“In Times of Dragons is a metaphorical story about the fight for Democracy over Tyranny, reflecting the current abhorrent non-accidental burning down of democracy in real time by the ‘Dictator believing Lizard Demons’ in their usurpation of America.” – TORI AMOS
KNEECAP return to bend genre, language, and rules. The most talked about artists in the world are turning the page. A new chapter, new sounds, new manifestos. A blistering album that revels in darkness while bursting through the void with illuminated revery. This is FENIAN. Produced by Dan Carey (Fontaines D.C., Kae Tempest, Wet Leg), FENIAN upends expectations with an expansive sonic palate, traversing acid house, trip-hop, dubstep, and more - Masters of rave and rap theatre, FENIAN represents Kneecap’s most sophisticated exploration of language and sounds. More darkness. More confrontation. More craic. More energy. More solidarity. More absolute bangers. And more fuel for the unrelenting engine that powers this unstoppable force. For their remarkable second album, KNEECAP have come out fighting. Throughout, the sirens and alarms ring, and the chorus’s blast. Revolutionary and rebellious, confrontational and impossibly catchy, inescapably intelligent and brilliantly rendered, FENIAN doesn’t just represent the next phase in KNEECAP’s trajectory but stands as a remarkable record that thrills as much as it surprises. The mayhem of their breakout year is a memory now. But KNEECAP are neither dwelling on that nor merely persevering through it. In FENIAN they excel, reaching a new peak that is undeniable in its mastery. Pressure makes diamonds, and FENIAN glistens with KNEECAP’s uncut gems.
Middle of Nowhere is the sixth studio album from eight-time Grammy Award-winner Kacey Musgraves and is made for two-stepping. The collection draws from a love of Texas dancehall classics, humorous takes on the human condition, and the space where traditional Country borders many sounds, including Norteño and even Zydeco. Fresh yet familiar, and classically Kacey: honest, fearless, immersive, and always ready to wink at life’s twists and turns.
Young the Giant is an American rock band from Irvine, California, known for their dynamic live performances and a sound that blends soaring vocals, intricate instrumentation, and introspective lyricism. The band is composed of Sameer Gadhia (lead vocals, Jacob Tilley (guitar), Eric Cannata (guitar), Payam Doostzadeh (bass), and François Comtois (drums). Since their breakout in 2010 with the platinum-certified singles ""My Body"" and ""Cough Syrup,"" Young the Giant have become one of alternative rock's defining voices, blending anthemic energy with deeply personal storytelling. Across five studio albums — Young the Giant (2010), Mind Over Matter (2014), Home of the Strange (2016), Mirror Master (2018), and American Bollywood (2022) - the band has amassed over 2.5 billion global streams and built a reputation for ambitious, human-centered artistry.
After 20 million records sold, 25 Top 10 hits and 6 Platinum records, Godsmack return home to New England with an emotional show marking the end of an era for the band as longtime members Tony Rombola and Shannon Larkin take their final curtain. Recorded live on October 26, 2024 at Mohegan Sun in Uncasville, CT, the show features the band’s greatest hits and the legendary "Battle Of The Drums" in a hard-hitting send-off for their brothers.
2xLP Black Vinyl in Gatefold Jacket with Printed Inner Sleeves
Over 2.8 millions copies sold worldwide, City of Evil continues to be one of Avenged Sevenfold's most popular albums. The album includes fan favorite "Bat Country" - Kerrang!'s "50 Albums You Need to Hear Before You Die". - No° 63 Guitar World Magazine's "100 Greatest Guitar Albums of All Time" - Rolling Stone "The 100 Greatest Metal Albums of All Time" - No° 35 Kerrang!'s "50 Greatest Metal Albums Ever".
Deluxe double LP reissue of The Head And The Heart's debut album. Featuring the original album remastered on the first LP, plus seven bonus tracks on the second LP. The bonus tracks are a combination of previously unreleased demos and live tracks, plus one live track available for the first time physically, and one previously unreleased studio track.
The Head and the Heart is the self-titled debut album from Seattle folk-rock band The Head and the Heart, originally self-released in 2010 before being picked up and re-issued by Sub Pop in 2011. Built around harmonious vocals, piano, violin, and folk-rock instrumentation, the album captures themes of connection, wanderlust, and introspection across tracks like “Lost in My Mind,” “Down in the Valley,” and “Rivers and Roads.” Over time the debut was certified Gold by the RIAA, reflecting more than 500,000 units sold — a notable achievement for a band that began as a local favorite. The success of the debut launched The Head and the Heart into extensive touring and larger festival stages, laying the foundation for their subsequent albums and a dedicated fanbase.
The Black Keys Peaches! is the Akron duo’s fourteenth studio album (their sixth since 2019), a visceral and raw 10-song collection described by singer Dan Auerbach as the band’s “most natural record” since their 2002 debut, The Big Come Up. In similar DIY spirit, the album was recorded with all musicians playing in same room with few overdubs, as is the first record mixed entirely by the band themselves since 2006’s Magic Potion. The songs chosen reflect Auerbach and bandmate Patrick Carney’s obsessive record-collecting habit, which in recent years has escalated into an ongoing series of Record Hang DJ-set dance parties where they spin vintage 45s for packed, high-energy dancefloors in the coolest spots across the globe.
The cover art for Peaches! is based around an iconic image from Memphis-born photographer, William Eggleston, and marks the return of Patrick’s brother, Michael Carney, overseeing the art direction.
Lip Critic’s 2024 Partisan debut Hex Dealer was one of the most-hyped experimental releases of that year (“Like the B-52s on ketamine” -Paste) and signaled the Brooklyn band’s arrival as a borderline-batshit creative force. Theft World is their next chapter, built again from the chaos of two drummers locked in psychic combat, a sampler that sounds like it was struck by lightning, and frontman Bret Kaser’s paranoid preacher energy. But where Hex Dealer leapt from one absurdist vignette to the next, Theft World plays like a fully locked-in transmission. Themes orbit around the concept of theft, not just as a political force or digital dilemma, but as a surreal, emotional constant. Club rhythms and hardcore breakdowns pull as much from Tyler the Creator’s ‘Igor’ and Korn as they do Skrillex and Soul Coughing, coming together to soundtrack a world that’s constantly being striped apart and resold.
This 20th anniversary limited 2xLP edition includes a new vinyl master of the original album plus the band's previously unreleased 2002 debut recording Re-Foc on vinyl for the first time.
Pressed on "jade" and "citrus" colored eco-wax vinyl and includes bonus poster. Rodrigo y Gabriela's breakthrough self-titled album was released in 2006 and has sold over 1 Million copies worldwide!
When the idea of recording a 4th album came up (for the second time), American Football knew things were going to get darker. After touring a year's worth of sold-out 25th Anniversary shows around the world and releasing a covers album (featuring Iron & Wine, Ethel Cain, Blondshell & more), the quartet of Mike & Nate Kinsella, Steve Lamos, and Steve Holmes, linked up with producer / engineer Sonny Diperri (My Bloody Valentine, M83, Kurt Vile) to record what would become their most substantial record to date. Blending atmospheric textures with emotive, post-rock style catharsis, LP4 is unlike anything American Football have recorded thus far, yet it fits right in with their evolving and beautiful catalog. Recorded during a 10-day retreat at Panoramic House in Stinson Beach, CA, LP4 finds the band intentionally walking into the abyss - themes of divorce, upheaval, and uncertainty are at the forefront, yet the band sounds more engaged and legitimized than ever before. Opening track, "Man Overboard," showcases each member's strengths - the un-matched style and jazz swing of Lamos' drumming, the lyrical vulnerability and multi-instrumental mastery of both Kinsellas, and Holmes' signature guitar work - all of it swirling together like a shoegaze tornado, the guitars and bass surging into something twisted and warped. Other standouts like "Blood On My Blood" showcase the band's unique use of alternating time signatures while "Bad Moons" (the longest track the band has ever recorded) includes some of Kinsella's most intense lyrics yet. The album also features additional guest vocals from Turnstile's Brendan Yates ("No Feeling"), Wisp ("Wake Her Up"), and Rainer Maria's Caithlin de Marrais ("Blood On My Blood"). LP4 is an ambitious artistic statement from a band who have continued to push the boundaries of genre and culture. It's a gorgeous and elaborate album, one that takes it's time to show you it's beauty, while hinting at the darker parts that are trying their best to stay hidden.
Before she became Mel C of the Spice Girls, Melanie Chisolm found herself swept up in the UK's burgeoning '90s rave scene partying to the sounds of Prodigy and Grooverider. Her new solo album 'SWEAT' is a love letter to those heady and formative days; an invitation to party, to find community on the dance floor and joy in a dark world. Recorded between London, Stockholm and Sydney, 'Sweat' fuses her past and present - the sport and the spice, the forgotten teenage raver and the accomplished DJ. 180g Black Vinyl in 3mm Spine Jacket with Printed Inner Sleeve and 12-Page Booklet.
Liner notes by Michael Hann, featuring interviews with Phil Mogg and Andy Parker
Newly remastered and cut at AIR Mastering
Includes Live at Hammersmith Odeon, London – 29 January 1981
Concert newly mixed by Brian Kehew
Continuing the acclaimed series of UFO reissues, The Wild, The Willing & The Innocent returns in a stunning 2026 Remastered Deluxe Edition.
Originally released in 1981, this pivotal album captures the band at a creative high point, blending soaring melodies, powerful performances, and Phil Mogg’s unmistakable voice. Newly remastered from the original tape transfers, the album now sounds more dynamic and detailed than ever, reaffirming its place as one of UFO’s most accomplished works.
This deluxe edition also includes a brand-new mix of the previously unreleased Live at the Hammersmith Odeon, recorded on 29 January 1981 and mixed by Brian Kehew, offering an electrifying snapshot of UFO’s energy on stage. Also included are the original 7” edits of the two singles released from the album, along with an alternative mix of the standout track “It’s Killing Me”.
The set is rounded out with newly written liner notes by Michael Hann, featuring fresh interviews with Phil Mogg and Andy Parker, as well as a collection of previously unseen photographs from the era — making this an essential addition for fans and collectors alike.
Dearest gentle reader... Step back into the world of Bridgerton with the Season Four soundtrack on vinyl. This 2LP set, pressed on white silk vinyl, features one disc of exquisite orchestral interpretations of modern pop classics, alongside a second disc showcasing the original score by Oscar-winning composer Kris Bowers. A must-have for devoted fans and collectors alike.
PUNK ROCK MASTERPIECE Features a New Clown on the Album CoverWarning: owning this record might piss off your army recruiter, grizzled grampa, or those wacky flag-wavin' nationalist buddies of yours.Reissue of NOFX's first studio full length on Fat! The band tackles serious matters (punk culture and politics) with their trademark wit and sarcasm. NOFX has retired but their legacy lives forever. The band is currently the subject of their first comprehensive exhibit at the Punk Rock Museum in Las Vegas. Their documentary 40 Years of Fuckin Up makes it premiere at SXSW 2026 and widely available in April (Score & soundtrack coming soon, feat. new NOFX music). The next volume in the A-Z trilogy I to Q is set for a late 2026 release. And keep an eye on Fat Mike, rumor is he's got some opinions on the current state of the world.Vinyl Color: Black
Limited edition coloured vinyl, available exclusively through independent retailers, including a bonus 7” from Hiss Golden Messenger – I’m People. The brand-new album from Hiss Golden Messenger and the first release with Chrysalis Records.
I’m People is a vivid, deeply human album born from a period of rupture, renewal, and vast American wandering. Written across Bolinas, the North Carolina Piedmont, and a Santa Fe motel room, the record traces the artist’s search for clarity through landscapes both external and internal. These songs move through heartbreak, aging, fatherhood, desire, disillusionment, and the hard-won hope that remains after the spirit has been scraped bare. Produced with Josh Kaufman at Dreamland, a decommissioned church outside Woodstock, the album carries the warmth of musicians playing live in a circle, stained-glass light filtering across guitars, drums, and upright bass. Contributions from Bruce Hornsby, Sam Beam, Marcus King, Sara Watkins, Amy Helm, Eric D. Johnson, and members of Dawes enrich a sound world that feels immediate, vulnerable, and fully alive.
“I'm People is an intensely human record, and so one that needed to feel immediate, vulnerable, and fully dancing; something you could touch, sing along to, know about, recognize, relate with. I know what the record is to me and I bet it's not so dissimilar from what it's about to you, at least in the broad strokes: The heartbreak and exhilaration, the absolute black comedy of being a person on this razor's edge that is America circa 2025. What other choice do we have than to be hopeful?” - MC Taylor on I’m People.
Hiss Golden Messenger is a Grammy nominated artist based in North Carolina, with multiple Album Of The Year and Best Americana Album awards, reaching #2 in the Americana Charts and performances and tours across the world, including the UK and Europe + performances on US TV; Late Night With Seth Myers.
Despite its title, Ratboys’ new album Singin’ to an Empty Chair is not defined by what’s missing. Rather, it’s the beginning of an important dialogue with a close loved one, vocalist Julia Steiner finds herself estranged from. The music on the band’s sixth studio album – its first for New West Records – fills the space that person left behind with 11 songs showcasing Ratboys at the peak of their powers — twangy, effervescent, as confident as they’ve ever been, and perhaps more emotionally interrogative than ever before. The four-piece Chicago band followed up 2023’s highly acclaimed The Window by reconvening with co-producer Chris Walla to begin tracking at a rural Wisconsin cabin before taking the songs to Steve Albini’s famed Electrical Audio studios in Chicago and later to Rosebud Studio in Evanston, Illinois. The results veer from bubbly power-pop on “Anywhere” to irresistible post-country on “Penny in the Lake,” along with heart-piercing ballads like “Just Want You to Know the Truth” and an exhilarating detour into the extraterrestrial on “Light Night Mountains All That,” which Steiner dubs the band’s mammoth “wormhole jam.” Singin’ to an Empty Chair also marks the first Ratboys album written since Steiner began therapy, which the singer/lyricist credits for the clarity found across the album’s unflinching examinations of relationship and self. Fittingly, as the album begins by extending a hand into the void, it concludes with a scene of serenity – all while weaving candid honesty, humor, chaos, and whimsy along the way. “It's not all doom and gloom,” Steiner says. “The experience of making this record definitely gives me hope for whatever happens next.”
Free Your Mind And Your Ass Will Follow is the second album from funk innovators Funkadelic, arriving in 1970 mere months after their trailblazing debut. Famously originating from a single LSD-fueled marathon session, the record saw the band honing their songcraft, while still allowing plenty of space for mind-bending exploratory jams. It marked the official introduction of legendary keyboardist Bernie Worrell, and would go on to chart at No. 92 on Billboard's Pop chart.
Orange & Cream Smash Vinyl. Boldy James and producer Your Boy Posca join forces to create a new sound within Boldy's world of countless, yet quality, projects. With a classy, laid back approach of grimey soul samples and spooky 1980's aesthetic, the tape flows flawlessly top to bottom as Boldy paints a unique portrait of a Midwest drug dealer.
2LP, Baby Blue + Bone Vinyl, Gatefold jacket with 14-panel insert. Recorded in New York between Reservoir Studios in New York City and Dreamland in upstate New York, the album was co-produced by Christian Lee Hutson and Jonathan Low. It stands as an ode to Maya's musical community, created alongside close friends and collaborators Benjamin Lazar Davis, Will Graefe, Michael Riddleberger, and Odessa Jorgensen. The album's packaging draws from Maya's own watercolor paintings, developed in collaboration with Shane Gelinas.
Special Green Marble vinyl reissue of the 2016 album from hip hop artist extraordinaire Afroman, known for his breakout hit single, 2000’s “Because I Got High!"
All new musical celebrations of Afroman's favorite green herb as well as newly recorded versions of his classic tracks “Because I Got High,” “Palmdale,” “She Won’t Let Me Fuck,” and “Crazy Rap!"
Sunshine For Happiness, the fourth album from Australian-born, LA-based artist Emma Louise, is an ethereal, soul-baring journey of breakdown and breakthrough. Written after a period of personal transformation, it blends gospel-tinged warmth, lush live instrumentation, and Emma's unfiltered vocals. Sunshine For Happiness is a radiant collection of songs about surrender, healing, and spiritual renewal, marking a triumphant return from one of Australia's most captivating songwriters.Cream Colored Vinyl
Maisy Owen, a Nashville native, has been surrounded by music and the art of songcraft just about all her life. First came the viola at the age of 9, then guitar where she embraced fingerpicking while soaking in influences from Nick Drake, Bert Jansch, Mazzy Star and David Olney. Raised in a musical family, her father Gwil Owen is an Academy Award-nominated songwriter. 'Dark on a Sunny Day' is her debut album.
Kurt Vile's 'Philadelphia's been good to me' illustrates his love for his home city, where he still resides and records most of his music. This album includes his distinct jangly guitars, soaring instrumental passages, and lyrics that are both cheeky and sentimental at the same time. 2-LP pressed on Schuylkill River blue vinyl.
Experience one of rock’s most iconic bands in a breathtaking setting. In July 2023, The Who delivered a landmark performance at Cornwall’s world-renowned Eden Project, joined by the Heart of England Philharmonic Orchestra for a set list of their greatest and most loved songs.
Nestled in the Cornish countryside, the Eden Project’s striking biomes provided a stunning backdrop as Pete Townshend and Roger Daltrey blended classic rock power with orchestral grandeur. Live at Eden Project 25/07/2023 captures The Who at their most powerful and innovative—an extraordinary fusion of rock and orchestra.
Available formats:
2CD Digipak, Limited 3LP Gatefold Edition (pressed on recycled vinyl, eco-friendly packaging), Standard 3LP Gatefold.
A must-have for fans and collectors, this release is a testament to The Who’s enduring relevance and evolution. Add it to your collection today.
Triple-Gatefold trans. Milky clear 2LP & LP-Booklet (US version) The Moth is Devin Townsend's most ambitious work to date, a project that has existed in his mind as his life's work - an immersive orchestral, choral, and theatrical project over a decade in the making. What began as a distant vision became reality when Townsend was invited to collaborate with the North Netherlands' Orchestra and Choir. Unlike his previous genre-hopping worlds, The Moth was conceived from the ground up as a fully orchestrated narrative. Townsend spent years relearning musical fundamentals to write the score himself: harmony, counterpoint, and orchestration rebuilt from scratch, expertly assisted by Joseph Stevenson. The result is a meticulously crafted, emotionally driven piece where every instrument and voice has space to speak. Recorded across more than ten countries, the album brings together an extraordinary global cast: the aforementioned North Netherlands Orchestra and Choir, long-time collaborators Darby Todd, Mike Keneally, James Leach, and guests including Steve Vai, Anneke Van Giersbergen & Lynn Wu (Ou). Hundreds of musicians, engineers, mixers and artists contributed to the project's massive creative ecosystem. At it's core, The Moth is about transformation. Through it's soaring arrangements and intimate moments, the work explores self-acceptance, surrender, and the courage to face discomfort without turning away. The Moth is about the journey-but it is also about arrival. The Moth will be available on several formats including Ltd Deluxe 3CD+Blu-ray Artbook that includes the album on CD1, 'The Moth - The Afterlife' on CD2 & 'The Moth - The War (Live)' on CD3. The Blu-ray includes the full 'The Moth - The War' live film, as well as Dolby Atmos & High Resolution Stereo Mixes of the 'The Moth' and 'The Moth - The Afterlife'. It will also be available as Limited 2CD Edition (including 'The Moth-The Afterlife' on CD2), Standard CD Jewelcase and as Gatefold Triple-Gatefold 180g 2LP & Fold-Out LP-booklet, as well as digitally.
Colored Vinyl, Half Yellow / Half Purple indie record store exclusive limited to 300 copies. Album features guest vocals by I Promised The World, Holder and Upon Stone. Scratching on "Ammonite" by DJ Punchdrunk from Empty Shell Casing
Equal Vision Records will release Sparta's upcoming full length album 'Cut A Silhouette' on Friday May 29th 2026. Produced by J. Robbins, the album channels the spirit of their early catalog.
Recorded in an intimate hometown setting in doylestown pa, 'Reconcile at the tile works, recorded live' captures Anthony Green in a rare, up-close performance that leans into the emotional core of his songwriting. With minimal, stripped-back arrangements, the focus stays on the songs themselves-highlighting the immediacy of Green's voice and the connection he's built with listeners over the years.The setlist draws from across his catalog, blending fan-favorite material from Circa Survive with selections from his solo work, alongside previously unreleased songs. These versions feel raw and present, giving familiar tracks a different kind of weight while introducing new material in it's earliest form.
The 3rd collaborative album between Les Claypool & Sean Ono Lennon (the previous sold over 150,000 combined) is an elaborate concept record reflecting on morality, the warnings of A.I., and the slippery slope of optimization without empathy. Told across 14 songs - which ooze with classic psychedelic / progressive rock stylings - and the accompanying comic book by Rich Ragsdale, The Great Parrot-Ox and The Golden Egg of Empathy is a peak for both The Claypool-Lennon Delirium and rock music at large.
Orange County’s SOCIAL DISTORTION returns with its first album in 15 years with Born To Kill. Armed with 11 urgent songs, Mike Ness continues to build on the mystique that SOCIAL DISTORTION is more than just a punk band.
Throughout the collection, Ness revisits the sounds of the 1970s, his formative adolescent years. For many, Born To Kill is a return to form, but instead, it’s a continuation of the bar of excellence that SOCIAL DISTORTION and, in turn, Ness has long been praised for.
Born To Kill is a body of work that will live long in the SOCIAL DISTORTION catalog. Songs like the rowdy title track that serves as the album’s mission statement, along with the riff-laden “Partners in Crime,” the nostalgic “The Way Things Were,” and rollicking “Tonight” are songs that fit in across any of SOCIAL DISTORTION’s various eras. Now nearly five decades into its career and with a remarkable catalog spanning nearly three generations, SOCIAL DISTORTION has no intention of slowing down any time soon.
PCD is the debut studio album by the iconic girl group the Pussycat Dolls, released on September 12, 2005. Featuring executive production by Ron Fair and contributions from producers like Kwamé, Polow da Don and Rich Harrison, and boasting guest vocals from rappers Busta Rhymes, Timbaland and will.i.am.
PCD is the chart-topping album from The Pussycat Dolls, featuring iconic hits like “Don’t Cha”, “Buttons” and “Stickwitu”. The record was an instant smash hit.
Coming off the 20th anniversary of the RIAA 3x Certified Platinum album, the Pussycat Dolls will also embark on a 20th Anniversary Reunion Tour.
Listen to the album that defined 2000’s pop on black vinyl for the first time.
Doll Domination is The Pussycat Dolls' high-energy sophomore album.
Listen to hits "When I Grow Up" and "I Hate This Part"
On vinyl for the first time ever.
Neil Diamond is a legendary artist, songwriter and producer who has to date sold more than 130 million records worldwide, including more than 30 platinum or multi-platinum albums. His risk-taking career has delivered many surprises. Among them is an enormously popular collaboration with iconic producer Rick Rubin that delivered the stunning, stripped-down 12 Songs and the No. 1 album, Home Before Dark. And now from their creative partnership comes a new, never-before-heard album featuring 10 tracks written solely by Neil. Drawn from the Home Before Dark sessions, featuring such musical luminaries as Mike Campbell and Benmont Tench of the Heartbreakers, Wild At Heart is the culmination of the unexpected, deeply felt, Neil Diamond x Rick Rubin trilogy.
Linda Perry’s “Let It Die Here” is a raw, spiritual reckoning, a journey through inherited pain, grief, and redemption. Across seventeen tracks that blend confessional poetry, cinematic rock, and vulnerable introspection, Perry confronts the ghosts of her past — mothers, lovers, and the darker corners of self.
The record moves from the streetlight confessions of “Balboa Park” to the searing surrender of “Let It Die Here,” culminating in “Albatross,” a release from the weight she has carried her whole life. It is an album about release, letting go of guilt, embracing imperfection, and finding beauty in survival.
In Dying Light: The Beast, you step back into Kyle Crane's skin, but he's no longer the man he once was. Years of experiments have left him torn between fragile humanity and a monstrous power that he can barely control. Every light, every shadow, every choice feels dangerous. The forests and ruins of Castor Woods don't just set the stage, they breathe, they watch, and they punish the reckless. This is survival stripped to the bone, where horror is not just outside, but inside you.Olivier Deriviere's powerful and capturing score for Dying Light: The Beast doesn't just accompany Crane's journey, it is his voice. Sometimes it whispers in empty rooms, fragile and broken, sometimes it roars with distorted rhythms and pounding drums when the Beast takes over. Between silence and sound, the music pulls you deeper into Kyle's fractured soul, making every step and every heartbeat part of the story. It's not just a soundtrack, it's the echo of a man losing, and maybe finding, himself.
Continuing in our series of ISIS reissues, In The Absence Of Truth is the band's 2006 release, remastered by James Plotkin. The 2LP 140gr Vinyl packaged in a tip-on gatefold jacket in two retail variants.The album expands upon the group's previous full-length, Panopticon, further exploring lead singer Aaron Turner's clean vocals (though his former techniques, which relied more on screaming and growling, are still present as well). Musically, the album is dynamic, ranging from extended musical ambience to almost tribal drumming. Isis continued their lengthy songwriting; In the Absence of Truth is Isis' longest record, at almost 65 minutes.Although the band has been defunct for over a decade, their impact on metal is still reverberating, and sales continue to make it one of Ipecac's top artists.
Continuing in our series of ISIS reissues, Wavering Radiant is the band's final 2009 release, remastered by James Plotkin. The 2LP 140gr Vinyl packaged in a tip-on gatefold jacket in two retail variants.The album was produced by Joe Barresi, and the band split just over a year after it's release. The album continues Isis' history of lengthy songwriting, yet presents a slight departure from the soft-loud dynamics and post-metal aesthetic which characterized previous releases. It is widely considered the band's most accessible release in their catalog.Although the band has been defunct for over a decade, their impact on metal is still reverberating, and sales continue to make it one of Ipecac's top artists.
No Place of Warmth is the third album from Dallas “Cold School Death Metal” bruisers FROZEN SOUL: a declaration forged from pain, loss, and revenge, reshaped into strength. Produced by Josh Schroeder (Lorna Shore), it’s their sharpest, heaviest release yet. Featuring Devin Swank, Gerard Way, and Robb Flynn, the album cements FROZEN SOUL’s place in modern American death metal.
Palette Knife's, "Keyframe", is a sonic adventure in serene melodies and groovy hooks. For fans of early 2000's pop punk chorus catchiness and math rock breakdown head bobbing- this ten track full length is sure to knock your pop culture themed socks off. Rhythmic, heartfelt, and expertly detailed is what you can always expect from this three piece ensemble and their new album is no exception. "Keyframe", is arguably addictive and plausibly even habit forming. "It's not every day that you discover your next favorite band, but Palette Knife are easy candidates for your next emo obsession. "- Chorus. FM
Mia Wilson is the debut album from Southern California singer-songwriter Mia Wilson. Produced by Tim Ramsey (Vetiver, Little Wings, Kacey Johansing), the album blends piano and guitar based compositions with lush orchestral arrangements to create a backdrop for Wilson's introspective lyrics and captivating mezzo-soprano vocals.
Rob Zombie and Waxwork Records have partnered to release an exclusive, curated line of classic Horror movie soundtracks. "Rob Zombie Presents" will feature several never-before-released film soundtracks that were personally selected by the singer, songwriter, and filmmaker.
The brand new one of TIMELESS LO-FI series is here! A beat-maker crew called "Grey October Sound" gained international recognition not only in Japan but also overseas through their covers of Studio Ghibli songs titled "Lo-Fi Ghibli" and City Pop covers titled Lo-Fi City Pop. Their original sound works called "Timeless Lo-Fi" series finally reached volume 3 without fading away the dope and chill-out feeling. In response to requests by our clients, vol.1 and vol.2 will finally be back in stock on limited colored vinyl, and also available on CD for the first time. Last time the stock of the series was frowning away so quickly, don't hesitate to order!
Materia Collective proudly presents the UNDERTALE Piano Collections Box Set, the definitive vinyl edition of David Peacock's celebrated arrangements of Toby Fox's iconic soundtrack.
Anime Limited are excited to present the Original Soundtrack to the season 1 of the smash hit "isekai" anime series MUSHOKU TENSEI: Jobless Reincarnation.
This album represents one ideal that Seiichi Nakamura ultimately arrived at. His saxophone, flying freely like a bird, liberates the listener and leads them into a new world.
This duet date from 1990 demonstrates the deep blues feeling and technical mastery Archie Shepp has on the tenor saxophone. Comprised of four standards - 'Things Ain't What They Used to Be,' 'Body and Soul,' 'Pannonica,' and 'Round Midnight' - this set is one of Shepp's most enjoyable ever. The reasons are myriad, but it is in large part due to the fluid, loping bass of Richard Davis. Recorded in a club in front of a live audience, Shepp digs deep into his own history of influential tenor players and comes out not wanting, but on par with them, from Eddie 'Lockjaw' Davis to Sonny Rollins to John Coltrane. His playing here is big, meaty, and warm, full of subtle emotions as well as bleating cries. Davis' sense of time and melody is nearly incredible on the title track and on 'Round Midnight.' The interplay Shepp shares with him is tasty, coming from fragmentary elements in Monk's changes; Shepp and Davis move around the lyric and cut to the heart of the tune's color and ambiguity. It's a haunting version and one that offers a completely different reading of the tune over 17 minutes. On 'Pannonica,' Shepp's blues feeling comes out of Ben Webster as well as Eddie 'Lockjaw' Davis and his soloing is full of warmth, humor, and a ragged sort of elegance. This - like Shepp's date with Horace Parlan, Goin' Home - is a major addition to the saxophonist's catalog.
Since first bursting onto the scene with her classic Number One hit singles 'Can The Can' and 'Devil Gate Drive', Suzi Quatro has sold over 55 million records worldwide and is recognised as a true rock 'n' roll legend and pioneering icon who never did 'gender'. Across a career spanning more than five decades, Suzi has inspired generations of artists including Debbie Harry, Chrissie Hynde, Joan Jett, KT Tunstall, and many more. She is also renowned for her acclaimed acting career, including theatre and T.V. series, most notably her three-season iconic role as Leather Tuscadero in Happy Days (for which she received more fan mail than The Fonz). Her extraordinary catalogue of hits includes '48 Crash', 'Can The Can', 'Devil Gate Drive', 'Daytona Demon', 'The Wild One', 'If You Can't Give Me Love', 'She's In Love With You', 'Rock Hard', and the US million-seller 'Stumblin' In', her duet with Chris Norman, which became a worldwide million seller again in 2024. In 2019, she began collaborating with her son, Richard Tuckey (producer, co-writer, guitarist) and their creative partnership now reaches it's third chapter with the release of FREEDOM, their third album together. "It's all about getting back to who you are, and it applies universally. We all wear masks to get by in this world. For me it's all about being comfortable in your own skin, having nothing to prove to anyone, and not accepting any BS! This is the journey this album takes you on. Here I am, warts and all. Take it or leave it. Choose yourself... and finally FREEDOM. Which also applies to the world we live in today. A very important word, a very important attitude and very important reality... 'FREEDOM'!" - Suzi Quatro - Along with the single "Freedom', the new album also includes a duet with fellow Detroit native, Alice Cooper, on a rockling duet of the MC5's classic 'Kick Out The Jams'. The album release coincides with Suzi's 2026 tour - at the age of 75, the Queen of Rock 'n' Roll shows absolutely no signs of slowing down - if anything, she is busier, bolder and more driven than ever. Produced by Richard Tuckey, and mastered by Christian Wright at Abbey Road Studios. Pressed on 140g vinyl, with a printed-inner bag featuring the lyrics and a sleeve note from Suzi.
Mal Waldron's first tribute to Billie Holiday, titled Left Alone, was recorded in 1959, mere months before the singer's death. He returned to salute the legendary vocalist on several occasions since then, with this recording likely being his final tribute, recorded less than a year before his own death. Waldron, who worked with Holiday during her last years, is intimately familiar with her takes of the six standards heard on this disc, along with her own 'Lady Sings the Blues.' Archie Shepp's often gritty tenor sax is reminiscent of the texture of Holiday's voice, yet he perfectly complements Waldron's lush piano. They also pack a punch with their stark performance of 'Left Alone' (Shepp's occasional reed squeaks seem deliberate, as if to imitate breaks in her voice). Waldron also recites Holiday's lyrics set to his composition at the conclusion of the LP. Shepp switches to soprano sax for an emotional take of 'Everything Happens to Me' and 'I Only Have Eyes for You,' with the latter song sounding as if the unheard singer is being ignored by her love interest. Shepp's 'Blues for 52nd Street' is both sassy and swinging. This instrumental salute to Billie Holiday is one of the best albums ever to honour her memory.
SURFILMUSIC is an intimate look into Jack’s evolution from surfer to filmmaker to world-renowned musician. The documentary traces how his early years making surf films with close friends became a foundation for a much broader creative life, capturing moments in and out of the water that later surfaced in his songwriting. Blending rare footage from those formative surf films and Jack's personal and family archives with present-day reflections, the film weaves together how lived experience, friendship, and exploration shaped the sound and stories behind the music. Featuring Jack, Kelly Slater, Rob Machado, Gerry Lopez, Chris Malloy, G. Love, Ben Harper, John Florence, Tamayo Perry, Emmett Malloy, and Kim Johnson. Directed by Emmett Malloy. Score by Jack and Hermanos Gutiérrez. The film will premiere at SXSW and be released wide on May 15th with an accompanying digital + physical release of the soundtrack on the same day.
Celebrating the 60th anniversary of the Beach Boys' legendary masterpiece, The Pet Sounds Sessions Highlights 2LP (180g) features selections from the 1997 Grammy-nominated 4CD box set The Pet Sounds Sessions. The Pet Sounds Sessions Highlights 2CD features selections from the 1997 Grammy-nominated 4CD box set The Pet Sounds Sessions. 25 Pet Sounds a cappellas, alternate versions and tracking sessions, along with new liner notes. Audio is a mix of both mono and stereo sources. Released on May 16, 1966, Pet Sounds was produced and primarily composed by Brian Wilson and is considered a masterpiece of pop music and one of the most influential albums in history. It features the classic singles “God Only Knows,” “Sloop John B,” and “Wouldn't It Be Nice.” Note: “I'm Waiting For The Day (Vocals Only)” is included on both Disc 1 and Disc 2
Peter Frampton is a Rock & Roll Hall of Fame inductee, a guitar god, a hit songwriter, and a kind human being.
In 2014, Frampton was diagnosed with Inclusion Body Myositis (IBM), a rare, degenerative muscle disease.
He was ready to retire after a farewell tour in 2019. Then he realized he wants to keep going until he can’t.
At 75, 50 years removed from his #1 album Frampton Comes Alive, he delivers his first new album of original rock songs in 16 years.
Carry The Light is co-written with his son Julian.
The album is produced by Frampton, Julian Frampton, and Chuck Ainlay.
It is a 10-track journey through the magic of rock n’ roll featuring guests H.E.R., Benmont Tench, Sheryl Crow, Bill Evans, Tom Morello, and Graham Nash.
A Beautiful Lie, the multiplatinum, era-defining album from Thirty Seconds to Mars, marks its 20th anniversary with a refreshed, upgraded LP pressing on 180g red vinyl with striking new cover design and CD edition featuring 4 previously unreleased tracks from the original sessions. Packaged in
a sleek red cover featuring the iconic red rose along the binding with exclusive 12-panel poster showcasing the new anniversary artwork.
The Wings of War (2019) finds Overkill at the peak of their thrash metal power. The album blends aggressive riffs, driving drums, and Bobby "Blitz" Ellsworth's unmistakable vocals with melodic hooks. Each track delivers energy, precision, and raw intensity, from rapid-fire assaults to grooving mid-tempo songs. A relentless, powerful release honoring the band's legacy while sounding fresh and modern.Now reissued as Ltd. Edition Vinyl. Pressed on clear Vinyl with crushed black and green splatter, housed in a gatefold sleeve.
Safe Harbor / Bone White Vinyl. Petra's first studio album in 20 years and guitar solos are back. Petra is, without question, the world's most beloved Christian rock band. Over the course of five decades, they accomplished what every band sets out to do but few achieve. With millions of records sold, Grammy Awards, Dove Awards, international recognition, and sold-out shows around the globe, Petra didn't just create great music, they defined what we know today as Christian rock. Now after more than 20 years since their last studio album, Petra has returned with HOPE, their newest album containing 10 new songs. This album was not built from ideas "left in the tank." HOPE is a focused, intentional statement-and further proof that Petra remains one of the greatest Christian rock bands on the planet. Crafted quietly behind the scenes while on tour, the album was driven by founding member Bob Hartman, whose unmistakable guitar work anchors every song. John Schlitt delivers vocals that are as powerful, polished, and commanding as ever, supported by the masterful keyboard work of John Lawry, the rock-solid bass of Greg Bailey, and the precision drumming of Cristian Bornero. These are seasoned professionals at the top of their craft-and it shows in every note.
Rediscover the legendary world of The Witcher through this exclusive vinyl edition featuring music from all three iconic video games - The Witcher, The Witcher 2: Assassins of Kings, and The Witcher 3: Wild Hunt.Reimagined and performed by London Music Works, one of the UK's leading orchestral ensembles, this collection brings new life and depth to the saga's most unforgettable themes. From epic battles to haunting folk melodies, every note carries the spirit, mystery, and emotion of Geralt's journey across the Continent.Expertly mastered for vinyl, this edition delivers a warm, powerful sound experience, housed in a deluxe sleeve with artwork inspired by the dark beauty of The Witcher universe.
Saxophonist, clarinettist, composer and visual artist Marcel Barta entered the Czech jazz and improvisation scene while still astudent and has since become one of it's core members. He is a founding member of the electro-jazz quintet MUFF, the cult jazzsextet Vertigo and the duo DoMa Ensemble. Besides collaborating with many foremost artists from different genres on the homeand international scene, he has been dedicating himself to composition, writing scenic music for the theatre company Farma vjeskyni (Farm in the Cave), among otherprojects. He is the recipient of multiple Czech Music Academy Awards in the jazz category,having also been nominated for the same award on a number of occasions. While Episodes from the Spinning Ball is the firstrecording to feature Barta's work exclusively, the eponymous composition is his first piece for a large ensemble. As composerand arranger he has taken part in dozens of projects and recordings, many of which were released by the label Animal Music.The new album brings a recording of a concert performance featuring the Prague Radio Symphony Orchestra, which took placeas part of the jazz-symphonic crossover series New Horizons in February 2025 in the DOX+Multifunction Hall in Prague.Composed on a commission from the orchestra, the work formally resembles a suite in three parts. It is performed, however, asa continuous flow of music. In the author's own words, the piece "is an attempt to evoke a story that reflects my own planetaryexperience. The rotating ball in the title is a geoid, the shape of our own planet." Combining composed music with improvisation,the piece bears traces of Barta's original style, known for example from his work for Vertigo or Muff. It is rooted in jazz andcontemporary classical music and unfolds like an elaborate story in which densely composed soundscapes interweave withdelicate melodies and fine-grained instrumentation and whereorder coexists with improvisation and melancholy passagesalternate with psychedelia and humour. The jazz band in the recording features, alongside Marcel Barta himself, tromboniststepan Janousek, keyboardist and synth player Vojtech Prochazka, double bassist Milos Klapsteand drummer Jan Chalupa. Thewhole jazz-symphonic ensemble is conducted by Bastien Stil who has had ample experience leading crossover projects.
This Signum Classics release presents four orchestral works by leading Chinese composer Xiaogang Ye, performed by the Royal Liverpool Philharmonic Orchestra conducted by Dane Lam. Recorded in February 2024 at Liverpool Philharmonic Hall, the album features The Backyard of the Village alongside two concertante works: The Memories of Mount Jing Gang with violist Diyang Mei, and My Faraway Nanjing with cellist Guy Johnston, plus the overture The Loquat in Five Colors. Ye's music blends contemporary orchestral writing with Chinese history, landscape, and cultural memory, reflecting his distinctive international voice.
Luis Berra is a pianist and composer with roots in Nicaragua, Argentina, and Italy, which makes his music bridging cultures. The album "A piano won't fix your tormented soul" presents a refined mix of neoclassical piano, jazz influences, and cinematic depth, where Berra's compositions embody timeless elegance with improvisational spontaneity.
The piano duo Jonas Hain & Robert Gromotka are joined by cello and violin for added depth and color in this new release. It is a concept album exploring human relationships and the invisible spaces between two people, blending neoclassical clarity with cinematic intensity, creating emotionally resonant soundscapes. Each composition captures moments of closeness, distance, and reflection. For fans of Nils Frahm, Max Richter, and Olafur Arnalds - intimate, poetic, and moving.
The title ("everything flows") reflects a musical exploration of change, impermanence, and transformation. Francesca Guccione combines neoclassical piano with ambient textures and subtle electronic layers. Each composition feels like a flowing river of sound, shifting between intimacy and expansiveness. Inspired by philosophy and nature, the album invites listeners into a meditative, timeless space.
Green Vinyl. Nathaniel "Nate" Rathbun-better known by his stage name Audien-is an American DJ, producer, and melodic powerhouse in the world of electronic music. First Love is his sophmore album, released October 3rd 2025.
Celebrating the landmark debut album from Ireland's favorite alternative band, The Cranberries
CD Deluxe features newly remastered audio from the album's original producer Stepher Street, all done at Abbey Road Studios in London
2 CD Deluxe features newly remastered audio from the album's original producer Stepher Street,as well as a complete new mix of the album, all done at Abbey Road Studios in London
This edition includes tracks recorded during the original sessions, unreleased live tracks from their Lodon Astoria II show in 1994, and the acclaimed Iain Cook remix of "Linger"
Noah Gundersen has been writing and recording music since he was 13, working his way from teenage hardcore to indie rock to the creation of his own distinctive strain of bold, genre-busting songcraft. Noah takes vulnerability to a new level on his album 'Rites of Spring,' produced by Andy D. Park (Medium Build, Joseph, Pedro the Lion, Death Cab For Cutie.)
Ben Chapman is a road warrior who has spent the previous three years in a whirlwind of activity — writing songs for friends like Hayes Carll, Brent Cobb, and Marcus King; making his Grand Ole Opry debut; and releasing three acclaimed albums of country-fried funky-tonk, but nothing could have prepared him for what 2025 would bring him. His new record 'Feet on Fire' captures that period of wild transition, with songs inspired by Chapman's marriage to fellow songwriter Meg McRee and the arrival of the couple's first child. On songs like the guitar-driven title track, Chapman mixes Pink Floyd atmosphere with Crazy Horse crunch, showcasing the full spread of his musical influences. Elsewhere, he tips his hat to his southern roots with the laidback, loping "Out in the Country" and the Stax-sized soul ballad "Missing You." Produced by Grammy-nominated songwriter and producer Anderson East, Feet on Fire captures Ben Chapman as we've never heard him before: his back against the wall and his heart full, determined not only to meet the challenges up ahead, but to write about the process, too.
Future Islands are an emotionally charged synth pop group, known for their dexterous melodic touch, stately momentum and impassioned delivery. Over the past twenty years they have travelled a rare arc, from promising newcomers to best-kept secret, from cult favourites to heroes of the genre. As they reach this remarkable milestone, they resist the obvious move. Instead of a 'best-of' compilation victory lap, Future Islands present From a Hole in the Floor to a Fountain of Youth - an immediate and accessible collection - half of which have never appeared on streaming services - comprising alternate hits, rarities, and fan favourites that showcases the band's palette and bringing further colour to their uniquely universal appeal. Twenty songs for twenty years, four members of the band, four sides of vinyl."The best synth-pop band of the 21st century [...] a band of renaissance men who can make a sublime and meticulous genre like synth-pop feel grandiose and loose" - Paste
Angry Apple joins the Cold Busted family with the release of Crispin. This debut marks a bold new chapter-raw beats, refined moods, and Cold Busted's signature aesthetic wrapped in premium physical formats.
Supergrass - I SHOULD COCO / Their classic 1995 #1 debut album. Features the singles 'Alright', 'Caught By The Fuzz' & 'Strange Ones'. REMASTERED AUDIO.
O is the hugely anticipated debut album from New York City’s white-hot duo, Fcukers. Having quickly built a reputation for their electric live shows and irresistibly catchy hooks, Shanny Wise and Jackson Walker Lewis have gone from playing standing-room only shows at Baby’s All Right to packed out stadiums supporting Tame Impala, Justice, and Dom Dolla and selling out their own 1k+ headline shows in the space of just 2 years! Along the way they’ve played every major festival including Coachella, Glastonbury, Primavera, Lollapalooza and opened for Haim, multiple dates for LCD Soundsystem and gained a long list of including Harry Styles, Charli xcx, David Byrne, Clairo, Fontaines DC and Beck, who recently joined them on stage at their LA headline show.
After 2024’s Baggy$$ EP, which spawned the band’s biggest hit “Bon Bon” as well as earworm “Homie Don’t Shake”, all eyes have been firmly on the pair to find out what happens next, and Fcukers do not disappoint. A brief meeting with Kenneth Blume (FKA Kenny Beats) - fresh off producing Geese’s Getting Killed - turned into a whirlwind session at Blume’s studio, where they recorded the entirety of their new album. With 100 gecs’ Dylan Brady providing additional production on tracks across the album, and multi-Grammy-winning engineer Tom Norris (Lady Gaga, Charli xcx, The Weeknd) coming on board to mix the album. The result is 11 tracks that make you feel like you’re at the afterparty.
Fcukers will follow up their album release with their first full North American headline tour and another round of summer festivals. There's no sign of slowing down for this band continually on the rise.
Multi-platinum singer, songwriter and filmmaker Melanie Martinez returns with HADES, her long-awaited fourth studio album and first full-length release in three years. Following a career-defining run that has generated over 30 billion global streams, 5.54 billion YouTube views, and a worldwide audience of 62.2 million+, HADES arrives as the next chapter in a momentous ascent. Her previous three albums CRY BABY, K-12, and PORTALS, all debuted at #1 on the Billboard Alternative Albums chart, with PORTALS launching at #2 on the Billboard 200, cementing Martinez as one of alternative pop’s most innovative and influential forces.
After a nearly five-decade (and counting) career as one of his generation’s defining rock bassists, Flea releases his first full-length solo album, Honora, March 27, 2026, on Nonesuch Records. Time and space have finally allowed him to return to his first musical loves: jazz and playing the trumpet. The song “Traffic Lights,” co-written with Thom Yorke and Josh Johnson, accompanies the album announcement.
For Honora, which takes its name from a beloved family member, Flea composed and arranged the music, and also plays trumpet and bass throughout, joined by an elite crew of modern jazz visionaries: album producer and saxophonist Josh Johnson, guitarist Jeff Parker, bassist Anna Butterss, and drummer Deantoni Parks. The record features vocals from Flea, as well as friends Thom Yorke and Nick Cave. Mauro Refosco (David Byrne, Atoms for Peace) and Nate Walcott (Bright Eyes), among others, also join the band.
The album comprises six original songs—including one co-written by Flea, Johnson, and Yorke—as well as interpretations of tunes by George Clinton and Eddie Hazel, Jimmy Webb, Frank Ocean and Shea Taylor, and Ann Ronell.
Though Flea dreamed of being like his heroes Dizzy Gillespie, Miles Davis, and Clifford Brown, his path went a different direction. His close friend Hillel Slovak asked him to pick up the bass and join his rock band when he was sixteen, leading Flea into a decades-long career with the hugely successful Red Hot Chili Peppers.
As Flea neared his sixtieth birthday, he realized that if he did not pick up the trumpet again, he probably never would. So he resolved to practice every day for two years—in the midst of a stadium tour with Red Hot Chili Peppers, with a wife and newborn at home. At the end of those two years, he would make an album, regardless of where his knowledge or talents ended up.
Until Honora, Flea had never been scared of making music before. He worried that the all-star band he had assembled would think he was “a non-playing motherf*cker, charlatan, rock poseur or fan.” But, he says, “It turns out they were all the most genuinely supportive people, moving me deeply and daily with their generous spirits… Sitting in a room and playing the music with them made me feel like I was on drugs. I was buzzing, tripping and floating around the studio. I love them, they truly gave of themselves. I bow all the way down.”
Where Jose Gonzalez’s previous record Local Valley turned inward toward place, language, and personal reflection, Against the Dying of the Light widens its gaze, becoming an urgent call to preserve the light of humanity with all its flaws, at a moment when technology increasingly shapes how we think, feel, and relate to one another.
Across the album, Gonzalez works within a deliberately minimal framework, pushing his familiar palette to new heights through subtle variation, restraint, and detail. Each song unfolds with its own distinct character, proving how much emotional and musical range can be achieved within self-imposed limitations. Written in English, Swedish, and Spanish, the record reflects his Swedish-Argentine roots and frames its humanist message as a global one rather than a purely personal or political statement.
Jose Gonzalez is one of the most quietly influential artists of our generation. The Swedish-Argentine artist has built a singular musical world from hypnotic, minimal guitar work and his unmistakably gentle voice - a sound that has become deeply personal to millions of listeners worldwide. With billions of streams across platforms and hundreds of thousands of physical records sold, Gonzalez's songs often act as emotional landmarks. Ask almost anyone, and they can name at least one of his tracks tied to a defining moment in their lives.
Sexistential is the most ecstatic record that Robyn has ever made, the sound of one of contemporary music’s most influential artists coming home. After the club music meditations of 2018’s Honey, the album features nine playful pop songs that tie back to her era-defining Body Talk trilogy, designed to feel “like a spaceship coming through the atmosphere at a really high speed and crash landing”, she says. “That’s how I felt, like I’d had all these experiences searching too far out into space, and now I’m crashing back into myself.” Co-produced with longtime collaborator Klas Ĺhlund, and featuring Max Martin among the writing credits, Sexistential heralds one of the decade’s most celebrated comebacks. Featuring singles “Dopamine”, “Talk To Me” and “Sexistential”, it’s emphatic and punchy, defiant about emotional and biological pleasure, need and softness. The album’s title started as an in-joke before she realised it said everything she wanted to say. “Exploring my sensual life is the same feeling as when I make a good song,” she explains. “It’s such a beautiful kind of sensitive vibration that takes so much work to keep afloat. I feel like the purpose of my life is to stay horny - it doesn’t even have to be about sex, but it’s feeling sensual and attracted to things that I enjoy, and not letting anything take over that.” The album news follows a run of public appearances - including performing on CNN’s NYE Live with Anderson Cooper and Andy Cohen and two sold-out Brooklyn Paramount shows - that have created huge anticipation for new music. Whether performing with David Byrne to celebrate SNL's fiftieth, making show-stopping live appearances with Charli xcx and Gracie Abrams, collaborating with Yung Lean and Charli or soundtracking Acne Studio's 2025 Paris show, Robyn continues her immeasurable impact on popular culture.
A woman is trapped on a cruise ship. A preacher decides to go down with his town. A man at the florist finds himself lost in the meaning of the arrangement. These and other people at personal and societal extremes are the subjects of ten timely, timeless short stories collected as meticulously crafted pop songs by The New Pornographers on their forthcoming album, The Former Site Of. The album, like Continue as a Guest, finds The New Pornographers-bandleader A.C. Newman, Neko Case, Kathryn Calder, John Collins, and Todd Fancey-expanding their already rich catalog in surprising fashion. Joined by legendary session drummer Charley Drayton (Divinyls, Keith Richards, Fiona Apple), the space contained in a New Pornographers song has never been this clearly articulated or generously textured, giving a distinct pulse to the characters whose lives spill out in Newman's tender, evocative lyrics. The Former Site Of adds new depth to the sound Newman shook loose through building and recording in a home studio, fine-tuning the band's creative process far beyond the lockdown-era necessities of remote collaboration. "Having time in my studio really opened things up," he explains. "I can get the skeleton of a song together first-just a couple of elements, the key feeling, really as little as possible-before bringing it to the band and running from there." Two albums into this shift, The New Pornographers are creating universes of intricately textured sound and narrative detail, every layer keyed to reveal an unexpected new facet. As on Continue as a Guest, one of the more readily apparent layers is the way a song forms itself around a featured instrument. On The Former Site Of, it's a mandolin which, in Carl Newman's hands, lends lead single "Votive" it's sense of acceleration as it builds from the atmospheric sweep of it's synth and keyboard opening to a classic, wide-open jam. "Hands are cupped around a match / I'm just trying to keep the lights on," Newman sings on the track, the metaphor-hanging on despite the precarity of life-a thread that weaves through The Former Site Of. "Bonus Mai Tais" is, in a sense, about the flame going out, Newman writing directly of meeting a friend with advanced cancer for drinks, disarmed by their candor in the face of death. It is a brutally sad song, the anguish of the moment hanging in Newman's voice, and one of the band's most beautiful, with Neko Case's and Kathryn Calder's harmonies acting as the scene's ethereal mirror. The Former Site Of places many of it's subjects on the edge of oblivion-their time growing short, their situation doomed-but hanging on. This is also true when The New Pornographers turn their focus inward as they do on "Pure Sticker Shock," Newman's lyrics grappling with self-worth. That they can identify themselves among such a disparate cast-even the Cassini-Huygens satellite of "Spooky Action"-ties the album together before the final repeated lyric of it's title track, the way into the heart of each of these songs warmly lit and inviting. Far from being the expected next chapter from The New Pornographers, The Former Site Of is an argument against expectation by a band that continues to evolve rather than rest on their laurels. Even in it's darkest or most self-deprecating moments, there is an effervescence to the music here that is irresistible, an affirmation that the struggle of it's characters and the listener, like a photograph of a distant planet, is worth it.
Sub Pop and Wolf Parade present a new, pink-vinyl pressing of their landmark album Apologies to the Queen Mary. This edition brings the long out-of-print album back to it's original, single-LP format hot on the heels of the 2025 TV show Heated Rivalry, which introduced the album's single "I'll Believe in Anything" to a vast new audience, making the song a bona fide viral hit.Wolf Parade was founded in 2003 in Montreal, Quebec. After a pair of self-titled EPs, the band - Hadji Bakara (electronic manipulations), Dan Boeckner (guitar, vocals), Spencer Krug (keyboards, vocals), Arlen Thompson (drums) - released Apologies to the Queen Mary to widespread acclaim in September, 2005. The album was recorded by Modest Mouse frontman Isaac Brock and engineer Chris Chandler at Audible Alchemy in Portland, Oregon.Apologies to the Queen Mary barrels headfirst and breathlessly through songs written during Wolf Parade's early years together as a band. The album's catchy, energetic urgency immediately established them as one of the defining forces of 2000s indie-rock. It earned a 2006 nomination for Canada's esteemed Polaris Music Prize; The Guardian raved, "magnificent, all told"; Pitchfork gave it a 9.2 rating, saying, "Wolf Parade's true talent is transforming the everyday into the unprecedented," and later joined the chorus of critics who placed it among the best albums of the 2000s. Two decades on, Apologies to the Queen Mary has lost none of it's vitality and continues to win over new generations of fans.
In the hands of Courtney Barnett, fragments of everyday life become rich and riveting. A deft lyricist and virtuosic guitarist with inimitable musicianship, Barnett first found critical acclaim with 2013’s The Double EP: A Sea of Split Peas and broke into the mainstream in 2015 with her debut album, Sometimes I Sit and Think, and Sometimes I Just Sit. Garnering a coveted Best New Artist Grammy nomination and numerous other accolades, the album stands as a generational classic. Barnett followed her debut with 2017’s Lotta Sea Lice, an acclaimed collaborative record with Kurt Vile, and eschewed the vignettes of her early records on 2018’s Tell Me How You Really Feel, her humid, political sophomore record. In 2021, she released Things Take Time, Take Time, a remarkable artistic step forward. On March 27th, 2026 Courtney will release her 4th studio album, Creature of Habit.
Whatever's Clever! - the 4th studio album by Charlie Puth, on classic black vinyl. Includes an 18x24 folded poster. Charlie Puth steps into his own with his fourth and best studio album; Whatever's Clever! Puth shines in an entirely new light with esteemed co-producers Blood Pop and Jimmy Jam at the helm, as the internationally acclaimed artist and multi-instrumentalist creates his bravest, boldest and most honest work to date. Filled with complex, life affirming and uplifting melodies and lyrics written and performed entirely by Puth, special guests, spanning multiple decades also join the Diamond-certified, multi-award winning artist for one of the most exciting pop-rock albums of the year.
Originally released in 2010 and celebrating it's 15 Year Anniversary, Nightmare, was the first Avenged Sevenfold album to not feature drummer, The Rev after his tragic passing. The album is dedicated to his memory and a reflection of death and despair. Mike Portnoy would step in to finish the recording. The fifth full-length from California metal/hard rock legends, Avenged Sevenfold, is considered one of the best hard rock/metalcore albums of all time. Blending metal, punk, and hardcore with catchy melodies and face-shredding guitar solos, the band created an original sound all their own and built a cult-following that embraced the "deathbat" - an emblem that would become synonymous with the band and their fanbase. Certified Platinum in the US and Canada, and Gold in the UK, Nightmare, features hit songs "Nightmare" and "Welcome To The Family" - the former hitting #1 on the Active Rock chart and peaking at #51 on Hot 100 chart (the band's biggest song to date). Songs from the album have been featured on Call Of Duty: Black Ops, Rock Band, Rock Smith, and a number of video games and films. Celebrating 15 years of the seminal album, the band is bigger than ever, on a massive worldwide headline tour in 15,000-20,000 capacity arenas. The multiple-Golden God, Loudwire, and Kerrang! Award winners are reissuing Nightmare on brand new color variants.For Fans Of: Slipknot, Disturbed, System Of A Down, My Chemical Romance, MetallicaVinyl Color: Purple w/ Black Splatter
MEGADETH - Indie Retail Exclusive WHITE ORANGE MARBLE (MARS) Megadeth will release their final studio album via Dave Mustaine's Tradecraft imprint in partnership with Frontiers Label Group's new label. Serving as the definitive closing chapter to one of the most influential catalogs in heavy music, this record represents both a creative milestone and a once-in-a-generation commercial opportunity. The campaign is anchored by two high-impact singles: lead track "Tipping Point" and follow-up "I Don't Care", launching this fall alongside worldwide pre-orders.
Global pop superstars BTS are releasing a highly anticipated 5th album – the first group release in three years and nine months - now available for the box set with a Travel Tag. Available in 'BTS ARIRANG Travel Tag CD Box Set', contents include: Out Box, Jewel Case, Booklet (4 pages), CD, Travel Tag (1ea), and Poster (1ea). Dimensions: 190 x 180 x 58.
Recorded in February and March of 1963 and released later that year, Jazz Samba Encore reunites Stan Getz with Luiz Bonf? & Maria Toledo in a more intimate setting than the landmark Jazz Samba, shaped by Bonf?'s darker harmonic palette, Toledo's distinctive vocal and percussive presence, and Getz's warm, unhurried lyricism. Blending Bonf?'s originals with works by Ant?nio Carlos Jobim, the album deepens the evolving dialog between Brazilian songcraft and American jazz phrasing, with Bonf?'s nylon-string guitar providing a subtle rhythmic and harmonic anchor and Toledo adding textural and emotional nuance. Featuring Jobim on several tracks, the session captures bossa nova's transition from global sensation to mature artistic exchange, resulting in one of Getz's most atmospheric and enduring Verve recordings. Verve Acoustic Sounds Series features transfers from analog tapes and remastered 180-gram vinyl in deluxe gatefold packaging.
Influential rock band Tigers Jaw Lost on You, electrifyingly captures the beauty of simply letting go, remembering that you’ve survived what you’ve already experienced, and knowing that you’ll get through life’s latest transitions. Produced by longtime collaborator Will Yip (Turnstile, Scowl) builds upon the critical success of 2021’s I Won’t Care How You Remember Me, refining their vulnerable yet self-assured style with newfound dynamics, textures, and tones.
Celebrating its 40th anniversary, 5150 is the first of four albums Van Halen recorded with lead singer Sammy Hagar. To mark this moment, Rhino is releasing a 2LP (on Green Vinyl) expanded edition of this classic with a remastered version of the original album and a disc of rare singles edits and B-sides. Includes the evergreen tracks "Why Can't This Be Love", "Dreams", Love Walks In" and "Best of Both Worlds"
Queen II is the second studio album from the iconic British rock band. Originally released in 1974, it reached #5 on the U.K. albums chart. Collector’s Edition box set includes 5 CDs, featuring a 2026 mix of the album, session tracks, alternate takes, demos, B-sides, backing tracks, BBC sessions, Live at Golders Green Hippodrome in 1973, and Live at the Rainbow in 1974. The 2026 mix is also spread across 2 LPs pressed black & white 180g vinyl with etchings on Sides B & D. Housed in a lift-off lid box with super deluxe book and 4 individual prints featuring Mick Rock images, some previously unseen.
Global rockstar and cultural icon Melissa Etheridge presents her new album Rise on Sun Records. The project contains heartfelt and triumphant songs produced by Shooter Jennings and Melissa Etheridge at Sunset Sound in LA. Ten brand new songs include "Don't You Want a Woman", "Bein' Alive", "Call You", and "The Other Side of Blue", co-written by and featuring Chris Stapleton. As Melissa sagely notes, "sometimes you're gonna taste the dirt, but then you're gonna rise." Tan Smoke Vinyl in Gatefold Jacket with Printed Inner Sleeve.
David Gray's 'Nightjar' arrives as a companion piece to the 20th anniversary edition of 'Life in Slow Motion'; a 19-track collection of never-before-heard songs. Born from the same writing sessions that lead to 'Life in Slow Motion', 'Nightjar' is a trove of classic David Gray, alongside more experimental pieces and unexpected twists
Alabama native, Drayton Farley, went from bedroom recording in 2021 to his Grand Ole Opry debut in just 2 years. Drayton’s new LP, A Heavy Duty Heart, is a meditation on love + risk, in Farley’s signature style of emotional honesty. The album, solely written by Farley and produced by Sadler Vaden (Jason Isbell) is an extension of his signature sound and evolution as an evocative songwriter. Drayton has toured w/ Willie Nelson, Dwight Yoakam, and Ryan Bingham, inspired by John Prine and Bob Dylan, Drayton is one of the great American songwriters of his generation.
The extraordinary Profound Mysteries project was realized in 2022, bringing together a cast of global visual and musical collaborators including designer Jonathan Zawada, the film production house Bacon, Alison Goldfrapp, Susanne Sundfor, Pixx, Astrid S and many more, across an incredible 30 tracks, 30 artifacts, 30 visualizers and 30 films released in 3 parts, as well as ongoing series of remixes featuring Mind Against, &Me, Qrion, Baauer, LP Giobbi, Maceo Plex, Enrico Sangiuliano, Jan Blomqvist, and NTO. Röyksopp continue the Profound Mysteries journey with the release of Nebulous Nights (An Ambient Excursion into Profound Mysteries), a re-interpretation of the acclaimed project. Recorded live, this after-hours session is filled to the brim with nods and tributes, as well as references back to different parts of Röyksopp lore. All neatly wrapped in an esoteric blanket - coated with analogue warmth, and many a nugget for the keen and avid listener to find.
A new album from Ye, the artist formerly known as Kanye West, is set to arrive on March 20. The rapper has inked a partnership deal with the independent music company gamma. For the release of Bully, his 12th studio album.
Tom Misch’s long-awaited sophomore album Full Circle finds the London-based artist, songwriter, and producer at his most personal and honest. Exploring the moments that have shaped him over the last eight years: family, friendships, nature, and celebrates the work of finding his way back to himself. Made during his time spent between London, Suffolk, Portugal, and Nashville with a focus on classic songwriting, honing a collection of eleven timeless songs including the previously released singles ‘Old Man’ and ‘Red Moon’.
While it contends with the struggles that Tom has faced, Full Circle remains optimistic and effortlessly listenable. Its true strength lies in the universality of its lyrics, inviting listeners to inhabit Tom’s world or trace their own path within it. Full Circle stands as both a reflection of his journey and a statement of his ongoing evolution.
NAS / LIGHT-YEARS (red sunset vinyl) Two legends. One record. Light-Years sees Nas link with DJ Premier for the legendary Hip Hop release that fans have been anticipating for years. A must have addition for any serious collection.
Thundercat fans rejoice! The longest album drought of his career is officially OVER. Distracted will be released on April 3, 2026 - 6 years to the day after release of his previous LP, the 2020 GRAMMY Award winning record It Is What It Is.
Distracted was primarily created in close collaboration with a new creative partner for Thundercat - the super producer Greg Kurstin, known for his work with some of the biggest names in pop like Adele, Paul McCartney, Sia, Beyoncé, Beck and more. The record features 15 tracks and a host of exciting collaborators including Mac Miller, A$AP Rocky, Willow Smith, Tame Impala, Channel Tres, and production from Thundercat & Greg Kurstin, Flying Lotus, Kenny Beats & more.
Over the past six years, Thundercat’s been a very busy man. Beyond releasing two new tracks this past September ("I Wish I Didn't Waste Your Time" & "Children of the Baked Potato (feat. Remi Wolf)", Thunder has collaborated with Tame Impala, Silk Sonic, Gorillaz, Justice & Yo Gabba Gabba, played bass with the Spinal Tap guys on Kimmel, won a GRAMMY Award for Best Progressive R&B Album at the 2020 GRAMMYs, has gone viral no less than 5 times on TikTok, his hit records "Funny Thing" & "Them Changes" went Platinum, toured arenas with The Red Hot Chili Peppers, and oh yeah, he made his acting debut in the Star Wars universe in The Book of Boba Fett.
Charley Crockett, the two-time GRAMMY-nominated artist is back with Age of the Ram, the third and final installment of the Sagebrush Trilogy, co-produced by Shooter Jennings. Featuring 20 new recordings, Age of the Ram is the culmination of Charley’s incredible sonic exploration, spanning three albums, resulting in Charley’s most realized and compelling work to date.
Twice Grammy-nominated, Mercury Prize and BRIT Award-winning artist Arlo Parks announces her new album, Ambiguous Desire, due April 3rd via Transgressive Records. Ambiguous Desire is Parks at her most confident and experimental, supplanting live band sessions for modular synths, Ableton plugins and samplers that channel the frenetic, vibrant spaces she was immersed in, all while spotlighting the acclaimed poetry and lyricism she’s beloved for. Reflecting on the making of the record, Parks shares, "I danced more than ever as I made this record, I made more friends than ever too, found myself in the weird underbelly of New York juke nights, unleashed, laughed and laughed and laughed. This record has desire at its centre. Desire is a life force, it’s a wanting, a yearning, a momentum - we are all alive because there is something or someone we want - desire is an engine. But it is also mysterious, tangled, random, enlightening and HUMAN." Parks crafted the album with producer Baird (Brockhampton, Kevin Abstract). Their process unfolded between NYC’s vibrant, community-rooted nightlife and long, introspective days spent in Baird’s downtown loft. The result is Parks’ most vulnerable, self-affirming, and euphoric work to date.
Whether he knows it or not, every man lives by a code. And for country provocateur Paul Cauthen, that code is simple. Always bet on yourself. A singer-songwriter with a well-documented distaste for playing by anyone else’s rules, the East Texas native spent two decades clawing his way through the country underground, embodying the independent spirit with a monolithic Big Velvet vocal. Fusing classic-country grit, gospel power, and a rhinestoned rock edge, four previous albums proclaimed his singular style with a booming baritone and near-biblical swagger. Taught to sing by his grandfather in a Church of Christ, Cauthen hit the scene with the duo Sons of Fathers in 2009, before My Gospel, Room 41, Country Coming Down, and Black on Black unveiled a vulnerable, fire-and-brimstone songwriter with brazen Texas attitude – craving deliverance, yet possessed by a “bird dog” instinct for theatrical rapture. Cauthen has toured the world, collaborating with Margo Price, Orville Peck, Cody Jinks, and Lana Del Rey. And with favorites like “Cocaine Country Dancing,” “Fuck You Money,” and his GOLD-certified collab with Shaboozey on “Last Of My Kind,” he counts 416 million global streams. Cauthen’s fifth album, Book of Paul, takes him further down his path of utterly authentic country music; fearless, proud, and with two middle fingers in the air. Co-writing 12 of 13 tracks, the troubadour confesses to his wild side and wrestles with the sin. He spares no detail – and makes no compromise.
Experience “drivers license” for the first time all over again – this time through the voice of the legendary David Byrne. Celebrating five years since Olivia’s breakout single, this limited first pressing vinyl features Byrne’s cover of “drivers license” on Side A, and Olivia and David’s live performance of “burning down the house” from Governor’s Ball on Side B. Pressed on red translucent 7-inch vinyl.
BRENT FAIYAZ / ICON - Icon is a statement record-reflective, refined, and resonant-cementing Brent Faiyaz's place as one of the most influential voices in modern R&B. Executive produced by the legendary Raphael Saadiq, the album blends classic soul foundations with forward-thinking R&B, brought to life through additional production from Benny Blanco, Chad Hugo, and Tommy Richman. The result is a richly layered and timeless soundscape that feels both intimate and cinematic. The album is mastered by Mike Dean, adding depth, warmth, and clarity to a project designed to be experienced front to back.
The Weight of the Woods marks a defining evolution for Dermot Kennedy, grounding his global success in the spirit and emotional honesty of his Irish roots. A gifted singer, songwriter, and storyteller, Dermot sharpens his craft across Ireland and Nashville with producer Gabe Simon. In summer 2026, he embarks on a major global tour, including London’s O2 and two nights at Dublin’s Aviva Stadium, with night one selling out in minutes. He has amassed over 4.5 billion streams worldwide.
VOLUMES: ONE, the first non-studio release from Bon Iver, captures 10 distinctive live performances, recorded between 2019 and 2023, showcasing Justin Vernon and his band at their most whole. There’s a warmth and exuberance across the album, as well as the sort of muscular sound you can really only get at a live show. For the uninitiated and die-hards alike, these recordings could well be the defining versions of the tracks, no doubt made possible through the essential live engineering of Xandy Whitesel and performances from bandmates Jenn Wasner, Sean Carey, Michael Lewis, Matthew McCaughan, and Andrew Fitzpatrick.
Vernon began working on VOLUMES: ONE in 2020, and he spent a considerable amount of time combing through concerts to pull out the right songs to define Bon Iver. “This is what we became,” Vernon comments. “This is really us at our best. This is it.” VOLUMES: ONE, as a result, is something greater than a compilation or live album. It’s entirely new but still familiar, offering a prismatic look at an old friend, seeing them for who they were and who they are, all the goodness of which they’re capable but maybe too shy to show at times.
With VOLUMES: ONE, Vernon begins a new Bon Iver archival series that he’s modeled after Bob Dylan’s iconic Bootleg Series and the ever-delivering Neil Young Archives. The series will present the many eras and facets of Bon Iver, spanning live shows, demos, unreleased recordings, and more. “This particular 10 songs is like, here, if you’ve never heard Bon Iver, or you have and you didn’t like it, this might be for you,” he says.
–Matthew Strauss
On Kali Uchis’ second studio album, Sin Miedo (del Amor y Otros Demonios), Kali brings her artistic vision to life with gorgeous melodies, lush production and unparalleled storytelling. As her first Latin studio album with crossover hits like “telapatia” and “fue major,” this album solidified Kali as one of the most important and versatile voices in modern music. In celebration of its five-year anniversary, a freshly pressed Cielo Swirl vinyl variant is now available.
Deep Turquoise in Pastel Pink Vinyl. With four popular EPs under their belt, Good Kid's debut full-length, Can We Hang Out Sometime?, delivers the high-energy hooks and inventive riffs that have become a hallmark of their sound. Recorded in Los Angeles under the guidance of Grammy-winning producer John Congleton (known for working with the likes of St. Vincent, Wallows, and Lana Del Rey), the record expands Good Kid's sonic landscape into more playful and unfiltered places than ever before.
As part of the kick-off of their 3-Decades campaign and the excitement surrounding their upcoming tour,O.A.R.celebrates the 25th Anniversary of their 3rd album, RISEN, featuring "Hey Girl"!
This special anniversary edition comes in a gold foil cover, emerald green vinyl with printed lyric insert.
London-based, Wrexham-raised artist and producer Art School Girlfriend announces her third studio album Lean In, due March 13th via Fiction Records. She also shares new track ‘The Peaks’, and announces a 2026 run of headline dates.
Armed with the freedom and space to experiment, Lean In was self-produced in her own East London studio and sees Art School Girlfriend set to move from cult bedroom artist to one of the UK’s most vital artist/producers operating at the moment, tackling alternative rock, electronic pop & experimental ambient sounds in her most cohesive work to date.
Lean In arrives at a time where her audience has grown exponentially, partly due to her diverse involvement across the music scene at large – contributions to the work of Daniel Avery, Lane 8, Jasper Tygner and Ghostpoet; being chosen by Bonobo to DJ at his Outliers series at Drumsheds; touring the US with both The Japanese House and Marika Hackman; a notable DJ set for HOR; producing and engineering for up-and-coming post-rock band Pencil; the tastemaker curation of her 5-years-in-the-running monthly radio show on Foundation FM.
Self-producing, writing and recording Lean In, Mackey invites the listener to quite literally lean into the world she has built around her. With every detail intentional, this new record is less of a honing of her trademark sound of emotional blend of electronic sounds and shoegaze - and more of an expansion of it. At the top of next year, she will perform these new tracks for the first time on a UK headline tour.
For nearly 30 years, SUNN O))) - Stephen O'Malley and Greg Anderson - have pushed the boundaries of heavy music, straddling the worlds of the avant-garde and rock to forge a style instantly recognisable as their own. Now, SUNN O))) return with their first album of new material since 2019's acclaimed Pyroclasts. Their tenth album - their debut for Sub Pop - demonstrates the duo's mastery of time and space, light and dark, and their willingness to evolve their unmistakable sound into bold new forms.The eponymously titled SUNN O))) was tracked at Bear Creek Studios, Woodinville, Washington with Brad Wood (HuM, Tar, Sunny Day Real Estate, Liz Phair). This location proved crucial to the recording process. "The vast tracking room had big windows looking out on trees," says O'Malley. "We could go hiking and be out in the woods, spend time outdoors. That became a big part of it." SUNN O))) have long welcomed collaborators into their self-contained world: past work has featured, Attila Csihar (Mayhem), composer Hildur GudnadĂłttir, multi-instrumentalist Steve Moore, polymath Mark Deutrom, Silkworm's Tim Midyett and legendary singer-songwriter Scott Walker. But on this album O'Malley and Anderson found fresh possibilities in the primal territory of the duo format, performing all the instrumentation themselves. "What's been happening with our performances over the last couple years with the two of us and no other collaborators has been really fresh and exciting," says Anderson. The compositions on SUNN O))) are expansive and panoramic yet finely detailed, reflecting the arboreal setting in which they were recorded. Amidst howling feedback and glacial crunch, one finds surprisingly delicate moments: a field recording of water trickles beneath, piano interludes lend a hushed, solemn feel. All while the duo attains fresh heights of telepathic intensity as they shape music that breathes the bracing, earthy air of the Pacific Northwest.Framing the album visually are two paintings by the late American artist Mark Rothko. Liner notes are by award-winning British writer Robert Macfarlane, famed for his works concerning landscape and the relationship between humanity and nature. Through the work of the band, Macfarlane, and Rothko, sound, word and visual combine into a fully immersive experience that is undeniably, completely SUNN O))).
Originally released in 1976, Robin Trower Live! Captures the raw power and expressive artistry of the former Procol Harum guitarist in his golden period as a solo artist. Now, for the first time ever, fans can experience the complete concert as it was performed - newly mixed and restored from the original multi-track tapes for this definitive 50th Anniversary Edition. Includes five previously unreleased tracks from the 1975 Stockholm performance, offering the complete setlist as it was originally performed for the very first time. The recording showcases the electrifying chemistry between Robin Trower (guitar), James Dewar (bass/vocals), and Bill Lordan (drums) - widely regarded as one of the finest live bands of the era. Includes searing live versions of fan favourites like "Too Rolling Stoned," "Bridge of Sighs," "Day of the Eagle," and many more, now sounding better than ever. Remixed by Richard Whittaker from the original multi-track recordings and fully approved by Robin Trower. Features brand-new liner notes by David Sinclair with interviews from Robin and Bill Lordan with previously unseen photos. "That night in '75... we were just flying" - Robin Trower. "These guys are shoulder to shoulder with the likes of Cream and the Hendrix Experience as one of the greatest power trios of all time" - Richard Whittaker. Robin Trower Live! [50thAnniversary Edition]: 2CD (DVD sized) Media Book: Complete Concert - 2026 Mix & Original 1975 Version, mastered at AIR Mastering. Housed in a hardback media book with extended liner notes by David Sinclair featuring interviews with Robin Trower and Bill Lordan and rare photographs.
The legendary debut studio album from Stevie Nicks & Lindsey Buckingham. Buckingham Nicks is the only studio album by Lindsey Buckingham and Stevie Nicks as a duo, prior to them joining Fleetwood Mac. Originally released in 1973 and unavailable for decades, the album has been sourced from the original analog master tapes and will be available for the first time on CD. Released on September 5, 1973, Buckingham Nicks quickly faded from commercial view but never disappeared from the cultural conversation. Recorded at Sound City Studios in Los Angeles and produced by Keith Olsen, the album introduced Nicks and Buckingham's tightly wound harmonies and sharply contrasting songwriting voices across 10 tracks-ranging from the folk-rock shimmer of "Crystal" to the sunbaked strut of "Don't Let Me Down Again. "
Led by Susan Tedeschias soulful vocals and Derek Trucksa flabbergastingly original, pick-free guitar work, the Tedeschi Trucks Band has parked it's tour bus at that mythical crossroads between blues and rock, and over the course of 15 years cemented it's claim as one of the greatest live bands in all of creation. But let us take you back to the very beginning of their odyssey with the FIRST live release the band ever put out. Live Revelator was released in 2012 on limited-edition CD to promote TTBas first studio album Revelator and to preview it's upcoming double live album Everybodyas Talkina; featuring the exclusive track aoDonat Let Me Slide, a? itas a single-LP sampling of the improvisational magic this band brings every night. And especially this band: because this is the early line-up boasting Dead & Co. Bassist Oteil Burbridge and the late, great Kofi Burbridge on keyboards. For it's LP debut, this indispensable live document comes in fire orange with black swirl vinyl to match the front cover and the intensity of the music within.
Bruce Hornsby’s newest album, Indigo Park, is a concept album of sorts, an extended multi-dimensional inquiry into the nature of aging and memory, often with a lightness of tone – the ways certain scenes linger placidly while others balloon into imagined catastrophe, the ways we remember and the ways we forget. Throughout, Hornsby contemplates moments from his deep past, sometimes trying to “resolve” them, other times looking for clues about his present-day outlook.
“It's just an old bastard looking back, while hopefully pushing forward to adventurous and new musical & lyrical areas,” Hornsby says of his new songs, with a smile of characteristic self-deprecation. “To be honest, I've found a way, a path to….grow old gracefully, with help from some newborn friends of mine.”
The album is produced by Tony Berg, Will Maclellan and Bruce Hornsby with contributions from friends including Bob Weir, Ezra Koenig of Vampire Weekend, Bonnie Raitt, Blake Mills & more. Two of the albums ten songs were co-written with the late Grateful Dead lyricist Robert Hunter.
The highly anticipated collaborative album, GOLDFISH, sees two of contemporary hip-hop's most revered and distinct production minds, Hit-Boy and The Alchemist, finally join forces for a full-length statement. Far from a simple beat-swap, this project is a masterclass in sonic cohesion, blurring the lines between their signature sounds to forge a new, golden-hued identity. Beyond production, the duo step from behind the boards to behind the mic to trade verses throughout the project, adding a personal layer to their creative vision. GOLDFISH is a deeply immersive listen, perfectly balancing the West Coast muscle and polished, anthemic quality of Hit-Boy's work with the dusty, abstract texture and cinematic suspense that defines The Alchemist's aesthetic.The result is a sound that feels both street-tested and museum-worthy. A collaborative manifesto, showcasing the infinite possibilities when two generational talents decide to link up, creating an instant classic in the canon of producer/MC albums.1xLP, Gatefold Jacket, Printed Inner Sleeves, Pressed On Clear Vinyl
Sourced from electrifying live performances across October 10-12, 1968, this collection showcases Hendrix at peak creativity, delivering towering versions of his most iconic songs alongside extended improvisations that reveal new dimensions of his musicianship. From the blistering intensity of "Fire" to the soulful sweep of "Little Wing" and the psychedelic charge of "Are You Experienced?", this curated single LP set offers a powerful snapshot of Hendrix in his prime.
Bill Withers was a modest, gentle, and yet towering musical figure responsible for some of the most important, universally known soul hits ever written. It's no wonder that "Just the Two of Us" and "Ain't No Sunshine" won him two Grammy awards and undoubtedly played a huge role in getting him inducted into both the Songwriters and Rock and Roll Hall of Fame. Still Bill is Withers' third studio album and continues to showcase his remarkable versatility, touching upon smooth Philly soul, funk, blues and 70s folk slash singer/songwriter. Upon release the record was both a commercial and critical success and is considered a landmark 1970s R&B record. It features the hit singles "Lean on Me" and "Use Me", as well as "Who Is He (And What Is He to You)?" appearing on the soundtrack of Quentin Tarantino's Jackie Brown. Unsurprisingly, next to Just As I Am, this record also made it into Rolling Stone's list of 500 Greatest Albums of All Time, coming in at #333. This edition includes booklet featuring a reflective essay on Bill Withers written by Grammy-nominated poet, journalist and humanitarian Kevin Powell. Still Bill is available as a limited edition of 7500 individually numbered copies on translucent green coloured vinyl.
Thelonious Alone In San Francisco is the third solo album from legendary jazz pianist Thelonious Monk, following Piano Solo and Thelonious Himself. Recorded at Fugazi Hall in October 1959 the album was recorded without an audience. This new edition of the album is released as part of the OJC Series on 180-gram vinyl pressed at RTI with all-analog mastering from the original tapes at Cohearent Audio and a Stoughton Tip-On Jacket.
The Devil Wears Pradaas 2013 album 8:18 once again pulled off the neat trick of topping the Pop (#6), Metal (#2), and Christian (#1) charts (the title itself is a reference to the Bible verse Romans 8:18, which says that our present-day suffering pales next to the glory that is to come). Which kinda sums up TDWPas appeal: what other band can shift so seamlessly from moments of visceral madness to spells of spiritual grace? 8:18 marked the swan song for founding band members Chris Rubey and Daniel Williams, and they certainly went out in style; the addition of some hardcore punk (aoBlack & Blue, a? aoNumber Elevena?) and straight metal (aoRumorsa?) ingredients to TDWPas melodic metalcore cauldron makes for a heady brew indeed. This sea blue pressing comes inside a gatefold with beautifully austere artwork plus an insert. A real artistic statement on every level.
POISON RUIN return with their highly anticipated sophomore LP, Hymns From the Hills. Building off the strengths of their existing oeuvre, the band has developed their signature approach to grim mythmaking and scythe-swinging aggression in bold new directions, offering up a new body of songs that strike one as equal parts natural, undeniably of this world, and phantasmal.
The band's vision has grown substantially, pushing well past the tales of peasants and serfs that stood as allegories for contemporary alienation in their previous work: on this newest offering, Their previous stories of toil and dispossession are revealed to be but one chapter etched upon a bleaker tapestry, one populated by spirits traversing sunless deserts and wilted hillsides, demonic torture objects limning the edges of the psyche, bodies transfigured into Luciferian snakes, Sadean prisoners bound to the screaming silence of abandoned castle towers. The record is at once a forceful restatement of POISON RUIN's trademark sound and a departure from it, the crackling, cassette-dubbed darkness and crushing rhythms listeners have become accustomed to buttressed by a carefully sculpted mosaic of new textures, from flourishes of Killing Joke hacksaw primitivism and blast-beats worthy of the Relapse catalogue number to crisp analog synth lines and ambient serenades reminiscent of Scott Walker and The Durutti Column. Like a serpent moving ever outward with spiraling circularity, Hymns From the Hills expands POISON RUIN's sonic landscape in imaginative new directions while maintaining its center of gravity firmly in the band’s already established mythos.
Hymns From the Hills is meticulously composed. Much like the rest of POISON RUIN's body of work, this LP was self-recorded without the use of professional studio equipment. To meet the greater sonic demands of Hymns From the Hills, however, mastermind Mac Kennedy relocated to a private practice space, retiring from his previous routine of squeezing in tracking sessions around the rare moments that the band’s shared practice space happened to be vacant. “Having added time to breathe and really get things right felt crucial this time,” he remarks. “The stress of having to work quickly and at chaotic intervals used to feel productive in a lot of ways, in that it instilled a sort of rough, energetic ethos into the recordings, but I also started to realize that those working habits were becoming an easy way to let myself off the hook from pursuing certain ideas that required a more measured, methodical approach.” To best serve the record’s grander ambitions, the band enlisted the mixing prowess of Jonah Falco (Fucked Up, Career Suicide) and the mastering of Arthur Rizk (Power Trip, Trapped Under Ice, Cavalera, Integrity), who helped to elevate the record’s teeming variety of sounds to new heights of self-assured fidelity. Kennedy lent a second hand to the mixing process, splicing in grittier tape recorded segments in order to maintain a certain tonal continuity with the band’s previous work, creating a rich structure of unconventional frictions, crystalline flashes of polish ripping through abysses of hissing low end only to shatter against the whipping sting of rusted chains moments later.
Lyrically, Hymns From The Hills extends both the cynicism and the defiant bravado of POISON RUIN's established fantasy aesthetics. While the record continues POISON RUIN'S tradition of employing medieval-inflected fantasy imagery, Kennedy does not intend for these figures to be read as historically accurate: “I’m not interested in the actual facts of medieval culture, and I’m not trying to draw a sort of literal comparison between peasant life and the political realities of today. Rather, I think in order to really make sense of the present you have to get outside of history altogether, in a certain way—you have to find some sort of mythic language for talking about the spiritual damage that surrounds us, a mythology that can somehow escape the limits on imagination that are imposed upon us. For me, medieval imagery and fantasy aesthetics have always felt like a powerful starting point for creating that sort of mythology. If one is forced to be in Babylon, how can you find a way to live both through it and beyond it?”
With Hymns From The Hills, POISON RUIN have accomplished a feat of creative labor which few have the courage to entertain, much less the capacity to execute so effectively. They have upped the ante: they have set out to make "The Record". Hymns From The Hills ambitiously rewrites the very rules of what punk is capable of achieving, pushing POISON RUIN's sound into expansive new terrains without sacrificing an ounce of the bleak symbolism and uncompromising aggression that first established them as an urgent new voice in the world of extreme music.
Laufey’s deluxe album, A Matter of Time: The Final Hour, is the closing chapter of her beautiful, critically acclaimed, and GRAMMY® Award-winning third album, A Matter of Time. With four new songs, this 19-track deluxe album is an introspection about learning to live with one’s anxieties - embracing uncertainty, accepting the passage of time, and finding calm after the storm.
Hope and Fury is the new studio album by Grammy-winning artist Joe Jackson, written and recorded between Berlin and New York City.
The album features nine new songs performed with Jackson’s longtime band – Graham Maby (bass), Teddy Kumpel (guitar), Doug Yowell (drums) – and Peruvian percussionist Paulo Stagnaro.
Produced by Joe Jackson with Patrick Dillett, Hope and Fury marks a return to what Jackson calls his “own mainstream”: sophisticated pop songs drawing from rock, jazz, funk, and Latin influences – or, in his words, “Bicoastal LatinJazzFunkRock.”
Opening track “Welcome to Burning-By-Sea” describes a fictional seaside town inspired Jackson’s hometown Portsmouth – a sharp portrait that becomes a microcosm of an entire country. “End of the Pier” contrasts British life in 1922 with its post-pandemic reflection a century later, while “I’m Not Sorry,” “Fabulous People,” and “Do Do Do” showcase Jackson’s trademark humour, from biting sarcasm to playful mockery. Other highlights include the bittersweet “Made God Laugh” and the tender closing ballad “See You In September.”
Musically, Hope and Fury recalls the spirit of 1982’s Night and Day, 1991’s Laughter and Lust, and 2019’s Fool. Like those albums, it overflows with great tunes, clever lyrics, and groove – with Jackson’s vocals and keyboard playing as strong as ever.
One of the defining voices of her generation, Holly Humberstone delivers a record that lives in the tension between pain and pleasure, where chaos and acceptance sit side by side. Renowned for her forensic songwriting, Holly has evolved into a global force whose lucid, emotionally piercing storytelling resonates far beyond her own walls. On Cruel World, she escapes into a dark fairytale of her own making, resulting in her most immersive, introspective, and compelling body of work to date.
Celebrating 20 years of Frank Turner’s solo debut EP ‘Campfire Punkrock’, Xtra Mile Recordings are excited to release a special anniversary extended edition of the seminal release. Featuring the original EP with two added songs (The Real Damage and The Ballad Of Me & My Friends, both of which were included on the US version in 2007), plus 7 further live tracks recorded from Frank’s 50th solo gig in London 2006 - taking listeners right back to where it all began at the very early days of Frank’s incredible solo career. The 12” LP features new reworked artwork with shiny gold campfire on matt black cover plus coloured vinyl. The original EP was recorded by Frank's guitarist Ben Lloyd at the Oxford home of Turner's bass player Tarrant Anderson and mixed by Tristan Ivemy. If features fan favourites ‘Nashville Tennessee’, ‘The Real Damage’ and ‘Ballad Of Me And My Friends’. Throughout April, Frank will tour UK performing tracks from Campfire Punkrock and the early years of his solo career. All dates are sold out including two nights at London’s Scala.
The Maine - John O'Callaghan, Kennedy Brock, Jared Monaco, Garrett Nickelsen, and Pat Kirch - have announced their anticipated 10th studio album, Joy Next Door, set for an April 10th release via 8123/Photo Finish Records.Green and White Split Vinyl with 12-Page Booklet
AJR’s explosive performance at the legendary Hollywood Bowl in Los Angeles on October 4, 2025 has been immortalized in the form of the band’s first-ever live album! The tracklist features all the band’s biggest hits, from “Bang!” to “Burn The House Down” to “Weak” to “Way Less Sad” to “World’s Smallest Violin” and so much more.
Ella Langley, who has redefined the next wave of country music with her magnetic, unmistakable voice, and fearless songwriting, has announced her highly anticipated sophomore album Dandelion, out April 10 on SAWGOD/Columbia Records. Co-produced by Ella, Miranda Lambert and Ben West, this 18-track album, which features her #5 Billboard Hot 100 hit “Choosin’ Texas,” is one about growth, and carries a deeper symbolism of hope, healing, and resilience. In Ella’s own words: "I've thought about this record every single day for the last year and a half, and I'm so excited to finally say: 'Welcome to Dandelion.’"
In 2005, Andrew Bird was a previously unimaginable combination of virtuoso violinist, singer-songwriter, guitarist, and whistler. With that year's album The Mysterious Production of Eggs, his second on Righteous Babe Records, Bird minted a new sound that continues to be imitated and set down classic songs that still anchor many a live performance. The recording sessions lived up to the name when he recorded and scrapped the album three times, traveling between studios in Chicago, Los Angeles and his own home studio on a farm in Northern Illinois. The mystery was solved with the aid of David Boucher, whose studio credits at the time included Paul Westerberg, Lisa Loeb, and Randy Newman. Bird played most of the instruments on Mysterious Production of Eggs, joined by a handful of special guests complimenting his already lush sonic palette. The result was a powerhouse of a record dealing with nothing less than the mysteries of childhood, creativity and modern science-epic in scope and minute in detail.
"Tongue Tied" marks the first single from Wong's eagerly awaited new studio album, Lost In The Wonder, arriving everywhere on Tuesday, February 3, 2026. The collection spotlights Wong's remarkable gifts as a producer, writer, arranger, band leader, and master of modern pop craftsmanship, while of course never losing sight of his trademark guitar virtuosity. Lost In The Wonder further affirms Wong's enduring love of musical collaboration, boasting a truly eclectic range of guest artists that includes Taylor Hanson, Devon Gilfillian, Stephen Day, Cody Fry, Yam Haus, Louis Cato, Ellis, Elysia Biro, Benny Sings, Theo Katzman, and Magic City Hippies.
Black Sabbath and Ozzy Osbourne are recognized as one of the most influential figures in rock music, known for the unique style and stage presence. This special collector's edition of a 7inch picture vinyl features 2 legendary songs.
Three Days Grace Alienation [Indie Exclusive] Rock Giants' 8th Studio Album on Vinyl LP! For the first time in over a decade, original frontman Adam Gontier is back joining Matt Walst on vocals along with Neil Sanderson (drums), Brad Walst (bass) and Barry Stock (guitars). The 12 tracks on Alienation all play a pivotal role in defining this significantly new, but nostalgic, chapter of the band.
David Bowie Narrates Prokofiev's Peter And The Wolf (1978) is a classical music album containing David Bowie's narration of Sergei Prokofiev's 1936 composition Peter And The Wolf. The music is performed by the Philadelphia Orchestra conducted by Eugene Ormandy. The album reached number 136 on the US Pop Albums chart.Side One contains the narration by David Bowie of public domain material originally written by Prokofiev. The second side of this LP features Eugene Ormandy conducting Benjamin Britten's Young Person's Guide To The Orchestra with the Philadelphia Orchestra. Ormandy and the aforementioned musicians from Philly also back up Bowie on side one.Critics lauded the album, saying Bowie 'found his most charming guise since Hunky Dory.' He tells the well-known fable with his usual eloquence and style, and gives instructions at the beginning for kids to understand how the music corresponds to characters in the story. The accompaniment from the Philadelphia Orchestra is first rate.The Music On Vinyl re-release includes detailed liner notes on the project by Mary Campbell, specifically geared to 'introduce children to the sounds of the individual instruments in the symphony orchestra.' Both Prokofiev and Britten wrote their respective pieces with this aim in mind.David Bowie Narrates Prokofiev's Peter And The Wolf is available as a limited edition of 2000 individually numbered copies on yellow colored vinyl. The record comes in a deluxe sleeve finished with linen laminate and includes an insert with liner notes.LISTEN: *180 GRAM AUDIOPHILE VINYL*DELUXE SLEEVE FINISHED WITH LINEN LAMINATE*INCLUDES INSERT WITH LINER NOTES*SERGEI PROKOFIEV'S CLASSIC PETER AND THE WOLF NARRATED BY DAVID BOWIE*PERFORMED BY THE PHILADELPHIA ORCHESTRA UNDER EUGENE ORMANDY*GRAMMY-NOMINATED ALBUM*LIMITED EDITION OF 2000 INDIVIDUALLY NUMBERED COPIES ON YELLOW COLORED VINYLTrack listing: Side A1. Peter and the Wolf, Op. 65 (A Musical Tale for Children) Side B1. Young Person's Guide to the Orchestra, Op. 3
Promised Heights solidified Cymande's place in music history, and contains some of their most-beloved and often-sampled tracks such as "Brothers On The Slide" & "Promised Heights." They were part of the first wave of innovators and originators of the fledgling Black British music scene. Promised Heights was recorded following the band's legendary US tour with Al Green. 2026 repress on black vinyl.
Vinyl LP pressing. Doo-Bop was a 1992 studio album by American jazz trumpeter Miles Davis. It was recorded with hip hop producer Easy Mo Bee and released posthumously. The album won a Grammy Award for Best R&B Instrumental Performance the following year.
Double vinyl LP pressing. Following in 1995, "Thank You" was an album of covers featuring songs written by Led Zeppelin, Bob Dylan, The Doors, Lou Reed and Elvis Costello. The album charted in the top20 of both UK and US charts. Originally squeezed onto 1LP, "Thank You" is highly sought after as neither have been re-pressed on vinyl since it's original release. It is now spread across 140g 2LPs for the best sound.
Polylined inner sleeve in gatefold outer sleeve. Tom Jenkinson, aka Squarepusher, presents Kammerkonzert, a riot of onyx-hard, hyperfast riffs, fiendish orchestral themes, and handbrake turns through varieties of progressive, ambient, electronic andexperimental music. The singular producer, experimental musician and creator of futuristic forms of fusion, has a three-decade-long back catalogue studded with a variety of jewel-like records. From the furious breakbeat acid and pulverising live bass guitar attack of Feed Me Weird Things (1996) to the literal and self-explanatory Music For Robots (2014) via the virtuosic live showcase of Solo Electric Bass 1 (2009) and the otherworldly concrète jazz of Ultravisitor (2004) few contemporary musicians have covered as much ground in as sure-footed a manner. But despite this reach, his three decade output is only typified by two things: unpredictability and rule breaking. Given that his new album on Warp, Kammerkonzert, is essentially a chamber concerto with Jenkinson himself playing all of the parts it's safe to say he has come a long way since his crystalline drum & bass debut for the label in 1996, Port Rhombus EP. Twenty-one albums in, Kammerkonzert is the start of a new era for Squarepusher as a composer.
Celebrating the 10th anniversary of the breakout EP originally released on her own label, Mom + Pop are pleased to offer this collectible metallic silver vinyl version. Tash Sultana exploded on the scene, a young dynamic Melbourne artist. At just 21 years of age, her unique sound created waves with her magical vocals, natural gift for melody and virtuosic guitar playing. Tashas carefully crafted, edgy, multi-instrumental pieces feature beatboxing, unique guitar work and percussion-styled finger tapping that continue to leave fans and critics in awe. The release features the breakout singles aoJunglea? and aoNotiona? and comes in the original packaging including fold out poster. Now, the one-woman powerhouseas Notion EP is again available.
That’s My Story is the 1960 album from the blues icon, John Lee Hooker, originally released on Riverside Records. The album features a raw, stripped-down approach for a country blues sound. Hooker plays acoustic guitar on tracks like “I Need Some Money” and “No More Doggin’” to create a compelling collection that expertly showcases his mastery. This edition is pressed on 180-gram vinyl at QRP and features (AAA) remastered from the original tapes cut by Matthew Lutthans at The Mastering Lab.
Vinyl LP pressing. As a musician, Ice-Tplayed a major role in the creation of the gangsta incarnation of hip-hop music and was a colossus of the West Coast hip-hop scene, despite his East Coast, greater New York, origins. Though his music displays a political consciousness, like the indictments of racism that were a hallmark of seminal hip-hop groupPublic Enemy, it also is nihilistic as befits a chronicler of street life. The charismatic Ice-T has also achieved success as an actor in movies and on TV. He plays Detective Odafin Tutuola on the TV seriesLaw & Order: Special Victims Unit.
Custard 2xLP Vinyl. Shadow of Intent is an American metal band based in New England originally formed by Ben Duerr and Chris Wiseman in 2014. Their fourth album Elegy, charted on Billboard at #4 Top New Artist Albums, #6 Current Hard Music Albums, and #16 on Current Rock Albums and Current Digital Albums.
Silver Grape Vinyl. Hot Mulligan's 2021 EP, I Won't Reach Out to You - a 5-song follow up to 2020's critically-acclaimed album you'll be fine. The EP includes fan-favorite track, "Featuring Mark Hoppus".
Bullet for My Valentine's debut era began with the explosive Hand Of Blood EP in 2004, setting the stage for their breakthrough album The Poison, which quickly established the band as leaders of modern British metal. Now, the Hand Of Blood EP returns as a standalone release, giving both longtime fans and new collectors the chance to own the recording that sparked BULLET FOR MY VALENTINE's legacy.TRACK LISTSIDE A1. 4 Words (To Choke Upon)2. Hand Of Blood3. Cries In VainSIDE B1. Curses2. No Control3. Just Another Star
The first official vinyl repressing from American Recordings of Danzig's fourth album since it's initial release in 1994. Tracks include "Cantspeak" and "I Don't Mind The Pain." Pressed on standard weight vinyl in gatefold jacket with printed inner sleeve.
JEFF IS BACK!! And as ever, he's bringing even more friends along for the ride! Night Blooms follows the 2025 album, Still Blooming, and contains 6 new tracks with features from Charlie Puth, Melody Gardot, Cynthia Erivo and Dodie. The album also contains new ‘Late Night Sessions’ of tracks from Still Blooming alongside “Tattoo” and “Lover” previously released with Haley Reinhart.
King Gizzard & The Lizard Wizard’s 2014 fifth studio album ‘I'm In Your Mind Fuzz' – arguably Gizz at their garage-psych best – gets the Fuzz Club Bootleg treatment with this new live version pieced together from over a decade of live shows recordings. From their first time playing the classic Mind Fuzz suite on US soil in Austin, Texas in 2014, through to later 2023-2025 evolutions of the songs performed n New York, Los Angeles, Chicago, Atlanta and the band's own Field Of Vision festival this year. All recorded the straight the sound-desk, the Austin '14 portion was mixed by King Gizz's own Stu Mackenzie and the later 2023-2025 cuts are exclusively mixed from the soundboard stems by James Plotkin, who also helms mastering duties. The resulting double LP bootleg is pressed up on limited edition 180g coloured 'splattered brain' vinyl in a heavy gatefold jacket with artwork by Olya Dyer.
Dirty Heads have built a career out of soundtracking the best moments of people's lives, and with 7 Seas, they're not slowing down. The RIAA Platinum Certified Southern California outfit returns with their much-anticipated ninth full-length album, building on their signature balance of carefree energy and reflective songwriting while inviting fans into their next chapter of freedom, positivity, and forward motion. From sun-soaked, laid-back anthems made for a day at the beach to hard-hitting late-night bangers, the album moves fluidly across moods without ever losing the infectious Dirty Heads energy fans have come to love. With over 3 billion career streams worldwide and multiple #1 singles on alternative and rock radio, Dirty Heads have built a dedicated global following by seamlessly fusing reggae, hip-hop, alternative rock, and pop. 7 Seas Indie exclusive vinyl has 10 tracks, sleeve packaging with a lyric insert, and algae splatter vinyl.
Olivia Rodrigo’s highly anticipated third studio album, you seem pretty sad for a girl so in love, follows her critically acclaimed LPs GUTS and SOUR. The three-time Grammy Award winner releases the album on June 12, 2026.
Grand Ole Opry members, Grammy nominees, and multi-award awards, Dailey & Vincent will be releasing their brand new album- A Beautiful Life on Pillar Stone Records. This new album will feature twelve new tracks including the #1 Bluegrass Radio song- “Ruby” as well as “Longer Than That” which was written by Tenille Townes & Park Chisolm. Dailey & Vincent are among the most acclaimed duos in modern American roots music. With unmatched harmonies and musicianship, Jamie Dailey and Darrin Vincent have built a career that bridges bluegrass, country, and gospel with heart, humor, and faith. The album will be available on CD and available on limited edition vinyl.
With their fourth full-length album Signal Fire, GENGHIS TRON awaken us from the post-apocalyptic daydreams of their previous work with a violent—and most welcome—shove. This time, the distant-future reveries we first heard on Board Up The House give way to an unsettling awareness of the present we’re actually living, as our circumstances grow too pressing to try and escape.
“Signal Fire envisions a Kojima-esque dystopia of endless proxy warfare,” says vocalist and lyricist Tony Wolski (The Armed), “where the deluge of available information has outmoded the human ability to parse it. A world where those amoral, shameless and cunning enough can literally reshape reality at their whim through sheer insistence."
Having roared onto the scene in 2004 with a uniquely demented blend of extreme metal, synthesizer textures, and drum-machine madness, GENGHIS TRON are no strangers to making a forceful impression. But Signal Fire marks the first time bandleaders Michael Sochynsky and Hamilton Jordan –joined again by Wolski and Nick Yacyshyn (SUMAC) on drums, plus newcomer Kenny Szymanski (The Armed) on bass–has captured this level of urgency with such visceral precision. “This album is very much rooted in the now,” confirms Jordan.
Album opener “I Am All” sets the table with a chest-throbbing synth pulse as Wolski declares “I’m on a tear, I’m on a tear,” over swirling industrial rhythms and creeping synthlines. “Nothing Blooms in the Hollow” grafts desert-rock swagger onto interlocking layers of dizzying riffs and chants before Wolski steers the band into full-on sonic burnout, like a spaceship careening into the sun. “Born Prey” navigates deftly through Genghis Tron’s classic sonic touchpoints: furious blastbeats, electronic breaks, haunting vocal earworms, and a towering synth-pop crescendo. Meditative interludes like “Like Fotocrom” and “Without Form” deliver shimmering, ominous beauty. And “New Gods” invokes Rabies-era Skinny Puppy to bring the album to a bludgeoning, anthemic finale, as Wolski screams on repeat: “New gods to bleed me out / No new peace / Bleed me out / I love it.”
Twenty years into their career, having proven their ability to forge common ground between Ministry and Aphex Twin, between Brutal Truth and Boards Of Canada, between Cluster and Converge, ugly-beautiful new genre hybrids from GENGHIS TRON no longer come as a surprise. What’s remarkable, however, is how Sochynsky and Jordan have taken a project that started in 2004 as a dorm-room genre-pastiche experiment —”a chaotic, wild amalgamation of all our favorite stuff, literally slammed together,” says Jordan—and refined their songwriting craft to deliver a sound that is unmistakably their own.
