Metal

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GWAR

GWAR

The Blood of Gods

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GWAR
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Summoning

Summoning

With Doom We Come

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Ever since the release of their debut album Lugburz (1995) SUMMONING have proven themselves to be the true guardians of Middle Earth! What started out as a project deeply rooted in traditional black metal took an epic turn in the following years – evergreens like Dol Guldur (1996) and Let Mortal Heroes Sing Your Fame (2001) bear witness to a continuously refined soundscape. Five years after Old Mornings Dawn, Protector and Silenius have turned over a new leaf in their bottomless saga. Over eight tracks, With Doom We Come indulges all things sublime and majestic, while grandiose keyboard backgrounds and mystical intros weave pure atmosphere contrasting with raw black metal. Opener ‘Tar-Calion‘ is a fitting ode to the last king of the island of Númenor, while ‘Carcharoth‘ tells the bloodthirsty tale of Arda`s mightiest wolf. Sagas and myths culled from J.R.R. Tolkien`s vast universe are the black blood that courses through SUMMONING`s veins, and With Doom We Come the ultimate soundtrack to a fantastic journey!

Summoning
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Morbid Angel

Morbid Angel

Kingdoms Disdained

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Morbid Angel, the true forefathers of death metal music, triumphantly return with their 9th studio album Kingdoms Disdained, to be released on Silver Linings Music. Kingdoms Disdained finds legendary guitarist and founder Trey Azagthoth reigniting his creative alchemy with vocalist/bassist Steve Tucker to create a crushingly heavy and highly apocalyptic soundtrack for these increasingly dark times. Relentless and unrepentant Kingdoms Disdained abounds with sheer, brutal power, complex changes and a gloriously violent death metal underpinning, an album designed to confront fans and non-believers alike, with Tucker’s lyrics destined to spark deep conversation on several angles of mysticism and darkness. “Garden of Disdain” proclaims ’this world of useless being, this endless festering’ as the unceasing riff's weight further augments the song’s meaning, while the barbaric barrage of “Architect and Iconoclast” roars ‘I am all prophecies fulfilled, yet you refuse to see this.' Azagthoth produces some of his finest work yet, his demonically-heavy riffs and lead work finding a powerful delivery vehicle via the strength of Scotty Fuller’s insane percussion and Tucker’s relentless vocal savagery. The supreme solo during “The Righteous Voice” underscores Azagthoth’s unique creative arrangements, and in “For No Master”, Azagthoth illustrates that no guitarist in the genre orchestrates, and translates, dark chaos so masterfully. Wrapped in a thick wall of death metal sound, Kingdoms Disdained was recorded at Mana Studios in St. Petersburg, FL and produced by Morbid Angel with Erik Rutan (produced albums by Morbid Angel, Cannibal Corpse, Hate Eternal, Six Feet Under, Belphegor and many more). It will unequivocally and unapologetically reset the bar for dynamic death metal music, and only the scared, the meek or the ignorant would wilfully deny themselves a taste of Kingdoms Disdained.

Morbid Angel