) as well as contributions from Karley Hartzman (Wednesday), Tim Heidecker, Madison Cunningham, Neal Francis, James Felice (The Felice Brothers), Clay Finch (Mapache) & Hannah Read.
Limited 180gm vinyl LP pressing. Africa/Brass, released in 1961, was John Coltrane's first album for Impulse! Records and a turning point in his recorded output. Recorded at Rudy Van Gelder's studio and produced by Creed Taylor, the project expanded Coltrane's working quartet into a large ensemble, pairing his searching tenor and soprano saxophone with dense, brass-heavy orchestrations by Cal Massey. Arrangements by Eric Dolphy and McCoy Tyner helped shape the album's distinctive sound, weaving tuba, euphonium, French horns, and more into a powerful backdrop for Coltrane's improvisations. With key contributions from trumpeters Booker Little and Freddie Hubbard, bassist Reggie Workman, drummer Elvin Jones, and others, Africa/Brass reframed the idea of a "big band." One of the most important early Impulse! Releases, Africa/Brass announced Coltrane's arrival on the "house that Trane built" with radical clarity. Verve Acoustic Sounds Series is remastered from the original analog tapes and pressed on 180g vinyl.
Don’t Settle - Transmissions East is the first release of two volumes coming out this year. Highlighting an incredibly prolific and diverse career, this isn’t just a ‘Best Of’ - it’s a live studio album, it’s no second takes, no autotune, no editing. Just live, raw, direct energy that captures the magic of Glen like nothing released before.
Recorded at the legendary Funkhaus in Berlin, a historical East German radio and recording studio, with a huge acoustically perfect orchestral live room - the album was captured in a controlled studio environment, yet recorded and filmed across two nights in the round, with 600 fans in the room each night.
This release is not only supported by a nearly sold out UK/EU tour (London show is The Roundhouse) + underplay run in the US, but a feature length film and Making of, documenting this special time in Glens’ career where we look to both the past and the future.
Julia, the debut album from Julia Cumming, embodies the joy and freedom that comes from embracing one's true self. An NYC native, Julia has spent the last decade fronting Sunflower Bean and serving as the muse of campaigns for the likes of YSL and DKNY. While these details could easily cast a 'too cool' persona, the record reveals something much more earnest, timeless and personal. Julia is able to pay homage to the glamour of the performer and the heart of the songwriter simultaneously.
The End is Not the End is undeniably Atreyu's heaviest and most adventurous album ever. "We realized what made Atreyu great in the beginning was that we didn't sound like anyone else," frontman Brandon Saller explains. "We didn't really make sense anywhere. We weren't an emo band, a metal band, a punk band - but somehow it all worked. We kind of just carved our own path." Unburdened by false restrictions about anything sounding "too heavy" or "too pop," ATREYU remains a creative beacon of hope for those shaken by the suggestion that "rock is dead." They've entered the Top 10 of the Billboard 200 more than once, and two of their albums are certified gold. Produced by Matt Pauling, Atreyu's tenth album is vibrant, inventive, and beautifully aggressive. "It's our heaviest, most metal record we've made," Saller points out. "But it's also the biggest musical journey we've taken in years."
Originally released in 1986, Enjoy! Finds Descendents leaning fully into their instincts. While the band had already helped define what would become pop punk, Enjoy! #doubled down on short, fast, melody-driven songs, pairing juvenile humor with sharpened songwriting and unmistakable urgency. Tracks like "Hürtin' Crüe" and "Get the Time" channel irreverence through speed, melody, and tension, while subtle new wave and pop influences, including a punk take on Wendy by The Beach Boys, broaden the band's sound without dulling it's edge. Now, 40 years later, Descendents are reclaiming and reissuing Enjoy!, a defining entry in their catalog.
For the first time ever, experience Terry Callier as few ever did: live, raw, and on the brink of greatness. Captured in 1967 - predating the release of his cult-classic debut The New Folk Sound of Terry Callier - this intimate, previously unreleased live performance reveals a young artist already operating in his own universe.These 1967 live tapes-unearthed from a private archive were recorded by Joe Segal in Chicago at The Earl of Old Town Club in 1967. Showcasing Callier's distinctive blend of folk, soul, and jazz in it's purest form. His intricate guitar work, luminous voice, and spiritual depth are presented in stunning clarity, giving both longtime fans and new listeners an unfiltered glimpse into a foundational moment in American music history. Transferred from the original tapes, restored by Joe Lizzi and mastered by Matthew Lutthans at The Mastering Lab. The limited-edition 180-gram 2-LP edition includes a booklet with rare photographs and newly commissioned liner notes. Also available on CD & Digital.Limited Edition 180g 2xLP Set with Booklet
Aidan Zamiri and Charli xcx's The Moment, a mockumentary about the chaos of fame, is driven by a heart-pounding electronic score from beloved producer and artist A. G. Cook. Capturing the electric rise of BRAT, the score is a collection of dance-forward tracks, pulsing with a delightfully frantic energy. The score's darkest and deepest moments are balanced by ambient sonic expanses with elegant layers of synth pads and captivating melodies to create a soundtrack that mirrors film's duality. In theaters on January 30, "The Moment" stars xcx, Alexander Skarsgard, Rachel Sennot and Kylie Jenner.
Chicago’s Friko returns with their anticipated sophomore album, produced by Grammy winner John Congleton, embracing a bolder sense of abandon, exploring noise-rock, avant-garde classical & 70s-era symphonic balladry. Their debut introduced a galvanizing new voice into the indie-rock canon, landing them on the cover of NME & Pitchfork's best of year list. “Something Worth Waiting For” locates an elusive balance between the wide-eyed idealism of youth & the self-possessed grit of lived experience
MASTERED FROM THE ORIGINAL MASTER TAPES AND PRESSED ON MOFI SUPERVINYLLess than six years after changing the music landscape with it's self-titled debut, Van Halen repeated the enormous feat. Certified 10-times-platinum by RIAA, graced by three immensely popular singles, and adorned with iconic artwork, 1984 witnesses the band expanding the synthesizer elements introduced on several prior albums and seamlessly bridging pop and metal sensibilities into a cohesive melodic whole. Punchy and catchy, glamorous and glitzy, blustery and heavy, wild and pyrotechnic, fast and fun, 1984 is David Lee Roth, Eddie Van Halen, Michael Anthony, and Alex Van Halen hitting on all cylinders. Do not wait to get this landmark on Mobile Fidelity's UltraDisc One-Step 180g 45RPM 2LP box set, mastered from the original master tapes and pressed on MoFi SuperVinyl.
Global superstar Meghan Trainor has announced her seventh full-length album, Toy With Me! In this new era, Meghan expertly dances between vulnerability and empowerment, encouraging fans to embrace themselves despite any challenges they may be facing. All the while, Meghan delivers undeniably infectious pop production and witty songwriting with more precision than ever. On the new music, she shares, “‘Still Don’t Care’ really sets the tone for this whole Toy With Me era — it’s bold, fun, a little cheeky, and full of confidence. This song came from a place of growth for me; I’m learning to care less about perfection and more about what actually makes me happy.”
The Amity Affliction return with one of the most personal and devastating records of their career. Following a decade-plus run as one of Australia’s most influential heavy bands, marked by ARIA chart-topping albums, platinum certifications, and global touring off landmark releases like Let The Ocean Take Me and This Could Be Heartbreak, the new album turns inward with unflinching honesty. Largely written about frontman Joel Birch’s relationship with his late mother, the record explores grief, trauma, faith, and self-reckoning through a series of deeply connected songs. “I’ll Break These Chains” confronts the confusion surrounding her death, “Afterlife” questions belief beyond this life, while the closing track “Eternal War” captures the ongoing internal struggle and the hope for change that never came. Musically massive and emotionally raw, this album stands as The Amity Affliction at their most vulnerable, cathartic, and fully realized.
