From the mid-90’s, Cursive developed into one of the most important groups to emerge from those blurred lines between indie rock and post-hard-core. Devourer continues their ambition, as daring as ever. Full of intense and incisive songs, the album proves exactly why Cursive have been so influential and enduring–and why they remain so vital today.

Everything fans love and expect from them. Bittersweet anthems that begin quiet but explode into soaring harmonies? Check. Songs that are play-on-repeat heart punches? Check. Songs that are poetic and thought-provoking while also being absolute belt-at-the-top-of-your-voice-with-the-windows -down masterpieces? Check.

Lyrical dexterity is alive and kicking on this uneasy funeral for Eminem’s world-beating alter ego, Slim Shady. Dialing down the hyperdrive multisyllabic sprint-rapping of recent releases, Em focuses mostly on a single topic, allowing for a more narratively engaging album. The trademark furious slander and insults are there, but balanced by a strange vulnerability. Goodbyes are always hard.

Leaning on an ever-evolving sonic palette to convey what she’s feeling—whether it be folky Americana, nineties alternative, turn-of-the-century indie, or handcrafted otherworldly pop—Waterhouse creates a collage of her inspirations, experiences, and emotions stitched together by honeyed vocal delivery, bright-eyed melodies, and evocative storytelling.

This is The Jesus Lizard reconstituted, refreshed and positively revving. This is a record teeming with the kind of madness needed to beat down today’s mediocrity and piss-perfect pop drivel alike. No showing how they’ve “matured” as songwriters. No inane detours into unnecessary genre exercises. They might not be young, but they will never, ever get fucking old.

The 13 Tony-nominated Broadway musical is a coming-of-age story based on the life of Alicia Keys featuring her iconic hits including "Fallin'," "If I Ain't Got You" and more reimagined. Despite the warnings of her protective mother, the symphony of the street calls to a 17-year-old “Ali” - promising freedom, excitement, and the possibility of love.

No Name has some of White’s most memorable riffs since Blunderbuss and is his most red-blooded rock record since Elephant. White has released great solo records since then and his live shows are a blast, but he’s never sounded quite as unshackled and delirious as he does here, pounding out the sort of wild garage blues that made his name.

A remarkable development in MJ Lenderman's story as an incredibly incisive singer-songwriter, whose propensity for humor always points to some uneasy, disorienting darkness. The punchlines are still here, as are the rusted-wire guitar solos that have made Lenderman a favorite for indie rock fans looking for an emerging guitar hero.

The Deslondes continue to build on their inventive take on New Orleans country and R&B. Roll It Out finds the band leaning on the country-folk of their debut along with the sometimes-psychedelic, electrified gospel-soul sound of their previous records. It’s a band that understands the history of American music, embracing their own contemporary approach.

Denitia shares her story of going after something new — a life back in Nashville, where she attended college, immersed in both the city’s roots music scene and the community of the artist collective Black Opry — while experiencing the menagerie of emotions that come with leaving behind what you knew and starting over.

The South London outfit’s debut is a veritable Frankenstein’s monster, stitching two-tone ska and 90s rave to a post-punk core. It’s a thrilling blend of electro-punk, rock’n’roll snarling, techno soundscapes, industrial-pop and rave euphoria. WOOF. is music for letting go to, the polar opposite of “thinking music”.

Entrepreneur. CEO. New York Times best-selling author. Activist. Designer. Actress. Model. Influencer. DJ. Recording Artist. Mother. Icon. Synonymous with pop culture, Paris Hilton needs no introduction. In her latest chapter, Hilton makes a triumphant return to the recording studio with her second album, executive produced by Sia.

Having spent two years on stage and on TV, Brighton, UK's The Heavy Heavy now draw listeners even deeper into their dreamworld with their long-awaited debut album, One Of A Kind. Written entirely by co-founders Georgie Fuller and William Turner, the album expands the sunshine psych-pop & folk sound of their debut EP which won massive acclaim.

The The's first album in a quarter century, Ensoulment encompasses characteristic topics ranging from love & sex, war & politics, life & death, to the meaning of what it is to be human in the 21st century. The album also marks the return of co-producer and engineer Warne Livesey, who previously worked on landmark albums Infected (1986) and Mind Bomb (1989).

Denzel Curry returns with the long-awaited album blending sounds from the South's hip hop heritage, '90s inspired beats referencing Memphis and luminary groups like Three6Mafia. Featuring artists like A$AP Rocky, 2 Chainz, Ty Dolla $ign, Juicy J and many more, the album reminisces on Curry's career and reconciles past relationships. Departing from his concept-driven albums, it highlights Curry's rap prowess and creative spontaneity

Norway’s Leprous have conjured up several exceptionally morose yet symphonic and impassioned progressive metal odysseys over the past few years. Led by frontman Einar Solberg’s operatic singing and gloomy sentiments, the quintet delivers another lusciously evocative and temperamental composition fueled by intoxicating introspections.

Nails’ stripped down brutality sands away the divide between grind, hardcore, metal and noise with a deadpan, hateful flourish. There have been plenty of extreme music that has pushed the boundaries of fury forward over the last few years, but Todd Jones's militant wrecking crew have battered the competition through sheer force of misanthropy.

Musically, Mila is the best kind of chameleon. The album draws from a wild array of sources, entertaining new ideas on every song: dusty Laurel Canyon folk, catchy Nashville country, driving ‘70s rock. She puts her stamp on every note with remarkable confidence, eloquence, and power. Chameleon is a self-portrait rendered in vibrant detail.

Written around themes of feminine rage, Cacophony continues the deep consideration and dissection of Paris' own experiences and observations as a woman. Drawing comparisons to artists like Florence + The Machine and Hozier, Paloma's songwriting taps into cultural movements, inspiring fans around the world.

Limited edition 12" EP pressed on neon yellow vinyl featuring five tracks from one of U2's legendary performances at the RDS Arena, Dublin in August 1993 - the hometown stop on their worldwide industry-defining ZOO TV Tour. This marks the first official release, making it a highly covetable collectible for fans and collectors alike.

Every different impulse Aaron Bruno has mastered over 15 years as AWOLNATION highlight this anthemic pastiche of modern music. From tongue-in-cheek blasts, to oldies-inspired odes, and jangly segues calling to mind The Cars and Grandaddy, The Phantom Five is concerned with trying to find one’s way to happiness in a bizarrely upside-down time.