Mac DeMarco returns with his newest album, Here Comes the Cowboy, the first album to be released on his new independent label, Mac’s Record Label. The album features lead single “Nobody,” and is available on May 10.
After releasing their highly anticipated Kicker EP in the summer of 2018 (which Pitchfork described as the band's "most satisfying release in nearly 20 years"), The Get Up Kids have returned with an invigorating new full-length album, Problems. Produced by Peter Katis (The National, Interpol, Sharon Van Etten), Problems sees the band expanding on the unmatched energy and emotion found on Kicker and channeling it into a fresh collection of songs that showcases the highly developed songwriting characteristics and impeccable use of melody we've come to expect from the Kansas 5-piece. Standouts like "Satellite" and "The Problem Is Me" make it clear the band has come full circle while continuing to evolve.
Since their inception in 2008, Defeater have stood apart as storytellers in the world of hardcore. Hailing from Boston, Massachusetts, the band’s lineup consists of Derek Archambault (vocals), Adam Crowe (guitar), Jake Woodruff (guitar), Joe Longobardi (drums) and Mike Poulin (bass). They have toured with the likes of La Dispute, Comeback Kid, and August Burns Red. Defeater will be the band’s fifth studio album
Sammy Hagar & The Circle will release their debut album of original material, titled Space Between on May 10 via BMG. The first single from the record, “Trust Fund Baby,” is available now. With the upcoming release of Space Between, the band harnesses the depth of their artistic experiences and seminal collaborative sound with Hagar's prolific writing vein to produce an album that builds and explodes, song after song, around the concepts of money, greed, enlightenment and truth. Lyrically and musically, the collection of songs on Space Between build from intimate and introspective eye-openers to heart-pumping anthems. The music draws on the bands' substantial careers independently and collaboratively; presenting a veteran band still at the peak of their game. Formed in 2014, the acclaimed supergroup featuring Rock & Roll Hall of Fame inductees Sammy Hagar and bassist Michael Anthony, drummer Jason Bonham and guitarist Vic Johnson, quickly established themselves as one of the most emphatic and exciting live acts on tour today, seamlessly ripping through career-spanning hits from Montrose, Van Halen, Sammy Hagar and The Waboritas and Led Zeppelin.
Parachute is the fifth studio album for the band; the album was produced by Jacquire King (Kings of Leon, Dawes, Tom Waits, Modest Mouth, Norah Jones, Josh Ritter, Punch Brothers). All songs were written by Will Anderson except "Ocean" and "Talk to Me" by Will Anderson and Jackson Morgan. Fans and critics alike are no stranger to Anderson's impeccable ability to connect as a songwriter, with Billboard hailing that he has a "knack for writing emotionally connecting, hook-laden songs that linger in the brain for days' as well as Idolator calling the band's past songs, "well-crafted and infectious."
Sombrou Dúvida is a question. A play on words in Boogarins’ native Brazilian Portuguese. It’s a contraction of “Sombra ou Dúvida”, the title track of the album, which translates as ‘Shadow or Doubt’. There might seem to be a darkness to the question, given that both choices aren’t exactly cheery. Yet, Dino, the smiling, Afro-donned singer of the group tells us that “shadow” refers to a feeling related to your comfort zone, whereas doubt is the uncertainty that hits people and leads them to follow their instincts. For fans of previous works by the band, Fernando Almeida’s songwriting and soaring vocals guide Sombrou Dúvida in a way that’s reminiscent of the Latin Grammy-nominated second album "Manual", which was a portrait of a live band exploring the professional recording studio for the first time. The new 10-song set builds on this premise while retaining many of the home-recorded electronic elements of Lá Vema Morte.
Esperanza Spalding has announced an audacious new project called ‘12 Little Spells’ that finds Spalding conjuring in the medium of musical creation, through an exploration of the body, human energy and healing. Esperanza released one new spell per day on her website and social platforms as well as a “Liner Notes Live” hosted on Facebook all resulting in over 3.1 million views. The spells come in the form of new music, which was crafted by Spalding at a castle in Italy last month, and then recorded in sessions completed just yesterday in Brooklyn. Each spell will be presented with song-specific imagery and video spells (short films that will accompany each release).
For six straight decades, only one unstoppable force has flat-out dominated popular culture — breaking down barriers, pushing boundaries, and letting nothing and no one stand in her way. The Cher Show is her story, and it’s packed with so much Cher that it takes three women to play her: the kid starting out, the glam pop star and the icon.
The Cher Show is six decades of stardom, two rock-star husbands, a Grammy®, an Oscar®, an Emmy®, and enough Bob Mackie gowns to cause a sequins shortage in New York City, all in one unabashedly fabulous new musical.
Whitesnake return with their 13th studio album, "Flesh & Blood". Available on regular edition CD, CD + DVD Deluxe Edition feat. 5 bonus tracks (2 new studio tracks, 3 remixes), Standard Black Double Vinyl (180g), and Special Edition Box Set feat. CD+DVD Deluxe Edition, 2xLP Standard Black, Poster, and Numbered Lithograph.
After 3 years in the making, James Chapman (Maps) returns with his new album Colours. Reflect. Time. Loss. The project sees James working with a classical chamber ensemble, guest vocalists and percussionists from across the world to create a stunning album of immersive, impressionistic songs. With ‘Colours. Reflect. Time. Loss’, Maps embarks on a production to match the scope of his musical ambition, employing guest vocalists, live drums and percussion and even a six-piece classical ensemble, the Echo Collective. It’s a project that sees Maps record at home, in London, and in the Echo Collective’s native Brussels, using musicians from as far away as Philadelphia, USA. It’s his biggest, most fully realized project yet – but no less bewitching and personal than fans would expect.
The Mystery Lights's sophomore album on Daptone's rock subsidiary, Wick Records, finds the group digging deeper into their well of eclectic influences, enriching their sound without echoing the past. It mixes the eerie, insistent synth sounds of groups like The Normal and Suicide, the energy and swagger of punks golden age, the pop sensibility of The Kinks, and the stark, deliberate execution of Television. The Mystery Lights are taking their idiosyncratic brand of rock and roll to dizzying new heights.
With a true brotherhood that comes from growing up together, indie rock band Ona merge all their musical history for their second album, Full Moon, Heavy Light. The band shares its name with a small town just outside of their home base of Huntington, West Virginia. All five band members of Ona were raised in the area, with a couple of guys knowing each other since grade school. The band agreed on their name after Jenkins happened to wear an Ona Little League ball cap to rehearsal. Ona unique has their sound stands apart from the country and bluegrass heritage that the West Viriginian state is known for. Explained in part by Nolte I grew up in the woods, but my dad only listened to glam rock, so sometimes it s hard for me to identify with the quintessential West Virginia image, The new record was produced by Drew Vandenburg (Of Montreal, Futurebirds, Deerhunter) and is the first signing on Tyler Childers' Hickman Holler Records.
Vinyl LP pressing. Just when one thought one knew what to expect from POW! They surprise everyone with a vigorous and rabid album's worth of moody cybernetic punk that's frankly their best yet. Their fourth album is oil-dipped in a rainbowed slick of dread, yet the songs are buoyed by tight tunes that seem to have a lot of fun among the ruins of the future, perhaps with an eye to a less gloomy horizon? Melissa Blue's sharp elbowed synths jostle with Byron Blum's zap gun guitar in an ominous fog of oscillations, and yet somehow it gets the toe a-tapping. The band got darker and more catchy at the same time, for which some credit is due to the excellent drumming of Cameron Allen and the fantastically future savvy production by Byron Blum and Tomas Dolas. Lots of sticky punk heart resin-layered in a futuristic-scanning bionic bop.
Charly Bliss are back with their sophomore album Young Enough. Produced by Joe Chiccarelli (U2, Beck, Alanis, The Strokes, The Killers, My Morning Jacket, Cage The Elephant), the album finds the band exploring both the darker and poppier side of their sound while expanding on what made their debut album Guppy a critically acclaimed success by outlets such as NPR, Stereogum, Pitchfork, FADER, The Ringer and more. The band toured extensively in 2017 and 2018 as they headlined several tours, appeared at festivals like Shakey Knees, Boston Calling and Sasquatch and supported the likes of Wolf Parade, Tokyo Police Club, Pup, Sleater-Kinney and Veruca Salt. They just opened all of the Death Cab for Cutie shows this past fall across the entire US which coincided with the release of their standalone single Heaven which got a ton of press, including Pitchforks coveted Best New Track moniker. Pressed on translucent blue vinyl.
The sentiments of triumph and tragedy on LAUNCH FLY LAND, are universal and DREAMERS are happy to have come out on the other side with these songs serving as an affirmation of the experience. "We can't wait to get out on the road and share these songs with people," Wold summarizes. "In the end, that's what this is all about."
I Am Easy To Find is The National’s eighth studio album and the follow-up to 2017’s GRAMMY®-award winning release Sleep Well Beast. A companion short film with the same name will also be released with music by The National and inspired by the album. The film was directed by Academy Award-nominated director Mike Mills (20th Century Women, Beginners), and starring Academy Award Winner Alicia Vikander. Mills, along with the band, is credited as co-producer of the album, which was recorded at Long Pond, Hudson Valley, NY with vocal contributions from Sharon Van Etten, Brooklyn Youth Chorus, Lisa Hannigan, Mina Tindle and more. On September 3, 2017, director Mike Mills emailed Matt Berninger to introduce himself and in very short order, the most ambitious project of the National’s nearly 20-year career was born and plans for a hard-earned vacation died. The Los Angeles-based filmmaker was coming off his third feature, 20th Century Women, and was interested in working with the band on...something. A video maybe. Berninger, already a fan of Mills’ films, not only agreed to collaborate, he essentially handed over the keys to the band’s creative process. The result is I Am Easy to Find, a 24-minute film by Mills starring Alicia Vikander, and I Am Easy to Find, a 68-minute album by the National. The former is not the video for the latter; the latter is not the soundtrack to the former. The two projects are, as Mills calls them, “Playfully hostile siblings that love to steal from each other”—they share music and words and DNA and impulses and a vision about what it means to be human in 2019, but don’t necessarily need one another. The movie was composed like a piece of music; the music was assembled like a film, by a film director. The frontman and natural focal point was deliberately and dramatically side staged in favor of a variety of female voices, nearly all of whom have long been in the group’s orbit. It is unlike anything either artist has ever attempted and also totally in line with how they’ve created for much of their careers.
“DEUTSCHLAND” is the first music to be revealed from the first new RAMMSTEIN studio album since 2009’s LIEBE IST FÜR ALLE DA. The new album is produced by Olsen Involtini with RAMMSTEIN. RAMMSTEIN is CHRISTOPH SCHNEIDER, FLAKE LORENZ, OLIVER RIEDEL, PAUL LANDERS, RICHARD Z. KRUSPE, and TILL LINDEMANN.
After spending years writing and recording music by himself in various bedrooms and basements, Andrew Carter hit his stride with the debut Minor Poet album, And How!. Made on a creative whim with no outside expectations, the eleven-song collection combined Carter’s love of carefully-crafted pop with a loose, fun, off-the-cuff recording aesthetic. The album was released in 2017 and developed a small but loving fan base, and Minor Poet has grown from a passion project into a cross-country touring band with write-ups in publications such as American Songwriter, Magnet, The Wild Honey Pie, Impose, and more.
Minor Poet’s second album, The Good News, is a six-song collection that expands the boundaries of what constitutes the band’s sound. In just twenty-two minutes, the songs take apart the standard formulas of guitar-based rock and infuse them with vibrance and energy. On opener “Tabula Rasa,” interlocking guitars and a Farfisa organ carry the song through until everything drops suddenly into a doo-wop section that wouldn’t be out of place on a 1950’s
Jimmie Vaughans New Album Baby, Please Come Home available on CD, Digital and Limited Edition Aztec Gold Vinyl When it comes to the blues today, there are a handful of guiding lights to make sure the music stays true to its powerful source. The sound of pleasure and pain that first sparked musicians to create such a sound is a force that can never be underestimated. The mojo has to be there. Texas guitarist/singer Jimmie Vaughan has dedicated his life to making sure the blues not only stays alive, but remains full of life and an inspiration to all who listen. Hes held onto the spirit of the blues for more than 50 years, and he isnt about to stop now. Vaughans first studio album since 2011, Baby, Please Come Home is a rolling and righteous celebration of everything the blues can be.
New to Vancouver (Canada), alternative/singer-songwriter and multi-instrumentalist Jon Bryant sought connection. After joining, spending time and eventually leaving an undisclosed ‘cult’, Bryant’s fascination with cults began to percolate and became the framework for his upcoming full-length ‘Cult Classic’, that releases on May 17, 2019 via Nettwerk.
Eclectic Canadian artist Lucette sophomore album Produced by Sturgill Simpson, Deluxe Hotel Room takes the traditional roots sound showcased on her 2014 debut (produced by Dave Cobb) with which she captured the attention of critics and fans alike with her breakout track “Bobby Reid”, a sauntering murder ballad that was featured on the Netflix special Nanette and has since garnered over 4-million Spotify streams to date. Taking the first album sound for Deluxe Hotel she amplifies it by adding ethereal ambiance and emotive resonance to a foundation of R&B, pop and soul. Lucette’s cutting, honest lyrics are informed by life experiences in love, loss and battling inner demons as she comes into her own both personally and artistically.
Inspired by the warm, inviting sounds of ‘70s singer-songwriters like Jackson Browne and Graham Nash, Ryan Pollie wanted to make the most personal music of his career. He had released two albums as Los Angeles Police Department, and now he was ready to shed the protective barrier of his old band name — to make music, simply, as himself. Bolder and crisper than the albums he’s made as Los Angeles Police Department, his self-titled record emerges from a deeply collaborative place. He invited many of his closest friends over to his home to record the album, and a feeling of warm camaraderie shines through the music. “When somebody plays on a song, their character is in it,” he says. “I like to think all my friends are on this record. Their personality is in it. That was really important to me. I’m able to do what I do, mentally and emotionally, because of the people around me.”
The 2019 GRAMMY Winner for Best Rock Album, Greta Van Fleet will be releasing their breakthrough album From The Fires for the first time ever on vinyl! The record includes their #1 songs "Highway Tune" and "Safari Song".
Holly’s third full-length album PROTO isn’t about A.I., but much of it was created in collaboration with her own A.I.‘baby’, Spawn. For the record, she assembled a contemporary ensemble of vocalists, developers and an inhuman intelligence housed in a DIY souped-up gaming PC to create a record that encompasses live vocal processing and timeless folk singing, and places an emphasis on alien song craft and new forms of communion. PROTO makes reference to what Holly refers to as the protocol era, where rapidly surfacing ideological battles over the future of A.I protocols, centralised and decentralised internet protocols, and personal and political protocols compel us to ask ourselves who are we, what are we, what do we stand for, and what are we heading towards? You can hear traces of Spawn throughout the album, developed in partnership with long time collaborator Mathew Dryhurst and ensemble developer Jules LaPlace, throughout the album, and even eavesdrop on the live training ceremonies conducted in Berlin, in which hundreds of people were gathered to teach Spawn how to identify and reinterpret unfamiliar sounds in group call-and-response singing sessions; a contemporary update on the religious gathering Holly was raised amongst in her upbringing in East Tennessee. Since her arrival in 2012, Holly has successfully mined the edges of electronic and Avant Garde pop and emerged with a dynamic and disruptive canon of her own, all while studying for her soon- to-be-completed PhD at Stanford University, researching machine learning and music. Her LP Platform closed out 2015 by gracing year-end lists from *Pitchfork*, *The Guardian*, *NME*, and *The Wire*. In the aftermath, Radiohead hand-picked her to open up their European tour. Just as Platform forewarned of the manipulative personal and political impacts of prying social media platforms long before popular acceptance, PROTO is a euphoric and principled statement setting the shape of things to come.
As he approaches his 70th birthday, it's incredible that Nick Lowe hasn't lost a step in his unrivaled songwriting and rockin' abilities. His forthcoming four song EP, Love Starvation/Trombone, features the razor-sharp lyricism that he's made so famous and is complemented by the returning dulcet tones of his backing band and tour mates Los Straitjackets. Lowe originals like 'Love Starvation,' 'Trombone' and the tender 'Blue on Blue' are among his strongest compositions across his half-a-century-spanning career. Lowe breathes new life into a cover of Rick Nelson's 'Raincoat in the River,' which may be mistaken for an original given the unique cadence and arrangement Nick and Los Straitjackets put on the classic tune. There's no slowing down for Nick Lowe, and these four songs will leave you pining for even more from the Jesus of Cool.
The album comprises nine thematically related songs by Mehldau and features performances by him on piano, synthesizers, percussion, and Fender Rhodes, as well as vocals. Guest musicians include Ambrose Akinmusire, Sara Caswell, Kurt Elling, Joel Frahm, Mark Guiliana, Gabriel Kahane, and Becca Stevens, among others.
Ali Davis (Taraji P. Henson) is a successful sports agent who’s constantly boxed out by her male colleagues. After a wild night out with her girls, she mysteriously gains the ability to hear men’s thoughts. With her newfound power, Ali looks to outsmart her colleagues as she races to sign the next basketball superstar, but the lengths she has to go to will put her relationship with her best friends and new love interest to the test. All’s fair in love and deal-making in this outrageously funny comedy! Also starring Tracy Morgan, Erykah Badu, Wendi McLendon-Covey, and Max Greenfield.
Chuck’s death catalyzes Jimmy McGill’s transformation into Saul Goodman, Mike Ehrmantraut takes a more active role in Gus Fring’s business, Kim questions everything, Howard loses his grounding, and Nacho’s well-laid plans are torn apart.
Father of the Bride is the highly anticipated new album from Vampire Weekend, and is the band’s fourth full length release. It is the follow up to 2013’s Modern Vampires of the City, which won the Grammy for Best Alternative Music Album in 2014.
Father of the Bride is produced by founding band member Ezra Koenig, and Ariel Rechtshaid (Adele, Madonna, Charli XCX, Usher, HAIM, Solange, and others). The album features 18 songs, with an array of collaborations yet to be revealed. 6 of the songs from Father of the Bride will be released ahead of the full album.
Judah & the Lion return with their third album, Pep Talks, following their widely successful Folk Hop n’ Roll and their breakout hit, “Take It All Back.” The album is a mature step for the band, and blends uplifting, powerful anthems with more contemplative and emotional tracks. The album includes “Over my head” and “Quarter-Life Crisis” and features Kacey Musgraves and Jon Bellion.
Bad Religion began in the sprawling suburbs surrounding Los Angeles, with the teenage punks offering an impassioned counterpoint to a culture of consumerism and anti-intellectualism. Founding members Greg Graffin, Brett Gurewitz, and Jay Bentley were eventually joined by guitarists Brian Baker of Minor Threat, Mike Dimkich of The Cult, and drummer Jamie Miller of …And You Will Know Us by the Trail of Dead. Bad Religion have been highly influential force in modern punk, producing beloved international hits like “Infected,” “21st Century (Digital Boy),” and “Sorrow,” and building a devoted worldwide following.
Bad Religion are set to release their new album Age of Unreason, which can be described as "a musical manifesto on the current political landscape.” In a world still brimming with rampant anti-intellectualism, inequality and oppression, the band’s signature brand of sonically charged humanist dissent seems as relevant as ever.
Brian Fennell is a student of simplicity. As SYML (pronounced "simmel"), which translates to "simple" in Welsh, Fennell writes emotive songs that capture the ethos of his musical persona. Ultimately his songs are a kind and truthful depiction of emotion grounded by his gut-wrenching vocal delivery. This is SYML’s debut album.
Features 7 songs from the Editor's Violence album, originally produced and more recently mixed and finished by Blanck Mass. It includes the unreleased ''Barricades'' from the Violence album session, which is a full Blanck Mass production mixed by Alan Moulder as per the rest of the original album.
When Seattle band Tacocat—vocalist Emily Nokes, bassist Bree McKenna, guitarist Eric Randall, and drummer Lelah Maupin—first started in 2007, the world they were responding to was vastly different from the current Seattle scene of diverse voices they’ve helped foster. It was a world of house shows, booking DIY tours on MySpace, and writing funny, deliriously catchy feminist pop-punk songs when feminism was the quickest way to alienate yourself from the then-en vogue garage-rock bros. Their lyrical honesty, humor, and hit-making sensibilities have built the band a fiercely devoted fanbase over the years, one that has followed them from basements to dive bars to sold-out shows at the Showbox. Every step along the way has been a seamless progression—from silly songs about Tonya Harding and psychic cats to calling out catcallers and poking fun at entitled weekend-warrior tech jerks on their last two records on Hardly Art, 2014’s NVM and 2016’s Lost Time. This Mess is a Place, Tacocat’s fourth full-length and first on Sub Pop, finds the band waking up the morning after the 2016 election and figuring out how to respond to a new reality where evil isn’t hiding under the surface at all—it’s front and center, with new tragedies and civil rights assaults filling up the scroll of the newsfeed every day. “What a time to be barely alive,” laments “Crystal Ball,” a gem that examines the more intimate side of responding emotionally to the news cycle. How do you keep fighting when all you want to do is stay in bed all day? “Stupid computer stupor/Oh my kingdom for some better ads,” Nokes sings, throwing in some classic Tacocat snark, “Truth spread so thin/It stops existing.” Despite current realities being depressing enough to make anyone want to crawl under the covers and sleep for a thousand years, Tacocat are doing what they’ve always done so well: mingling brightness, energy, and hope with political critique. This Mess is a Place is charged with a hopefulness that stands in stark contrast to music that celebrates apathy, despair, and numbness. Tacocat feels it all and cares, a lot, whether they’re singing odes to the magical connections we feel with our pets (“Little Friend”), imagining what a better earth might look like (“New World”), or trying to find humor in a wholly unfunny world (“The Joke of Life”). It’s a delightfully cathartic moment and the cornerstone of the record when they exclaim, in “Grains of Salt:” “Don’t forget to remember who the fuck you are!” Producer Erik Blood (who also produced Lost Time) brings the band into their full pop potential but still preserves what makes Tacocat so special: they’re four friends who met as young punks and have grown together into a truly collaborative band. Says Nokes: “We can examine some hard stuff, make fun of some evil stuff, feel some soft feelings, feel some rage feelings, feel some bitter-ass feelings, sift through memories, feel wavy-existential, and still go get a banana daiquiri at the end.” —Robin Edwards
Joy Williams is a singer-songwriter from Santa Cruz, CA who now lovingly calls Nashville, TN home.
Formerly of four-time Grammy Award-winning Folk, Country and Americana duo The Civil Wars, Joy recently recorded her forthcoming solo album, Front Porch, produced by Kenneth Pattengale of The Milk Carton Kids.
Following the recent birth of her second child, Joy is steadily performing new music from Front Porch live in advance of the album’s release on May 3rd.
Summer Of Sorcery', the follow up to the critically acclaimed 'Soulfire' is SVZ’s first album of original material in 20 years. It was written during the second half of the 'Soulfire' Tour and recorded at Stevie’s Renegade Studio September-November 2018. All 12 songs are original SVZ compositions, 1 recut from his Revolution Album, 1 outtake from the Lilyhammer Score, and 10 new songs. The album was recorded with the same members of The Disciples Of Soul that have been touring this past year. The album is a breakthrough artistically for Stevie in several ways, “My first five albums in the 80s were both very personal, and very political. I wanted the new material to be more fictionalized. The way records were when I grew up. Before it was an Artform. The concept (loosely) was capturing and communicating that first rush of Summer. The electricity of that feeling of unlimited possibilities. Of falling in love with the world for the first time. Obviously, there are occasional personal references, and a bit of what’s going on socially scattered throughout, but I achieved what I set out to do. I created a collection of fictional audio movie scenes that feel like Summer. I’m quite proud of it.” -Little Steven
Through her folkloric mystique, otherworldly psychedelia, and a dash of enigmatic punk, Ahomale by Combo Chimbita catapults the sacred knowledge of our forebears into the future. Their second studio album and Anti- Records debut sees the visionary quartet drawing from ancestral mythologies and musical enlightenment to unearth the awareness of Ahomale, the album’s cosmic muse. Comprised of Carolina Oliveros’ mesmeric contralto, illuminating storytelling and fierce guacaracha rhythms, Prince of Queens’ hypnotic synth stabs and grooving bass lines, Niño Lento’s imaginative guitar licks, and Dilemastronauta’s powerful drumming, the lure and lore of Combo Chimbita comes into existence. Rooted in Colombia and based in New York, Combo Chimbita lives in the future. After playing together for years, these first-generation New Yorkers began experimenting with different traditional musical styles during their late night residencies at Barbès in Brooklyn. Exploring the connections between visual identity and improvisational long-form trips, Combo Chimbita came together as a four-piece band after they started encouraging more vocals by Carolina Oliveros, who tightens the rhythm with her guacharaca.
There are two phases of The Dream Syndicate. There was the band with revolving lineups that existed from 1982 to 1988 and made four albums including The Days of Wine and Roses and have influenced bands and delighted fans in the years since. And then there’s the band that reunited in 2012 and is closing in on its seventh year with nary a lineup change. This 21st Century version of the Dream Syndicate released How Did I Find Myself Here in 2017 to universal acclaim, no small feat for a band reuniting after almost three decades. With that reintroduction and a full year of touring behind them, the Dream Syndicate had the freedom to take it all somewhere new, to dig a little deeper, get outside of themselves a little bit. Their new album ‘These Times’ feels like a late-night radio show that you might have heard as a kid, drifting off into dreams and wondering the next morning if any of it was real. So, what does it sound like? If How Did I Find Myself Here was a 10 pm record, all swagger and cathartic explosion, then These Times is the 2 am sibling, moodier and more mercurial, the band acting as DJs of their own overnight radio station, riffing on an idea of what a Dream Syndicate album could be at this moment in time. It is Radio DS19. So, what’s it all about? Founder and singer/guitarist/songwriter Steve Wynn says, “These Times. That’s it. It’s all we’re talking about, all we’re thinking about. There’s no avoiding the existential panic of a world that’s hurtling somewhere quickly and evolving and shifting course by the hour. It seems like a lie to not address or reflect the things that we can’t stop thinking about—the whole world’s watching indeed.”
Rhiannon Giddens's latest album, there is no Other, recorded with Italian multi-instrumentalist Francesco Turrisi, is set for May 3, 2019, release on Nonesuch Records. Produced by Joe Henry and tracked over an intensely productive five-day period in Dublin, Ireland, there is no Other is at once a condemnation of "othering" and a celebration of the spread of ideas, connectivity, and shared experience.
Tracing the overlooked movement of sounds from Africa and the Arabic world and their influence on European and American music, there is no Otherilluminates the universality of music and the commonality of the human experience. It primarily features only Giddens and Turrisi playing one or two instruments together. The album comprises a mix of original songs penned by Giddens and a diverse set of interpretations ranging from Ola Belle Reed's "I'm Gonna Write Me a Letter" and Oscar Brown, Jr.'s "Brown Baby" to the Italian traditional "Pizzica di San Vito" to the aria "Black Swan" by Gian-Carlo Menotti
Cut live to tape with very little overdubbing, Undress was recorded in the late summer of 2018 in Germantown, New York. Band members Ian Felice, James Felice, Will Lawrence (drums) and Jesske Hume (bass) teamed up with producer Jeremy Backofen to record their most personal and reflective album to date. 'Many of the songs on the new album are motivated by a shift from private to public concerns,' says songwriter Ian Felice. 'It isn't hard to find worthwhile things to write about these days, there are a lot of storms blooming on the horizon and a lot of chaos that permeates our lives. The hard part is finding simple and direct ways to address them.' Undress follows the band's 2016 album Life In The Dark, and finds the group in a very different place three years later. Between personnel changes, families growing and the political landscape, the result is a tighter, more-paired down release. 'Every song is a story,' said James Felice. 'On this album everything was a bit more thoughtful, including the arrangements, the sonic quality and the harmonies.'
Not everything appears instantly. Jesse Mac Cormack's astonishing debut album arrives unhurried: a work of ardent, kaleidoscopic art-rock that is at once a dazzling premiere and the culmination of a meticulous five-year evolution. Over the course of three EPs, the Montreal native has gathered accolades and refined his vision, nourishing a songwriting that is lavish and undaunted. Following early work that drew heavily from folk and roots-rock - Les Inrocks called him the 'new hero of modern folk' - the songs on Now are prismatic and forward-facing, recalling the adventurous pop of Tame Impala, Talk Talk and Perfume Genius.'If you succeed at being yourself, nothing can stop you,' Mac Cormack says. On 'Now,' he's succeeded. (And nothing will.) Pressed on limited edition milky clear vinyl.
Limited 180gm vinyl LP pressing. 2019 release. Frank Carter & the Rattlesnakes return with their third studio album End of Suffering. Recorded at Chapel Studios with Cam Blackwood (George Ezra/Jack Savoretti) and mixed by Alan Moulder (Nine Inch Nails/Queens of the Stone Age) - End of Suffering (named after the Buddhist term for enlightenment) is the sound of a band entering an entirely new realm of the senses, a forty minute rock 'n' rollercoaster of molten-hot bangers, scorched-soul ballads and grunge lullabies laced through with a lacerating lyrical honesty.
When PROTOMARTYR—vocalist Joe Casey, guitarist Greg Ahee, bassist Scott Davidson, drummer Alex Leonard—stepped into a studio together for the first time, in November of 2011, they didn’t know they were about to record an album. With only four hours of studio time booked and one case of beer between them, their plan was to walk out with enough songs for a seven-inch single. Instead, at the suggestion of engineer Chris Koltay, the newly formed Detroit outfit recorded as much as they possibly could, in what little time they had. They left with 21 songs—enough material for two singles *and* a full-length album that, years later, is still vital listening. Sold out and out of print shortly after its original release on Urinal Cake Records in 2012, NO PASSION ALL TECHNIQUE is a sometimes messy look at one of rock’s most magnetic bands—and lyricists—just as they were coming to life. Primal, cerebral, heartbreaking, funny—it’s an accidental tour de force that’s also become an unlikely collector’s item. “My memory is shot,” Casey says, “but I appreciate now, looking back, how raw and off-the-cuff it was. There’s tons of mistakes in it and that wasn’t because we planned on it. We still can’t really admit that it’s as good as it is. You never want to say that your first is the best, but I’m happy that the first ended up not being terrible. It gave us doorway to what we’d want to do later. ”
U.F.O.F., F standing for ‘Friend’, is the name of the highly anticipated third record by Big Thief, set to be released by 4AD on May 3rd. The New York-based band, featuring Adrianne Lenker (guitar, vocals), Buck Meek (guitar), Max Oleartchik (bass), and James Krivchenia (drums), has spent the last 4 years on an incessant world tour, winning the devotion of an enthusiastic and rapidly expanding audience. Their songs represent an emotional bravery and realness that weaves intimate relationships with the listener, a phenomenon that has made them one of the most widely-respected bands of the current era. Their first two back-to-back releases, Masterpiece (2016) and Capacity (2017), have been analysed, wept to, danced to, critically applauded, imitated, hummed idly, and shouted out loud. They have soundtracked crowded restaurants, difficult conversations, cowboy bars, yoga classes, night drives, and lonely bedrooms. U.F.O.F. was recorded in rural western Washington at Bear Creek Studios. In a large cabin-like room, the band set up their gear to track live with engineer Dom Monks and producer Andrew Sarlo, who was also behind their previous albums. Having already lived these songs on tour, they were relaxed and ready to experiment. The raw material came quickly. Some songs were written only hours before recording and stretched out instantly, first take, vocals and all. Others were explored in search of perfected moments of dynamic feedback and spiritual, rhythmic togetherness. A careful New Age sprinkle of mystical textures and stabs was added and kept in the mix only when all agreed that each element had become absolutely crucial to the tune. The completed palette feels classic, upfront and honest, with an occasional, welcome glimpse into the magic box.
Since Pile's original formation eight years ago, the Boston rock band has released over five critically acclaimed albums, a compilation of rarities and live record. Green and Gray is the bands latest and undeniably most dynamic record, exploring just how heavy and soft they can get within the span of an album. Recorded with Kevin McMahon (Swans, Real Estate), Pile have created a record focused on the personal self and the idea of aging within the confines of a rock band. Its a self exploration about relationships that have suffered to a consistent work ethic and tour schedule. The writing was driven by prolonged sessions of activity, with weeks at a time spent constructing the album and its four distinct sections, each represented by their own side of the double LP. Their latest triumph encapsulates and expands on the music that has gathered them a cult following thus far. Green and Gray is further proof that Pile is one of the most interesting current rock bands.
A recently paroled ex-convict, Dell (Kevin Hart), strikes up an unusual and unlikely friendship with a quadriplegic billionaire, Phillip Lacasse (Bryan Cranston), in this "funny and warm-hearted buddy comedy" (Pete Hammond, Deadline). From worlds apart, Dell and Phillip form an unlikely bond, bridging their differences and gaining invaluable wisdom in the process, giving each man a renewed sense of passion for all of life's possibilities. Inspired by a true story, this heartfelt comedy also stars Nicole Kidman, Julianna Margulies, and Aja Naomi King.
From DreamWorks Animation comes a surprising tale about growing up, finding the courage to face the unknown… and how nothing can ever train you to let go. What began as an unlikely friendship between an adolescent Viking and a fearsome Night Fury dragon has become an epic trilogy spanning their lives. When the sudden appearance of a female Light Fury coincides with the darkest threat their village has ever faced, Hiccup and Toothless must journey to a hidden world thought only to exist in myth. In this last chapter, Hiccup and Toothless will finally discover their true destinies, and dragon and rider will fight together to protect everything they've grown to treasure.
New York City architect Natalie (Rebel Wilson) works hard to get noticed at her job, but is more likely to be asked to deliver coffee and bagels than to design the city’s next skyscraper. And if things weren’t bad enough, Natalie, a lifelong cynic when it comes to love, has an encounter with a mugger that renders her unconscious, waking to discover that her life has suddenly become her worst nightmare — a romantic comedy — and she is the leading lady.
Featuring a wildly entertaining mix of dynamic action and dark humor, COLD PURSUIT stars Liam Neeson as Nels Coxman, a snowplow driver whose quiet family life is upended after his son's murder. Nels begins a vengeful hunt for Viking, the drug lord he holds responsible for the killing, eliminating Viking's associates one by one. As Nels draws closer to Viking, his actions bring even more unexpected and violent consequences, as he proves that revenge is all in the execution.
From director Todd Douglas Miller (Dinosaur 13) comes a cinematic event 50 years in the making. Crafted from a newly discovered trove of 65mm footage, and more than 11,000 hours of uncatalogued audio recordings, Apollo 11 takes us straight to the heart of NASA's most celebrated mission—the one that first put men on the moon, and forever made Neil Armstrong and Buzz Aldrin into household names. Immersed in the perspectives of the astronauts, the team in Mission Control, and the millions of spectators on the ground, we vividly experience those momentous days and hours in 1969 when humankind took a giant leap into the future.
Featuring music from Michael Franti's tenth studio album, Stay Human Vol. II, available now.
In a quest to hold on to humanity and STAY HUMAN in the craziness of the world we live in today, award-winning musician Michael Franti takes us on a personal journey through his songs and stories of extraordinary humans who inspire him to overcome cynicism with optimism and hope. Michael shares the tales of Robin Lim, a midwife who opened a birthing clinic in the aftermath of a devastating typhoon in the Philippines; Steve & Hope Dezember, a young couple whose love carries them through Steve's battle with ALS; Arief Rabik, an environmental scientist in Bali who perfected a method to make industrial and household products with bamboo in an effort to curb deforestation; and Sive Mazinyo and Busisiwwe Vazi, who help inspire their community of Port Elizabeth, South Africa, through music and education. Michael reflects on his own journey facing adversity as a child, struggling to find his voice as a musician, and how he came to find inspiration through these stories. He hopes to inspire people to become changemakers by utilizing creativity, tenacity, and heart to face our daily challenges as individuals, and together as citizens of our planet to STAY HUMAN.
Born into a tight-knit wrestling family, Paige and her brother Zak are ecstatic when they get the once-in-a-lifetime opportunity to try out for WWE. But when only Paige earns a spot in the competitive training program, she must leave her family and face this new, cut-throat world alone. Based on the incredible true story, this heartwarming comedy follows Paige as she proves that what makes her different is the very thing that can make her a star.
The Saint Of Lost Causes is the 8th album from American roots troubadour, Justin Townes Earle. Earle’s latest album finds a songwriter and artist who is unflinching and unequivocal in his truth. When writing this album, Earle focused on a different America—the disenfranchised and the downtrodden, the oppressed and the oppressors, the hopeful and the hopeless. There’s the drugstore-cowboy-turned-cop-killer praying for forgiveness (“Appalachian Nightmare”) and the common Michiganders persevering through economic and industrial devastation (“Flint City Shake It”); the stuck mother dreaming of a better life on the right side of the California tracks (“Over Alameda”) and the Cuban man in New York City weighed down by a world of regret (“Ahi Esta Mi Nina”); the “used up” soul desperate to get to New Orleans (“Ain’t Got No Money”) and the “sons of bitches” in West Virginia poisoning the land and sea (“Don’t Drink the Water”). These are individuals and communities in every corner of the country, struggling through the ordinary—and sometimes extraordinary—circumstances of everyday life.
It was on a mountainside in Cumbria that the first whispers of Cate Le Bon’s fifth studio album poked their buds above the earth. “There’s a strange romanticism to going a little bit crazy and playing the piano to yourself and singing into the night,” she says, recounting the year living solitarily in the Lake District which gave way to Reward. By day, ever the polymath, Le Bon painstakingly learnt to make solid wood tables, stools and chairs from scratch; by night she looked to a second-hand Meers — the first piano she had ever owned — for company, “windows closed to absolutely everyone”, and accidentally poured her heart out. The result is an album every bit as stylistically varied, surrealistically-inclined and tactile as those in the enduring outsider’s back catalogue, but one that is also intensely introspective and profound; her most personal to date.
Mavis Staples returns with a brand new studio album produced and written by Ben Harper. Backed by Mavis’ critically acclaimed live band, We Get By features 10 songs of longing, strength, and spirituality, presented with simplicity, grit and sublime beauty. Highlights include the buoyant, “Anytime”, the cathartic, “Change”, and the title track, an uplifting duet with Ben Harper.
Enter Flamagra - a work that sweeps up every quantum advance and creative leap of the last dozen years of Lotus career and takes them even further; the Warp release encompasses hip-hop, funk, soul, jazz, global dance music, tribal poly-rhythms, IDM, the L.A. Beat scene, but it soars above a specific vortex whose coordinates can t be accurately charted. Other than to say that it is a Flying Lotus record, perhaps the definitive one. An astral afro-futurist masterpiece of deep soul, cosmic dust, and startling originality. He s aided by a dream cast of collaborators: Anderson Paak, George Clinton, Yukimi Nagano of Little Dragon, Tierra Whack, Denzel Curry, Ishmael Butler of Shabazz Palaces, Toro y Moi, and his telepathic kinsman, Thundercat. David Lynch even pops up for an eerie narration wherein he somberly warns that, 'Fire is coming.' But they all naturally bend to the magnetic warp of Lotus spells -- a transfixing hex unto themselves. Limited Edition double vinyl with mirrorboard pop-up gatefold sleeve.
Joan Wasser aka JOAN AS POLICE WOMAN releases ‘JOANTHOLOGY’, her first ever career retrospective, on Play It Again Sam. ‘JOANTHOLOGY’ spans the first fifteen years of Joan’s remarkable musical output and includes new, rare and unreleased material alongside more than thirty of her most loved songs. Curated and sequenced by Joan and manager Tom Rose (who discovered and released her earliest recordings) this collection showcases Joan’s songwriting chops, her love of music, of experimentation and of life! With songs from each Joan As Police Woman album: ‘Real Life’ , ‘To Survive’ , ‘The Deep Field’ , ’The Classic’ and ‘Damned Devotion’, it also includes material from her album of cover versions, ‘Cover’, from 2016’s ‘Let It Be You’, recorded with Benjamin Lazar Davis, and the lead track from her debut EP ‘My Gurl’ (2004).
Brian Setzer (guitar, vocals), Lee Rocker (bass, vocals) and Slim Jim Phantom (drums, vocals)--original founding members of the iconic and acclaimed American rock and roll trio--are celebrating their 40th anniversary with a new album. STRAY CATS have titled the album 40. Marking their first new album in 26 years, it will be released via Surfdog Records (CD, vinyl, digital). The song titles alone--including “Cat Fight (Over A Dog Like Me),” “Rock It Off,” “Mean Pickin’ Mama,” and “Devil Train”—instantly let listeners know they’re in for a non-stop rocking time.
Released May 24th the original cast recording to the Paramount Pictures Motion Picture Rocketman. Directed by Dexter Fletcher (Bohemian Rhapsody) and Produced by Matthew Vaughn (Kick-Ass) the movie is a musical fantasy charting Elton John’s breakthrough years and stars Taron Egerton (Kingsman) as Elton John, Jamie Bell (Billy Elliot) as songwriter Bernie Taupin, Richard Madden (Game of Thrones) as manager John Reid plus Bryce Dallas Howard (Jurassic World) as Elton’s mother Sheila Eileen.
Amyl and The Sniffers are a grimy pub rock band from Melbourne, Australia. The band take their cues from a diverse mix of hard rock, Aussie punk, and country. They set out to have as much fun as possible and scared up a whole lot of fans along the way. AATS were brought to ATO’s attention when they opened for King Gizzard. The Sniffers have since been selling out headlining dates in the US and have sold through three pressings of their "Some Mutts" single. Their full-length album releases 5/24.
Following the acclaim of 2017's Out Of All This Blue (awarded four-stars in Q Magazine and The Independent), on 24th May, The Waterboys will release their new album, Where The Action Is, via Cooking Vinyl. Its title inspired by Robert Parker's 1960s mod / northern soul classic, Where The Action Is is a 10-song, genre-defying album, testament to the enduring talents of the band's founder and front man Mike Scott. One of the finest British songwriters of the past four decades, his songs have been covered and recorded by artists including Prince, Rod Stewart, Tom Jones, Steve Earle, and Ellie Goulding (who had a number three hit with a How Long Will I Love You).Where The Action Is will be available on CD, LP, digital download and streaming services.
Today, New Zealand's Marlon Williams announces Live at Auckland Town Hall, out on CD and vinyl on May 24th via Dead Oceans. This marks Williams' first official live album and the follow-up to his critically acclaimed 2018 sophomore LP, Make Way for Love. Williams spent the bulk of 2018 touring across the world in support of Make Way for Love, sharing the stage with his second family, The Yarra Brothers. Last year also saw Williams' silver screen debut with a small role and performance in Bradley Cooper's Oscar-nominated A Star is Born. Finally, after the whirlwind, Williams returned home to New Zealand, performing two sold-out nights at the Auckland Town Hall as a fitting cap to the world tour. Across the past several years on the road, the Marlon Williams live show has taken on an almost mystical status - not just for Williams' extraordinary voice, but also for the hypnotic command he has over an audience, his seamless blending of genres, and the effortless, instinctive relationship he shares with his band. Live at Auckland Town Hall captures an artist both early enough in his career to be humbled by the occasion, and developed enough to present a stunning catalogue of music and quality of performance. Live at Auckland Town Hall feels sure to enter the canon of great live albums in the years to come, a dazzling snapshot of Marlon Williams' musical singularity.
One of rock’s most influential and enduring singer-songwriters, JESSE COLIN YOUNG, who first made history with the Youngbloods on their classic ‘60s peace anthem “Get Together,” and who has amassed a loyal worldwide over the past five decades, will release his 19th solo album, DREAMERS, on May 24th, 2019 via BMG. Born Perry Miller, “Jesse” was born in Queens, NY. With his band The Youngbloods, Jesse would go on to release 10 studio albums, all charting in the US top 200. Their debut and self titled Album, The Youngbloods would prove to be one their most successful. The Youngbloods toured consistently from 1965 to 1985 while embracing their Folk Rock / good time attraction. Their sound would temper their Blues and Jugband influences with gentle California psychedelia. Jesse Colin Young has released 18 albums, 19 singles and EPs, and has accrued over 200 writing and performance credits in his career. Today, Jesse continues to tour with his own 8 piece band, consistently selling out venues in the east coast.
SOTO, the group lead by acclaimed vocalist and current Sons Of Apollo frontman Jeff Scott Soto (ex Yngwie Malmsteen / Talisman / Journey, TSO, W.E.T.), return with their third album and InsideOutMusic debut "Origami", which showcases 10 tunes of modern, melodic and highly versatile Hard Rock and Metal with addictive songwriting and an infectious level of catchiness.
Ezra Furman follows his "layered, baroque pop melodrama" (Billboard), Transangelic Exodus, with Twelve Nudes. Continuing on the same wavelength, this "spiritually queer" punk record is both incendiary and inspiring. Across the album, Furman channels pent-up energy, distinguished by sharp, lacerating observations, confessions and proclamations. Twelve Nudes was recorded quickly in Oakland in the of Fall 2018 and was mixed by venerated producer John Congleton (Sharon Van Etten, St. Vincent). The result is less stereotypical punk and more raw, raucous rock'n'roll. The album has two spiritual heroes - the late great punk Jay Reatard and Canadian writer and philosopher Anne Carson. The title stems directly from Carson, who used the term "nudes" to describe the meditations she used to deal with intense pain in her life. Throughout Twelve Nudes, Furman uses both personal and outward experiences to communicate intense frustration.
Hailed by Rolling Stone as a “stomping, swaggering rock & roll balancing act teetering between blinding light and total darkness,” Barns Courtney releases his newest album, 404, on September 6 by Capitol Records. Barns wrote and produced the 10-song collection with synth wiz and longtime friend Sam Battle. All in all, 404 is a commentary on his journey from awe struck naivety to the dark realization of adulthood. Barns Courtney has already surpassed a half billion cumulative streams globally and is currently touring with Elle King. In between headline dates, he’s opened for everyone from The Who and Blur to Ed Sheeran and The Wombats, prompting The Dallas Observer to note, “At the rate he's been performing, it won’t be long until he’s burned his name into the memory of anyone and everyone who bought a ticket to see someone different.”